In a secluded Lebanese village, Amal and Naeem, married for 50 years, find their peaceful life marked by the absence of their children, who left during the war more than three decades ago. Feeling a profound void, Amal seeks to rekindle their connection and rediscover meaning by asking Naeem to write their life story. He reluctantly agrees, and they embark on an intimate journey through forgotten memories and unspoken truths. As they revisit their past, they confront the love they've built and the questions that have shaped their lives.
An anagrammatic exorcism of David Bowie's album title "The Rise and Fall of Ziggy Stardust and the Spiders From Mars." He explores the aesthetic possibilities and joys of metamorphosis through artificial intelligence using the language of rock 'n' roll—and also very much in the spirit of the master of pop metamorphosis, David Bowie himself.
Through the game Final Fantasy XIV, we follow trans folks using the game to find a strong sense of community. They will discuss different topics related to gender, virtual life, identity and existing as a trans person.
A documentary that captures a pivotal moment in the ongoing struggle for complete health care equality, at a time when bodily autonomy hangs in the balance.
Swept off her feet by Mexico's most notorious drug lord at just seventeen, Emma Coronel, El Chapo's wife, reflects on her husband's crimes, their tumultuous marriage, and her time in prison, all while grappling with her own accountability.
Liv's estranged alcoholic dad is about to die. The doctors at the hospital make no sense. Her husband is about to have a midlife crisis. Her washing machine is broken. She thinks she'll be fine as these are regular adult problems. Spoiler alert: she won't.
Beatriz is a young teenager whose life is tormented by a horror that only she can see. With her life in disarray, she finds herself dealing with questions from her acquaintances and the greatest challenge: facing her own psyche. At the center of it all is the mysterious figure that almost brings her to the brink of total collapse and threatens her life.
While searching through archives, director Viktor Aguilar Luna came across dozens of VHS tapes containing recordings of his childhood filmed by his paternal grandfather, Victor Hugo Aguilar.
After forcing Viola to cry like a baby before feeding her, Talia interprets those tears as a trigger for her twisted sense of motherhood. Even after feeding and “caring” for Viola, she punishes the girl for not following her obsessive rules about how a baby should behave. Viola endures days filled with pressure, absolute control, and a strict system that forces her to think and act like a real infant, while recognizing Talia as the “mother” she must obey completely. Every rule broken brings harsh punishment, followed by Talia’s disturbingly gentle affection. In her obsessive embrace, Talia breastfeeds Viola, lulling the frightened girl into sleep like a baby surrendering to false warmth and comfort. To Talia, this isn’t cruelty, it is a routine of love, domination, and obsession that she believes is her own version of “motherhood.