Sat in front of his tent, Philip watches new neighbours arrive at the campsite. He admires the enormous camper van that belongs to Nuri and her family. His tiny tent seems simple in comparison, but is that Nuri’s impression as well?
After an accident that leaves Mila paralysed, she and Paul begin to drift apart. Mila focuses on the future, while Paul is haunted by guilt and the past. To save their relationship, they must find a way to reconnect before everything falls apart.
When Caleb, his mentee, draws police attention with his spending, crime boss Smith must decide whether to follow the syndicate’s code or protect his protégé.
Buenos Aires. 1950. After committing a mistake during a job, hitman ROBERTO is forced to run away from his home, being chased by the same agency that hired him. This will lead to a series of unfortunate encounters with people who will do anything to hunt him down, making him realize that a man can run, but he can’t escape his destiny.
Aya, living in the slums of Manila, dreams of becoming a billiards World Champion, but after her father is killed, she’s manipulated by Itoy into playing underground gambling matches in back-alley pool halls.
A killer with a dangerous split personality loses control when one of their victims manages to break free. As they try to recapture her, their inner conflict erupts, and violence mingles with the delusions of their mind.
After 12 years of documentary courses being absent as a form of Integrated Practicum in the Film Department at IKJ, Bikeska, Paul, Arrivo, and Raihanul chose to break the tradition. Amidst the dominance of fiction films, which are considered more prestigious, they chose documentaries due to budget constraints and a desire to respond to the world in a more honest and intimate way. Their poetic documentary film captures two layers of reality: a man who draws architectural spaces, and the laborers who build them. However, the process led to a creative crisis and the images were too structured as the treatment felt like fiction filmmaking. The question arose: were they recording reality or constructing it? The camera turned around, highlighting the team’s process and confusion. Ultimately, the film not only captures space and labor, but also reflects that documentaries, like buildings, are the result of construction and choice.
An intimate drama about an aging war veteran forced into a retirement home, where he confronts the ghosts of his past and forms an unexpected bond with his Black caregiver.
Guadalupe, Silberius de Ura, and Sampe live in three different villages, each with very different personal backgrounds. Yet they share something: it is in the landscapes they inhabit that they find the motivation and inspiration guiding their respective journeys.
In the form of a diary, I retrace the thread of internalized patriarchal domination and seek to trace my lesbian desire. Faced with the looming danger of a world on fire, I forge my own path and, like a beaver, seek to build my lodge elsewhere.
A young Malay boy returns home after growing up overseas for 5 years. Through a slice-of-life series of comedic situations that take place upon his return, he slowly makes friends with the locals and even grows to become fond of the kampung.