Before going on vacation, self-involved psychiatrist Dr. Leo Marvin has the misfortune of taking on a new patient: Bob Wiley. An exemplar of neediness and a compendium of phobias, Bob follows Marvin to his family's country house. Dr. Marvin tries to get him to leave; the trouble is, everyone loves Bob. As his oblivious patient makes himself at home, Dr. Marvin loses his professional composure and, before long, may be ready for the loony bin himself.
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| Production | Laura Ziskin | Producer |
| Directing | Frank Oz | Director |
| Camera | Michael Ballhaus | Director of Photography |
| Writing | Tom Schulman | Screenplay |
| Editing | Anne V. Coates | Editor |
| Sound | Miles Goodman | Original Music Composer |
| Art | Anne Kuljian | Set Decoration |
| Art | Jack Blackman | Art Direction |
| Art | Leslie Dilley | Production Design |
| Costume & Make-Up | Bernie Pollack | Costume Design |
| Production | Glenn Daniels | Casting |
| Crew | Michael Steve Jones | Stunts |
| Art | Michael R. Clark | Painter |
| Sound | John K. Carr | Sound Editor |
| Visual Effects | Richard O. Helmer | Special Effects Supervisor |
| Lighting | James R. Tynes | Chief Lighting Technician |
| Costume & Make-Up | Hugo Peña | Costume Supervisor |
| Art | Donald G. Helderle | Construction Foreman |
| Sound | Edward M. Steidele | Foley Artist |
| Crew | Rafe Blasi | Unit Publicist |
| Production | Bernard Williams | Co-Producer |
| Art | Wayne Shepherd | Leadman |
| Art | Brett C. Smith | Set Dresser |
| Sound | Devon Heffley Curry | ADR Editor |
| Sound | Terry Porter | Sound Re-Recording Mixer |
| Sound | Hal Sanders | Sound Editor |
| Production | Dana Williams | Production Coordinator |
| Sound | Kenneth C. Mantlo | Boom Operator |
| Production | Sandy Isaac | Post Production Coordinator |
| Sound | Nancy Fogarty | Music Editor |
| Production | David C. Anderson | Unit Production Manager |
| Production | Lisa Lynn Kearsley | Production Coordinator |
| Production | Charles Thomas Baxter | Location Manager |
| Production | Tandi Slater | Production Accountant |
| Directing | James W. Skotchdopole | First Assistant Director |
| Art | Douglas Fox | Property Master |
| Sound | Catherine Harper | Foley Artist |
| Camera | Florian Ballhaus | First Assistant Camera |
| Camera | David M. Dunlap | Camera Operator |
| Editing | Christopher Cibelli | Assistant Editor |
| Sound | Pieter Hubbard | Sound Editor |
| Camera | Craig Kohtala | Best Boy Grip |
| Sound | David Grannis | Assistant Sound Editor |
| Sound | Bill Phillips | Supervising Sound Editor |
| Sound | Ed White | Sound Mixer |
| Camera | Barry Wetcher | Still Photographer |
| Editing | James D.R. Hickox | Assistant Editor |
| Directing | Susan Malerstein | Script Supervisor |
| Art | Russell Bobbitt | Property Master |
| Art | Ken Scaife | Construction Coordinator |
| Sound | Bruce Bell | Foley Mixer |
| Sound | John Phillips | Sound Editor |
| Camera | Stuart Abramson | Key Grip |
| Writing | Alvin Sargent | Story |
| Costume & Make-Up | Matthew W. Mungle | Makeup Artist |
| Directing | Donald J. Lee Jr. | Second Assistant Director |
| Art | Frank B. Nieves | Construction Foreman |
| Art | Roger G. Fortune | Set Designer |
| Sound | Liz Carlin | Assistant Sound Editor |
| Sound | Mel Metcalfe | Sound Re-Recording Mixer |
| Sound | David J. Hudson | Sound Re-Recording Mixer |
| Sound | Scott Shadden | Assistant Sound Editor |
| Camera | Arthur Blum | Dolly Grip |
| Lighting | Robert W. Meyers | Rigging Gaffer |
| Writing | Laura Ziskin | Story |
| Costume & Make-Up | Emanuel Millar | Hairstylist |
| Sound | Doc Kane | ADR Mixer |
| Camera | Bobby Mancuso | Second Assistant Camera |
| Crew | Dennis Scott | Stunt Coordinator |
| Crew | Steve Hart | Stunts |
| Crew | James Kindelon | Stunts |
| Crew | Ted Barba | Stunts |
| Crew | Bobby Burns | Stunt Double |
