On 28 December 1999, the citizens of New York City are getting ready for the turn of the millennium. However, Satan decides to crash the party by coming to the city and searching for his chosen bride — a 20-year-old woman named Christine York. The world will end, and the only hope lies within an atheist named Jericho Cane.
Is End of Days on Netflix? Yes! The movie End of Days is now on Netflix in the countries listed below.
| Production | Jackie Burch | Casting |
| Sound | John Debney | Original Music Composer |
| Sound | Scott Martin Gershin | Sound Effects Editor |
| Costume & Make-Up | Jeff Dawn | Makeup Department Head |
| Crew | Tim Gilbert | Utility Stunts |
| Crew | Bradley M. Goodman | Post Production Supervisor |
| Editing | Steven Kemper | Editor |
| Visual Effects | Keith Marbory | Special Effects Supervisor |
| Art | Charlie Daboub | Art Direction |
| Sound | Robert Deschaine | ADR Mixer |
| Sound | Tony Lamberti | Sound Designer |
| Production | Marc Abraham | Executive Producer |
| Sound | Christopher Assells | Sound Editor |
| Sound | Christopher Assells | Sound Effects Editor |
| Visual Effects | Alessandra Carlino | Visual Effects Assistant Editor |
| Crew | Thomas L. Fisher | Special Effects Coordinator |
| Crew | Freddie Hice | Utility Stunts |
| Crew | Gene LeBell | Utility Stunts |
| Art | Mauro Borrelli | Production Illustrator |
| Art | Maya Shimoguchi | Set Designer |
| Crew | Henry Kingi | Utility Stunts |
| Directing | William M. Elvin | First Assistant Director |
| Directing | Peter Hyams | Director |
| Camera | Peter Hyams | Director of Photography |
| Production | Armyan Bernstein | Producer |
| Art | Richard Holland | Production Design |
| Art | Pamella D'Pella | Location Scout |
| Production | Nancy Rae Stone | Executive In Charge Of Production |
| Writing | Andrew W. Marlowe | Writer |
| Production | Andrew W. Marlowe | Co-Producer |
| Production | Bill Borden | Producer |
| Production | Thomas A. Bliss | Executive Producer |
| Visual Effects | Stan Winston | Creature Design |
| Crew | Jennifer Caputo | Stunt Double |
| Editing | Jeff Gullo | Editor |
| Camera | Todd Turner | Epk Producer |
| Art | Gary Fettis | Set Decoration |
| Production | Denise Pinckley | Production Manager |
| Production | Don Orlando | Production Accountant |
| Production | Angela Heald | Production Supervisor |
| Crew | Troy Brown | Utility Stunts |
| Crew | Dick Ziker | Utility Stunts |
| Crew | Ronnie Rondell Jr. | Utility Stunts |
| Sound | Nerses Gezalyan | Foley Mixer |
| Sound | James Moriana | Foley Artist |
| Sound | Jeffrey Wilhoit | Foley Artist |
| Sound | Greg Zimmerman | Foley Recordist |
| Art | Al Hobbs | Set Designer |
| Art | Greg Berry | Set Designer |
| Art | Charisse Cardenas | Set Designer |
| Camera | Michael Scott | Additional Camera |
| Sound | Kerry Ann Carmean | Sound Effects Editor |
| Crew | Mary Lamar Mahler | Set Medic |
| Production | Paul Deason | Unit Production Manager |
| Production | Paul Deason | Co-Producer |
| Costume & Make-Up | Bobbie Mannix | Costume Design |
| Costume & Make-Up | Gail A. Fitzgibbons | Costume Supervisor |
| Art | Michael Saccio | Property Master |
| Art | Steve Callas | Construction Coordinator |
| Lighting | Juan M. García | Best Boy Electric |
| Crew | Scott R. Fisher | Special Effects Coordinator |
| Crew | Denny Caira | Transportation Coordinator |
| Crew | Troy Robinson | Utility Stunts |
| Camera | Stephen S. Campanelli | Steadicam Operator |
| Crew | Mitchell S. Drain | Digital Effects Supervisor |
| Art | Cheree Welsh | Art Department Coordinator |
| Art | Dawn Brown | Assistant Art Director |
| Sound | Victor Ray Ennis | First Assistant Sound Editor |
| Art | David James | Sculptor |
| Art | Hope M. Parrish | Property Master |
| Directing | Tricia Ronten | Script Supervisor |
| Art | Julia K. Levine | Set Designer |
| Crew | Steve M. Davison | Stunt Coordinator |
| Visual Effects | Ian Hunter | Visual Effects Producer |
| Crew | Ian Hunter | Visual Effects Art Director |
| Sound | Lauren Stephens | Dialogue Editor |
| Sound | Frank A. Montaño | Sound Re-Recording Mixer |
| Crew | Mike Shannon | Transportation Captain |
| Sound | James Wright | Dolby Consultant |
| Sound | Michael Minkler | Sound Re-Recording Mixer |
| Camera | Steven J. Winslow | Camera Technician |
| Camera | Zade Rosenthal | Still Photographer |
| Crew | J. Alan Scott | Animatronics Designer |
| Camera | David Norris | Camera Operator |
| Visual Effects | John 'D.J.' Des Jardin | Visual Effects Supervisor |
| Sound | Michelle Pazer | ADR Editor |
| Sound | Richard Dwan Jr. | Dialogue Editor |
| Sound | Richard Dwan Jr. | ADR Editor |
| Crew | Zeke Morales | Visual Effects Editor |
| Sound | Thomas A. Carlson | Music Editor |
| Sound | Laura Harris Atkinson | Dialogue Editor |
