After receiving a mandatory implant designed to erase romantic attachment, a young man falls in love and must confront whether he is broken—or the world that programmed him is.
In Cambodia, where the ancient city of Angkor once flourished, a temple sits on a man-made island in the middle of a reservoir. In Awkun (meaning “thank you” in Khmer), Cambodian American director praCh Ly shares a day in the life of the surrounding community, filmed on-site in West Baray and at the island-temple West Mebon. A fisherman navigates to the reservoir in his boat before dawn. A merchant woman barbecues skewered fish from the same waters. A group of young monks accepts offerings, eats, prays, swims, and takes a boat out to the temple. Through such everyday moments, Awkun draws attention to the often-overlooked relationships that bridge sacred and urban spaces, from past to present. This film was commissioned specially for our exhibition Vishnu’s Cosmic Ocean.
We follow the trail of a mysterious torchlight procession (lampadephoria) on the Greek island of Naxos. As myths, memories, and faces unravel, we discover that the gods of the past may still walk among us through the hands of those who dare to remember and create.
A cinematic film that utilizes footage and recordings from a theatrical performance to present Aeschylus' Persians in a contemporary and unique way. The aim is not to document the production process but to create a standalone work of art, an independent cinematic experience that engages with Aeschylus' classical tragedy in today's context.
Photographer Renée Revah retraces the route from Thessaloniki, where her ancestors were deported, to Auschwitz and Birkenau, confronting her genealogical trauma and mentally conversing with her grandfather while seeking to heal.
Through candid interviews, narrative flow, and a hybrid combination of observational and archival material, the film explores Margaritari’s unique self-expression. At its core lies their artistic practice within the fields of comics and the independent queer pornographic scene.
A documentary about the Egyptian Mummy Research Program from the National Archaeological Museum. CT scans transform each exhibit into a narrator that brings to light rituals, fears, hopes, and stories that transcend time.
At Gaza’s fences, Khalil searches for a way home. From a hospital bed to the streets of Acre and Jaffa, the film explores his dream of return. Weaving past wounds with the ongoing Israeli genocide, where Khalil and his family were murdered, it remains a testimony of a man seeking to live in freedom and equality on his land.
Parnitha, one of Greece’s most important ecosystems, now stands at the center of major corporate investment plans. The national forest closest to a European capital is gradually being pushed down a path of systematic degradation, with the threat of destruction now clearly visible. Who ultimately benefits when even the last fir tree is lost?
A fake documentary-style film submitted to the Gimme Truth! 2026 Competition at the True/False Film Festival in Columbia Missouri. “I Blame Chalamet” recounts Luke’s awful first date in high school that ended in ice cream induced vomit all over the date’s car. The premise of the movie is to determine whether or not they are telling the truth- is this story fiction or did Luke really have to live through that experience?