The transformation of Kim, an ordinary person with the most common surname in Korea, into a dish sponge—a process in which he becomes "dish scrubber-ized." It is a poetic reflection on identity, conformity, and the loss of self in the face of societal expectations. As Kim transforms from a human being into a "tool of cleanliness," the film raises the question: How much of ourselves remains when we adapt to the demands of an ever-changing world?
Through symbolic imagery — like the cocoon and the fragile exhalation — the journey of suffering and purification unfolds: a metamorphic process of death, release, and rebirth. The film reveals how the body’s inner messengers link pain, transformation, and hope, shaping both our perception and our very being.
The suicide rate in prisons is ten times higher than in the general population. But instead of improving prison conditions, politicians are focusing on technological solutions. The film documents the training of artificial intelligence designed to predict and prevent prisoner suicides in German prisons.
In a dream, the artist transforms into an animal and crosses unnoticed through the forest at the border fence between Poland and Belarus. There she encounters her grandmother—silent and close. The poetic video work combines personal memory with political reflection and shows how transformation can express longing, fear, and resistance at the same time.
While the eyes seek protection and comfort, agents of homogenization are silencing those who speak out. In this climate of radical silence and ignorance, the narrator describes the various muscles that people use to turn away from what they encounter. Meanwhile, the images intertwine. They resemble bodies whose muscles are capable of stretching beyond the edges of the image, resisting and challenging the authority of the seemingly factual and neutral narrative.
Dozens of men, women, and children toil on a large, dusty construction site to produce thousands of bricks—all by hand. A centuries-old process of shaping, cutting, and firing clay—from wet to dry and from brown to red—is revealed in stunning beauty in this short film. Wagons full of bricks are transported day and night, in blazing sun and refreshing rain.
While her grandmother Elsa climbs down into a mysterious hole every day, her granddaughter Maditha can only walk over it. As the hole gets bigger and bigger, she has to find out what is down there.
A deceased son attends his own wake. While the house spirits throw him a welcome party, he tries to make contact with his grieving father, played by Jens Albinus. A short film from Filmwerkstatt Aarhus, reminiscent of Dogma 95.
Bernard is a 14-year-old boy living with his mother and stepfather in a small village in northern Meuse, France. Growing up in the 1960s, he dreams of freedom and adventure. Alongside his three friends, he gets into all kinds of mischief until a new girl arrives and completely changes his life.
Combining interviews and live cinema, Rising Through the Fray plunges us into the heart of Indigenous Rising Roller Derby, the first international team to bring together Indigenous players from several countries. For Sour Cherry, Krispy, Hawaiian Blaze, and their teammates, the sport becomes much more than a competition. Through it, they find a space for sisterhood, resilience, acceptance, and healing. On camera, they share intimate stories not only of being uprooted and the wounds of intergenerational trauma, but also of reconnecting with their culture and of the relief of finding a community. In this powerful, feminist documentary, these women assert their right to exist on their own terms.
A few hours after shooting someone, Brooke has to balance protecting her son and being a criminal. When someone we thought we could trust betrays her, her plans start to fail.