| Crew | Joel Holland | Video Assist Operator |
| Lighting | James R. Tynes | Gaffer |
| Visual Effects | Gary Nolin | Visual Effects Producer |
| Sound | Hector C. Gika | Sound Effects Editor |
| Crew | Kosta Saric | Visual Effects Editor |
| Costume & Make-Up | Peter Tothpal | Hair Designer |
| Costume & Make-Up | Jennifer Bell | Key Hair Stylist |
| Costume & Make-Up | Louis Lazzara | Makeup Artist |
| Art | Kurt V. Hulett | Leadman |
| Crew | Gregory J. Barnett | Utility Stunts |
| Sound | Michael D. Wilhoit | Supervising Sound Editor |
| Lighting | John 'Fest' Sandau | Assistant Chief Lighting Technician |
| Crew | Craig A. Mumma | Digital Effects Producer |
| Sound | Scott Sanders | Sound Effects Editor |
| Camera | J. Patrick Daily | Key Grip |
| Camera | Michael Ferris | Additional Camera |
| Costume & Make-Up | Dayne Johnson | Makeup Artist |
| Costume & Make-Up | Justin Ditter | Wigmaker |
| Art | Kenneth Hardy | Assistant Art Director |
| Art | Jeffrey Beck | Set Designer |
| Visual Effects | Kurt Williams | Visual Effects Producer |
| Visual Effects | Eric Durst | Senior Visual Effects Supervisor |
| Camera | Michael P. May | Additional Camera |
| Lighting | Charlie McIntyre | Rigging Gaffer |
| Editing | Ray Boniker | First Assistant Editor |
| Production | Kokayi Ampah | Location Manager |
| Crew | Carrie Gerlach | Unit Publicist |
| Production | Michael Haro | Location Manager |
| Visual Effects | Walter Garcia | Visual Effects Production Assistant |
| Crew | Chuck Picerni Jr. | Utility Stunts |
| Editing | Scott Janush | Assistant Editor |
| Crew | Tom Knott | Special Effects Assistant |
| Crew | Walter Zieska | Propmaker |
| Sound | Kelly Oxford | Supervising Sound Editor |
| Production | Aaron Dem | Head of Production |
| Sound | G. Marq Roswell | Music Supervisor |
| Sound | Michael Miller | ADR Mixer |
| Sound | Pete Anthony | Orchestrator |
| Crew | Adam Khalid | Post Production Assistant |
| Editing | Phil Hetos | Color Timer |
| Sound | Jeff Glueck | Sound Engineer |
| Sound | Gene S. Cantamessa | Production Sound Mixer |
| Production | Rob Mitchell | Controller |
| Visual Effects | Erik Lee | Lead Animator |
| Art | James Doh | Storyboard Artist |
| Production | Tami Hodges Gruneich | Key Set Production Assistant |
| Visual Effects | Brandon Craig | I/O Supervisor |
| Art | Paul Rylander | Assistant Property Master |
| Crew | Tim Gonzales | Craft Service |
| Production | Robert West | Production Office Coordinator |
| Art | Peter Olexiewicz | Construction Foreman |
| Crew | Troy Gilbert | Utility Stunts |
| Crew | Harry Lu | Armorer |
| Sound | Leonel Pedraza | Sound |
| Crew | Kenny Chaplin | Set Production Assistant |
| Sound | Todd Bassman | Boom Operator |
| Crew | John Armstrong | Driver |
| Crew | Howard Velasco | Security |
| Visual Effects | Kenneth Au | Digital Compositors |
| Editing | Gary Burritt | Negative Cutter |
| Art | Francis Meade Warner | Art Department Assistant |
| Camera | Ismael Araujo Jr. | Grip |
| Camera | Craig Dyer | Helicopter Camera |
| Art | David L. Bell | Set Dresser |
| Crew | cEvin Key | Additional Music |
| Crew | Ralph Peterson | Carpenter |
| Camera | Paul Shane Durazo | Camera Loader |
| Crew | Justin Blaustein | Projection |
| Crew | Ivy Borg | Stand In |
| Crew | Shawn Kautz | Stunts |
| Crew | Greg Bradner | Systems Administrators & Support |
| Lighting | Paul Ciancetta | Lighting Technician |
| Lighting | Brad Duenkel | Rigging Grip |
| Production | Angela Peabody | Casting Associate |
| Visual Effects | Ivan DeWolf | 3D Artist |
| Visual Effects | Anders Ericson | Visual Effects |
| Visual Effects | Chad J. Hellmuth | Visual Effects Coordinator |
| Camera | Daniel Pershing | Dolly Grip |
| Camera | Dennis Rogers | First Assistant Camera |
| Camera | Brian Mussetter | Assistant Camera |
| Camera | Jennifer Bell | Second Assistant Camera |
| Crew | Ronald Epstein | Special Effects Technician |
| Directing | Joth Riggs | Second Second Assistant Director |
| Production | Shawn Gillespie | First Assistant Accountant |
| Production | Jim Swidarski | Payroll Accountant |
| Art | Christopher Carlson | Assistant Decorator |
| Camera | Darin Necessary | Additional Second Assistant Camera |
| Production | Carrie L.A. | Assistant Location Manager |
| Sound | Yvonne McDonald | Music Coordinator |
| Production | Tammy Apana | Assistant Accountant |
| Production | Donald E. Wygal | Assistant Production Coordinator |
| Crew | Walter von Huene | Dialogue Coach |
| Production | Byron Crystal | Extras Casting |
| Lighting | Michael McGuire | Key Rigging Grip |
| Visual Effects | Alison Yerxa | Matte Painter |
| Production | John Bozzalla | Production Assistant |
| Camera | Tom West | Best Boy Grip |
| Production | David Collier | Production Coordinator |
