For decades, Le Tango, a legendary LGBTQ+ dance hall in Paris’s Marais district, welcomed everyone who loved to dance, regardless of gender or orientation. When the building was put up for sale in 2020, its music stopped, threatening to erase a vital community refuge. This documentary traces both the vibrant history and the fierce fight to save this iconic space. Through personal stories from regulars and activists—Grégoire, Giovanna, Christian, Livia, and others—the film revisits nights of drag balls, Dalida tributes, and joyous Madisons, revealing how Le Tango became a symbol of freedom and belonging. As filmmaker Antoine Vergez follows Hervé and the Tango 3.0 collective’s three-year struggle to reopen the club, the film becomes both a love letter to queer nightlife and a chronicle of collective resistance to cultural disappearance.
This short film tells the story of a producer who once again denies a screenwriter the chance to realize HIS script. But this time, the script turns out to be far from ordinary. All names are fictional, and any resemblance is purely coincidental.
After surviving the collapse that took the love of his life, Kairo discovers a rift in time: the chance to go back a few seconds before the disaster. Will he be able to recover what he lost without getting lost in the past?
Poet, agricultural engineer and revolutionary Amílcar Cabral was born in Guinea-Bissau to Cape Verdean parents. After studying in Portugal, he emerged as the charismatic leader of the anti-colonial struggle against Portuguese rule. With his utopian ideas, he sparked a cultural and an armed uprising that went on to inspire other African liberation movements.
“A Song Reborn” reveals the extraordinary 1994 reunion of Paul, George and Ringo, 24 years after The Beatles parted ways. A true collaboration became possible when Yoko Ono handed them an unfinished John Lennon composition. Crafted from never-before-seen studio footage, this short film captures the three Beatles rediscovering their bond as they shape John’s song into the GRAMMY-winning “Free As A Bird.”
The teenage thieves known as the Mavericks plan to work with new kid Ezra Pawk when they finally decide it's time to pull off a heist that's worth a lot more than money.
In 1980, 15-year-old Mika Taanila—soon to be a renowned filmmaker—recorded, under his then moniker Musiikkivyöry, a track titled We’re Becoming Blind. Here, played in reverse, it accompanies abstract 16mm film hand-painted by contemporary teenagers and fragments from Jean-Luc Godard’s Le Mépris (1963) and Ici et ailleurs (1976). Images and sounds echo across generations: a fragile dialogue of sight and blindness, of refusal and revelation.
The latest natural disasters have had an emotional impact on filmmaker Jaume Carrió, who reflects on loss in this essay that analyzes the way society has to capture memories.
Sol accepts the invitation of Naty, an old friend she hasn't seen in seven years. The plan is to spend the weekend together and perform an ayahuasca ritual. But the trip reawakens old, unresolved emotions among the friends.
St. Pete Boxing Club is the home of three former world champions: Ronald “Winky” Wright, Jeff “Left Hook” Lacy, and Keith “One Time” Thurman. “Successors of St. Pete: The St. Pete Boxing Club Story” explores not just a gym, but a legacy, as it follows fighters throughout every generation to answer the question: Who is going to continue the legacy that was left for them?
The starting point is an excerpt from the Albanian feature film "Qyteti me i ri ne bote" (Xhanfise Keko 1974, EN: "The Youngest City in the World"), in which a boy dreams of a modern city where progress and change are represented by construction and sealing. The film revolves around the historical and current transformation processes of urban space and reflects on the power of images, historical and contemporary utopias, and their interplay with architecture. An essay on new and contemporary utopias and their interplay with architecture. The film revolves around the historical and current processes of transformation in urban space and reflects on the power of images, historical and contemporary utopias, and their interplay with architecture. An essay on new and old regimes, power, propaganda, and the accessibility of public space.