Paula is a 20-year-old girl who has received comments about her body since she was a child. As she has grown up, these comments, combined with other factors, have caused her to develop an eating disorder. Marcos A. Miró and Ines Socias have decided to tell her story. In the documentary, we listen to Paula to better understand this disorder and teach society that it is not just about “stopping eating.” Throughout the documentary, we observe overcoming, accepting, and living with an eating disorder.
A man in green shorts stands ready, an iron and a red blanket in front of him. The man begins to iron the blanket. Shortly afterwards, a woman in a yellow sweater stands there and begins to iron the same blanket. Together they take turns ironing. But despite their efforts, the blanket remains wrinkled, because the creases they are trying to smooth out are the very ones they themselves are causing. What begins as a joint activity soon escalates into a conflict. Conceived as a loop, the film deals with themes such as control, naivety, and the bittersweet hope for renewal, inviting viewers to find parts of themselves in the simplicity of everyday objects.
This film addresses the emotional absence of parents in a digitalized world. Inspired by Edward Tronick's scientific "still face" experiment, it shows how children are suddenly left alone in shared moments—not physically, but emotionally. Adults disappear behind glass panes, symbolic of smartphone screens, into their own reality, while children desperately seek attention.
63-year-old Uta accompanies her daughter Sara to a business meeting in France. Although it is February, the two women also want to spend a few days vacationing on the Atlantic coast and picnicking on the beach. Uta prefers to ignore the fact that she will probably be unable to work in the future after an accident and will barely be able to pay her rent in Stuttgart with her pension. The Atlantic Ocean is wild, it is windy and cold, and neither of the two women is really enjoying the short trip. Suddenly, they find several packets of cocaine on the beach.
In the near future, where selfishness dominates the headlines, a disillusioned news anchor enters the studio, ready to report on crises, conflicts, and disasters as usual. But what awaits him causes his professional facade to crumble: the field reporter announces that people are voluntarily collecting trash. A woman says that a stranger at the checkout simply let her go ahead of her. And it goes on: a new currency called 'Kindness First' is gaining value, and the renowned Kittel Institute in Freiburg reports the outbreak of a social phenomenon: compassion.
The mayor of Oberarschenberg collects welcome gifts for a refugee family in a box. Unfortunately, not everyone in the village is as welcoming to the refugees as the mayor would like. The carpenter entrusted with building the box maliciously hides a bomb under a false bottom. The mayor carries the box through the village and asks for gifts for the new arrivals—sometimes with more success, sometimes with less.
This true crime thriller is inspired by the real-life case of serial killer Rodney Alcala in the late 1970s. It tells the story of his encounter with young Ellen Hover. The story begins in a park, where Rodney first secretly observes and photographs the young woman before charming her into conversation. He persuades Ellen to take part in a photo shoot.
Dengbêjên Me is a empathetic documentary about the last living representatives of the Kurdish oral storytelling tradition—the Dengbêjs. The film is dedicated to their lives, their memories, their pain, and their resistance. Their songs and personal stories create a cinematic archive of a cultural heritage that dates back thousands of years. Between voice, music, and silence, a deeply emotional journey unfolds, becoming a farewell, a testimony, and an act of cultural survival.
In the film "Beyond The Shifting Sands", the boundaries between the documentary, the real, and the imagined are blurred. Ultimately, it offers no definitive answers but instead positions the viewer on the very threshold where the artists stand: the threshold between what we know and what we are yet to discover. It is there, where the sand becomes memory, the image an indelible trace, and identity a promise renewed with every glance. This is a film about art as a state of life, and the human beings seeing themselves in a sketch that takes shape only to gradually fade away — as if beauty is not drawn to endure, but rather to offer a reminder that everything we seek... may, in fact, reside within the drawing of the sand itself.
The inspiring path of a Mamanwa graduate and a young tribe member who embrace Quality Education, seeking community development while preserving cultural roots.
In pursuit of enlightenment, a platinum selling record producer left his hedonistic life behind to live in a cave. Nine years later he continues to grapple with the question, what does it mean to be free?