A man (Richard Roxburgh) the Australian government blames for 1990s political woes blames his mother (Judy Davis), a communist Stalin seduced in 1951.
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| Camera | Martin McGrath | Director of Photography |
| Costume & Make-Up | Terry Ryan | Costume Design |
| Art | Roger Ford | Production Design |
| Art | Kerrie Brown | Set Decoration |
| Camera | Ian Phillips | Focus Puller |
| Art | Laurie Faen | Art Direction |
| Sound | Andrew Plain | Supervising Sound Editor |
| Production | Tristram Miall | Producer |
| Sound | Nigel Westlake | Original Music Composer |
| Writing | Peter Duncan | Screenplay |
| Directing | Peter Duncan | Director |
| Writing | Peter Duncan | Author |
| Production | Peter Duncan | Casting |
| Production | Greg Ricketson | Production Supervisor |
| Production | Greg Ricketson | Associate Producer |
| Editing | Simon Martin | Editor |
| Crew | Simon Martin | Post Production Supervisor |
| Writing | Simon Martin | Script Editor |
| Production | Robyn Kershaw | Casting |
| Costume & Make-Up | Nik Dorning | Prosthetic Makeup Artist |
| Crew | Richard Boué | Stunt Coordinator |
| Editing | Martin Connor | First Assistant Editor |
| Sound | Christine Woodruff | Music Coordinator |
| Directing | Kate Dennis | Continuity |
| Costume & Make-Up | Ann-Maree Hurley | Prosthetic Makeup Artist |
| Sound | Guntis Sics | Sound Recordist |
| Crew | John O'Connell | Choreographer |
| Camera | Graham Sharpe | Camera Operator |
| Camera | Danny Batterham | Camera Operator |
| Sound | Libby Villa | Dialogue Editor |
| Camera | Robert Agganis | Steadicam Operator |
| Costume & Make-Up | Mel Dykes | Costume Supervisor |
| Sound | Antony Gray | Sound Effects Editor |
| Directing | P.J. Voeten | First Assistant Director |
| Directing | Jennifer Leacey | Third Assistant Director |
| Crew | John Bowring | Special Effects |
| Crew | John Bowring | Armorer |
| Editing | John Lee | Assistant Editor |
| Costume & Make-Up | Yvonne Savage | Hairstylist |
| Costume & Make-Up | Kirsten Veysey | Makeup Artist |
| Costume & Make-Up | Kirsten Veysey | Prosthetic Makeup Artist |
| Camera | Colin Deane | Focus Puller |
| Art | Tracey Hyde-Moxham | Art Department Coordinator |
| Art | Libby Blainey | Title Designer |
| Camera | Brett McDowell | Key Grip |
| Costume & Make-Up | Wendy Sainsbury | Prosthetic Makeup Artist |
| Directing | John Martin | Second Assistant Director |
| Camera | John Tate | Assistant Grip |
| Camera | Philip le Masurier | Still Photographer |
| Camera | Martin Lee | Steadicam Operator |
| Camera | Katrina Crook | Focus Puller |
| Camera | Michele Duval | Clapper Loader |
| Lighting | Greg Rawson | Best Boy Electric |
| Camera | James Rickard | Focus Puller |
| Production | Georgina Burke | Researcher |
| Editing | Gregory Klumov | Archival Footage Research |
