Pete Marshall is sent as a replacement to the mountain district town of Plainville when a public opinion surveyor who went there goes missing. Visiting the hillbilly family of Mamie Fleagle, Pete begins to suspect that she and her two sons have murdered the surveyor. Pete then believes that Mamie is slowly poisoning wealthy Grandma Fleagle, who has put a vital clue to her fortune in a nonsensical embroidered sampler.
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| Writing | Jack Moffitt | Story |
| Directing | George Marshall | Director |
| Writing | Lou Breslow | Screenplay |
| Costume & Make-Up | Mary Kay Dodson | Wardrobe Designer |
| Sound | Philip Wisdom | Scoring Mixer |
| Crew | Joseph J. Lilley | Additional Music |
| Sound | Don Johnson | Sound Recordist |
| Camera | Lothrop B. Worth | Additional Camera |
| Editing | LeRoy Stone | Editor |
| Directing | Arthur S. Black Jr. | Assistant Director |
| Sound | Robert Emmett Dolan | Original Music Composer |
| Camera | Theodor Sparkuhl | Director of Photography |
| Costume & Make-Up | Wally Westmore | Makeup Supervisor |
| Sound | Gene Merritt | Sound Recordist |
| Crew | Betty Danko | Stunts |
| Art | William Flannery | Art Direction |
| Crew | Audrey Scott | Stunts |
| Visual Effects | Paul K. Lerpae | Visual Effects |
| Art | George Sawley | Set Decoration |
| Art | Hans Dreier | Art Direction |
| Visual Effects | Gordon Jennings | Visual Effects |
| Sound | George Parrish | Orchestrator |
| Production | E.D. Leshin | Associate Producer |
