In 1937, amidst Stalin's Great Terror, a newly appointed prosecutor for the USSR is made aware of alleged corruption in the Secret Police, and takes it upon himself to investigate.
After being steeped in Chinese traditional culture for 30 years, CHEN went to Paris in 1984. The different cultural environments of China and France enabled him to grow into a unique figure in the field of classical music. CHEN neither seeks approval from the West, not even his advisor Olivier Messiaen, nor caters to China. Instead, he uses his personal musical language to tell Eastern stories.
A tragic hostage case from 2008 Brazil unfolds through unseen diary entries, family interviews, and media coverage, as a 15-year-old girl is held captive by her ex-boyfriend for 100 hours while TV networks broadcast it live.
Elmo and his Sesame Street friends work with former NASA engineer turned YouTube star Mark Rober to make special presents for a Merry Giftmas exchange.
Filmed live at the legendary United Center arena in Chicago, Sebastian Maniscalco goes all in on family chaos, aging, and the little things that drive us all nuts—with his one-of-a-kind comedic bite.
Every year, a family home is turned into a haunted house. The purpose is not only to be as terrifying as possible, but also to create a spectacular attraction to draw the neighbors in. The situation grows increasingly complicated, broken and distressed as the family’s problems intercede in their plans and as their real lives become the film’s true and overriding scary haunt.
After another stint in jail, Tony finds that Rinku, his one true love and hope, has been taken by his brother Dabloo. This shocks him into reforming, but Ambika drags him back into crime, with Kamal on his trail. How Manjari gets to have the last laugh, with Tony, Ambika and Kamal at the forefront, forms the rest of the two-part gangster drama.
Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.
When a trio of scientists inadvertently launch a bio-attack on a busful of gorgeous women, sex-crazed zombies are created, wreaking havoc on a small town.
A young, struggling actress lands her dream role in a film by an emerging Italian director, starring alongside an American superstar. What begins as her big breakthrough quickly turns into a living hell.
Two officers—one idealistic, one cynical —pursue a brutal serial killer. As they close in on the elusive Jujji, their inner conflicts rise to the surface, exposing inner demons and challenging their notions of justice and morality.
The vine bore fruit, and it's harvest time. Soraia, a young girl, cuts herself. Blood mixes with wine. A black bull is on the loose. Up in the oak trees, time swells, and a community takes shelter. They share bread and wine, memories and dreams, the history of a landscape. We enter a long night, where nature also speaks. The fiery wind that brings the heatwaves, it's burning.
Bhumi sees an elephant in the jungle growing up without his others love. His teacher advises him to love nature and protect the birds and animals in the forest and live in harmony with them and he decided to protect the elephant. The broker offers the elephant as a sacrifice for the ministers post. Hearing this, Bhumi fights with them.
Family pains and abdominal cramps—anyone can allow their body to endure the turbulent intrusion alone. After living in Norway for years, Ling brings her foreign boyfriend home to Hong Kong. The family reunion is seemingly harmonious yet unspoken rifts and resentment will be revealed through family therapy. Will it end in reconciliation or a split-up? Bobby YU Shuk-pui, winner of Best Director at the 17th Fresh Wave, brings her family’s story to the silver screen. With real-life family members appearing on screen, the film examines intergenerational conflict through the lens of the young. With scenes of conversational therapy shot like direct cinema and shifting between fiction and reality through switching aspect ratios, the film faithfully and naturally presents the emotional vortex among family members.
We literally found our film next to a dumpster. It was a bag containing 36 rolls of photographic negatives exposed between the 1960s and 1980s by an unknown photographer. We named him Anton, Aunt Emma's son. Looking through our contact sheets, with their many inaccuracies—blurred edges, random elements in the frame, haze, accidents, and double exposures—we tried to imagine what our lives would be like if these were our photos.