A long-divorced Chinese couple reunites in Texas for their daughter’s college graduation. The mother stays in the daughter’s small apartment, while the father returns each night to a hotel room of his own. The daughter drifts between her parents and her own thoughts. At times, they appear to be a family. After years of absence, what remains between them goes unspoken, as the father keeps his distance, lingering nearby.
People on Sunday is filmed with a hand-cranked camera familiar from silent films and the early films of the Lumière brothers. The flickering images and shimmering light produced by this old technology also characterize Viita's film. People on Sunday refers in its title to the German classic Menchen am Sonntag (1930), which is a well-known example of the impact of historical events on the later interpretation of a film. The inexorable passage of time and the beautiful fragility of life are central themes in both films.
Collective singing calls for deep listening and mutual attunement – heard in the voices of the sisters of a historic convent, echoed in traditional male vocal ensembles, carried through football stadiums, and rising in the resounding protest chants of women’s marches.
In a mist-shrouded mountain range, two young recordists search fragments of memory buried in static, silence, and soil. As they gather stories erased by conflict, an intimate resistance takes shape: quiet, tender, and defiant in the face of forgetting.
Coco's Moon is a feature-length fiction film that tells the story of a man who falls in love with the Moon. What hidden desires manifest in a being who seeks love in the cosmos? A dramatic comedy that flirts with magical realism and absurdity, typical of the Selenophilic relationship of Coco -our protagonist- and the chaos in the family and social world.
A couple agrees to sacrifice their marriage to the devil in order to make it to Heaven. When the husband is confronted with the ultimate opportunity to ascend to Heaven, he defies the deal and descends into Hell forever.
What started as a small gathering of sports nerds at MIT became one of the most influential events in modern sports. “Dorkapalooza: How the Nerds Won” traces the rise of the MIT Sloan Sports Analytics Conference, from its scrappy beginnings two decades ago to its outsized impact on the way teams, leagues, and fans understand the games they love. We explore the big ideas that reshaped sports, the backlash that followed, and what the future of analytics might look like. Featuring reflections from Bill Simmons, Daryl Morey, Jessica Gelman, Zach Lowe, Shane Battier, Michael Lewis, and more.
A documentary portrait of Roy Blakey, a pioneering figure skater, collector, and photographer who became known for his influential male nude photography in New York’s art world. Through archival footage, photographs, and intimate present-day moments, filmmaker Keri Pickett reflects on her lifelong bond with the uncle who mentored and inspired her. As 93-year-old Roy faces life-threatening dementia and his memories begin to fade, she races to preserve his legacy — a figure skater, ice-show archivist, and gay photographer whose male nudes etched into history. Tracing Roy’s journey from Depression-era beginnings and international ice shows to his role documenting queer culture, the film becomes a tribute to an unconventional artist and a moving exploration of family, memory, and legacy before his final curtain call.
Fantastique is a magic-realistic coming-of-age in Guinea-Conakry. We follow the 14-year-old contortionist Fanta, who juggles between care for her ailing mother, school, and what she loves the most: Training with the acrobatic circus Amoukanama, with the hopes of joining their next big tour. Trying to bridge all expectations, Fanta starts to doubt what she really wants, searching for her own voice.
An ambitious first-generation Indian managing director at a major London bank loses his British accent in a stroke. Comedy ensues threatening his identity and career and he must either re-learn his accent or risk losing it all
Tucker Carlson reveals how companies use beloved right-wing voices to sell precious metals at astronomical markups, leaving hardworking Americans betrayed by the very people they trust. The scam has run for decades because those who should expose it are often paid to promote it. That ends now.