Two Koothu artistes become pawns in a political power game and are falsely implicated in a drug smuggling case. For how long can they evade a determined police hunt?
Srimannarayana is a 2012 Telugu film directed by Ravi Chavali. The film is produced by Ramesh Puppala under his Yellow Flowers banner.It stars Nandamuri Balakrishna, Parvati Melton and Isha Chawla in the lead roles
The Cheating Game revolves around Hope (Julie Anne San Jose) and Miguel (Rayver Cruz). Hope is an NGO worker who finds out her fiance is cheating on her. She calls off the engagement, quits her job, and tries to start over. She then meets Miguel (Rayver Cruz), a self-made businessman who has also experienced getting cheated on. As they become closer, secrets from their past start to unravel and they discover they have more in common than just being cheated on.
A rich brat must work together with a “ghetto” tomboy if he wants to recover his stolen passport; or he would miss a flight to a life-changing interview.
After her estranged father’s death, Oluchi , an upcoming musician is forced to confront her true self ans past mistakes. She reconnects with her daughter through their love for music. However, the echoes from the past spring from every corner, threatening to bring them down.
She was forced into prostitution. She is considered less than human. She is full of anger. Now she recounts her brutal life story to a documentary filmmaker.
During the 1990 World Cup, two young Palestinian boys are on a quest for “Maradona’s legs”; the last missing sticker that they need in order to complete their world cup album and win a free Atari.
In this omnibus, 11 Bangladeshi filmmakers create a love letter to the city of Dhaka. From young girls looking for a drink in a dry town to a bank scammer's attempted murder to a plumber creating a refugee crisis, the city co-stars every time.
Subira, is a young, free-spirited girl from the rural areas of Kenya. She seems to have her whole life ahead of her, that is, until the death of her loving and encouraging father. Life hits her hard afterwards, with traditional submissive expectations preventing her from leading the life she desires.
Sudha Mishra is 67 years old, divorced woman that leaves the responsibility of taking care of her house by Sumit, her niece’s fiancé. The most important instruction given to Sumit was to ‘Feed The Fish & Water The Plants’. His very acceptance into the family was dependent on this instruction. When she returns a month later to her Vasant Kunj house, everything seems to be in order till she opens the bedroom door and a woman wearing white, wailing loudly.
Some con artists come together to work on stealing a huge sum of money as failure with the operation puts their lives in the way. The mission leads to betrayal, friendship and true love.
In a claustrophobic neighborhood where gossip and violence police people's behavior, the lives of residents intertwine and collide as some try to maintain social norms while others try to break them.
It tells a story about a free-spirited older couple, Pak Atan and Mak Inom who decide to spend more time in the country after getting tired of city life. But they find that life in the old village isn't a good thing when they get cheated by a distant relative, Yem, out of some money. They cut him off and Yem plots revenge. Meanwhile, in the city, the couple's daughter Orked is being wooed by a young gentleman,
A free spirited woman dancer, Kamar, finds herself the lonely wife of a prisoner, Zaid, and away from everything she loves until she returns to the dance, defying societys taboos. At the dance Kamar is confronted with Kais, a Palestinian returnee. Sparks fly between Kamar and Kais, creating more than a passionate, emotional dance for the both of them. Matters become even more complicated when Zaid's sentence is extended. Kamar's life is thrown into turmoil as she becomes increasingly attached to Kais, and caught in the midst of her desire to dance and breaking the family and society taboos of the prisoner's wife's role while life under occupation rages on.