Two young film enthusiasts from downtown São Paulo are doing a film rehearsal and, for the final scene, inspired by "The Man Who Left His Will on Film," they want to film a projection onto a woman's body.
When Halyard Vider picks a stray old Television off the street for fun, he brings home something he never could have anticipated, changing his life for good.
Callous and crippled, former pirate Ed meets Regina, an escaped enslaved woman who offers him justice for his crew, a chance to walk again, and a shot at redemption – in exchange for a favour. After initially refusing, Ed sacrifices himself by securing justice for his crew, freeing Regina, and inspiring her to become a pirate.
Ismail, a Palestinian director long denied the freedom to travel, finally sets out on a journey tracing the path Christ walked two thousand years ago, from Nazareth to Jerusalem, seeking stories of miracles and legends. He is surprised to find the route now crowded with refugee camps, witnessing their stories, dreams, and resilience. This cinematic journey blends history with the present, the spontaneous with the deliberate, and explores the ongoing impact of the Nakba on Palestinian life and identity.
9 m² is the surface area of a cell shared by two prisoners during their incarceration in a prison. Alternately interpreters and filmers, ten of them will stage their daily life in a series of strong moments: friendship, indifference, confrontation, solitude... So many fragments of prison reality.
This film captures an erotic memory, where intimacy is illuminated only by the dramatic, available light of a thunderstorm. It is a short piece dedicated to the power of atmosphere and the intensity of connection under volatile skies.
Before saying farewell to their beloved hometown due to an impending nuclear power plant, a group of five enthusiastic young students embarks on a mission to create a film that will forever capture the precious memories of their neighborhood.
Repurposing Footage From 'Christmas Evil' (1980) To Amplify And Alter Its Expressions And Intentions. Forming An Alternate Viewed Relation Of Personal Visions. Destroying, Recoloring And Distorting The Original Images To Transport Them Further Into Their Own Spiritual Horror. Deepened And Retained.
“Before Dying I Prefer Death” is a documentary road movie about the bond between Malena and her father, El Poly (73), a musician exiled under the dictatorship. Marked by the disappearance of his brothers, El Poly carries grief that affects his daughters. Seeking to heal their relationship, they embark on one last trip in a yellow Chevy to fulfill El Poly’s wish: to find a home to live in.