A secret agent is sent to a house party after learning that one of the beer cans in the cooler is actually a bomb in disguise. However, a drunk college student looking for one last drink soon makes this simple in-and-out job a lot more compliated.
Doris, a once-vibrant cardiologist, struggles with Alzheimer’s, her world increasingly clouded with memory-loss. With her daughter’s care and an AI voiced assistant, Doris regains brief clarity.
A print shop owner with seasonal depression becomes obsessed with copying the life of his new customer, an extravagant jungle explorer, based on his film photographs.
The film reflects on both individual and collective perceptions of images embedded in public spaces in southern Canton Ticino (Switzerland), in relation to the surrounding landscape. Physical traces of local legends, anecdotes, and journalistic accounts intertwine with Rorschach-like marble patterns and contemporary debates on public sculpture. Together, they reveal how imagination shapes and sculpts the territory, exposing underlying socio-political dynamics and addressing the extractivist human activity of local marble quarries. Moving between legitimation, acceptance, and censorship, the film invites viewers to reflect on the creation and interpretation of form.
Red eggs have always been present in Ivonne’s life—a symbol of birth, continuity, and the cycle of life itself. Through a reflective and autoethnographic approach, she weaves together family archives from her childhood with the documentation of her grandmother’s 91st birthday celebration. In tradition, red eggs are prayers for a prosperous future, but for Ivonne, they also mark the passage of time.
A farmer chances upon a book, and within its pages he perceives that the devotion of his life, since his first breath, draws near its close. Once touched by knowledge, he feels estranged from cows, no longer bound to their world.
A cinematic interpretation of a singular aspect from the universe of Gabriel García Márquez’s One Hundred Years of Solitude. Emerging from Macondo, the film foregrounds the domestic routines of the Buendía women who repair and renovate the house each time it collapses under extraordinary events across the century. These recurring gestures, which in the novel traverse generations, are recontextualized through the logic of contemporary reality and reconfigured into a visual play of form that interrogates narrativity.
A visual essay obsessed with lines in space—as form, boundaries, and language—that tells a story about a part of the history of solidarity through cinema. Will they have a second chance?
A drift between two cities: Berlin and Quito. A sensitive voice challenges the boundaries of reason through questions born from the everyday: Have you ever thought about how many calculations you make in a day? Prices, distances, inflation, schedules. Do you see your breasts beneath the blue robe? Why did they leave me the necklace but take my underwear? The audiovisual narrative seeks to reach the point where the meaning of hegemonic logic fractures, blending the documentary code with rhetorical elements characteristic of science fiction.
A young couple feeling bogged down by their work-from-home lifestyle become obsessed with the sounds of street racing they hear outside their window at night.
On the shores of Embalse Lake, in the Argentine province of Córdoba, lie the ruins of three large hotels belonging to the Navy’s social welfare program. Construction began in 1940 on land and with funds donated by the national government, and was abandoned unfinished in 1949.
Two young siblings, Omar and Mara, have a dream: to start a farming business near the river where they spent their childhood, the Sile. Their story is intertwined with other stories that describe the dramatic change in the landscape and the resulting environmental damage, painting a picture of a polluted waterway, abandoned to neglect and reduced to a mere backdrop for daily activities and tourism.
In a boxing gym on the northern outskirts of London, dominated by boys, an eleven-year-old girl struggles to be seen. Her act of defiance becomes a touching portrait of pain, courage, and resilience.
To escape the move, Leo runs away to the riverbank, his hideaway. There he meets Elia. One wants to stay, the other wants to leave. Together they will understand that the only way to grow and dive in is to go beyond the boundaries that divide them.