A study of observations around the ancient monument of the temple of Augustus and Livia and to cities of Vienne, Chonas-l'Amballan and Saint-Prim. Firstly proposed as a sort of ghost hunting, the project seems to focus on a world of figures, the whispers of the roads, diegetic/non-diegetic sounds and a camera that tries to investigate under fragments of logic and articulating cuts.
"Kartli" refers both to Georgia’s medieval kingdom and a Tbilisi sanatorium sheltering refugees from the 1990s war in Abkhazia, meant as temporary but lasting 30 years. The crumbling building became a recreated “country”, with a farm, gardens, terraces and rooms where old VHS tapes revive memories of a lost paradise. Through Tamuna, Irma, and others, the film explores exile, trauma, and shared resilience, showing that nothing stays the same inside Kartli.
Reffie goes to an observatory and notices that the face of the moon is sticking its tongue out at him. As revenge, Reffie crashes a rocket into the moon, turning the moon into a crescent moon.
Şırnak is a Kurdish city on the border of Turkey, Iraq and Syria. In 2007, drama teacher Tayfur began recording candid interviews with children aged between 8 and 14. They were once enthusiastic, honest and full of hope for a brighter future. Today, such interviews are not even possible anymore. The school has been destroyed. Women's rights are fragile. People's mental health is deteriorating and self-confidence is lost. Bigger ambitions have faded. In 2016, war erupted on the streets of Şırnak.
Nico, a closeted queer 3rd year architecture-student-athlete must navigate between living up to his strict father's expectations and living as his true self, guided by the presences of a spiritual Anggitay.
How can we approach a museum today that was built over a century ago to serve colonial propaganda? In Brussels, after five years of renovation, the Africa Museum has reopened its doors, offering new forms of exhibition. Visitors can be seen engaging in discussions with their guides as well as freely wandering through the spaces. This diverse crowd of museum-goers shapes the contours of a place where, despite the new narratives, the past seems to linger unresolved.
The film observes the time when robotics and artificial intelligence are becoming an integral part of everyday life in Latvia. It follows a society that – simultaneously curious and skeptical – learns to live with technologies that are inevitably becoming an integral part of everyday life in schools, shops, work and leisure, even in church. Without interfering, just being present and observing, the film captures everyday and often comical moments: how students get acquainted with a telecommunications robot, how an automatic holy water dispenser welcomes believers in church, and elsewhere someone learns to drive a car in virtual reality.
Drybone the Immortal and Shieldmaiden Barbara are preparing for their wedding, but not all Barbara's relatives are happy about the union. Her strong-willed aunt, Queen Brungilda, believes her niece deserves a more suitable match. In a misguided attempt to stop the wedding, she unwittingly casts a powerful sleeping charm on Barbara. The Queen proclaims that the legendary Elixir of Life can save Barbara, but only a truly noble knight will survive the treacherous path to the Elixir, hidden in a perilous place where danger lurks at every turn. Drybone, known as a dark sorcerer, stands no chance in this noble quest, so he enlists Elijah, a true and valiant knight but clumsy and fearful, to join him. In a tale filled with action, magic, and humor, only a true hero can save Barbara and restore peace and joy to the kingdom.