While investigating a young nun's rape, a corrupt New York City police detective, with a serious drug and gambling addiction, tries to change his ways and find forgiveness.
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Lighting | Jim Denault | Electrician |
Art | Stephanie Carroll | Set Decoration |
Production | Patrick Wachsberger | Executive Producer |
Sound | Clancy T. Troutman | Sound Editor |
Production | Edward R. Pressman | Producer |
Production | Diana Phillips | Line Producer |
Editing | Mayin Lo | Assistant Editor |
Writing | Abel Ferrara | Screenplay |
Directing | Abel Ferrara | Director |
Sound | Joe Delia | Original Music Composer |
Editing | Anthony Redman | Editor |
Camera | Ken Kelsch | Director of Photography |
Production | Mary Kane | Producer |
Production | Ronna B. Wallace | Executive Producer |
Production | Jennifer Roth | Production Coordinator |
Sound | James Koford | Sound Editor |
Writing | Zoë Lund | Screenplay |
Directing | Drew Ann Rosenberg | First Assistant Director |
Sound | Rachel Lederman | Sound Mixer |
Art | David Weller | Set Designer |
Art | David Weller | Assistant Art Director |
Camera | John Pirozzi | Dolly Grip |
Crew | Hilary Birmingham | Production Intern |
Lighting | Eric Schmidt | Electrician |
Crew | Matthew Huffman | Production Intern |
Art | Robert Covelman | Set Dresser |
Crew | Max Velez | Production Intern |
Production | Peter Pastorelli | Production Supervisor |
Production | David Burris | Production Assistant |
Crew | Ante Novakovic | Actor's Assistant |
Costume & Make-Up | Winsome G. McKoy | Wardrobe Supervisor |
Art | Michael Saccio | Property Master |
Production | Meredith Jacobson Marciano | Casting |
Sound | Joe Campana | Assistant Sound Editor |
Crew | Jon Sperry | Dialect Coach |
Camera | John Paul McIntyre | Grip |
Crew | John Paul McIntyre | Creative Consultant |
Production | Kimba Hills | Casting |
Camera | Dennis A. Livesey | First Assistant Camera |
Directing | Karen Kelsall | Script Supervisor |
Costume & Make-Up | Cydney Cornell | Hair Department Head |
Art | Betsy Alton | Art Department Assistant |
Costume & Make-Up | Melinda Eshelman | Assistant Costume Designer |
Directing | Noga Isackson | Second Assistant Director |
Crew | J.C. Brotherhood | Special Effects Coordinator |
Sound | Michael Barosky | Production Sound Mixer |
Sound | Linda Murphy | Boom Operator |
Sound | James G. Williams | Sound Re-Recording Mixer |
Sound | Michael P. Cook | Sound Editor |
Costume & Make-Up | Joe Cuervo | Makeup Artist |
Sound | Yehuda Maayan | Boom Operator |
Sound | Tom Ruff | Sound Re-Recording Mixer |
Camera | Robert Kummert | Key Grip |
Editing | Ray Morfino | Color Timer |
Editing | Craig Nisker | Assistant Editor |
Production | Christopher Otto | Producer's Assistant |
Production | Rebecca C. Crespi | Casting Assistant |
Production | Andy Clark | Assistant Location Manager |
Production | Denis Hann | Unit Manager |
Art | Charles M. Lagola | Production Design |
Costume & Make-Up | David Sawaryn | Costume Design |
Sound | Denis Dutton | Sound Editor |
Sound | Allan Schultz | Sound Editor |
Sound | Randall K. Tomlin | Sound Editor |
Sound | David Abrahamsen | Sound Re-Recording Mixer |
Crew | Albert Coleman | Post Production Supervisor |
Editing | Albert Coleman | Assistant Editor |
Editing | Sharon McGeeney | Negative Cutter |
Camera | Steve Sands | Still Photographer |
Production | Mary Beth Mann | Assistant Production Coordinator |
Editing | Maria Montoreano | Assistant Editor |
Crew | Marcello Picone | Production Intern |
Production | Michael Radiloff | Producer's Assistant |
Costume & Make-Up | Anita Ellis | Wardrobe Supervisor |
Camera | Donald Bialer | Best Boy Grip |
Crew | Jennifer Anderson | Set Production Assistant |
Sound | Bill Fox | Assistant Sound Editor |
Art | Chris Jordan | Assistant Property Master |
Crew | Fred Welsh | Production Intern |
Crew | Harry J. Leavey | Transportation Captain |
Sound | Casey J. Crabtree | Foley Artist |
Production | Randy Sabusawa | Co-Producer |
Production | Diane Phillips | Unit Production Manager |
Art | Annie Ballard | Property Buyer |
Art | Damian J. Costa | Leadman |
Production | Erik Ferrar | Art Department Production Assistant |
Production | Matt Galvin | Art Department Production Assistant |
Production | Rachel Talbot | Art Department Production Assistant |
Sound | Geoffrey Bradley | Assistant Sound Editor |
Sound | John Cattigan | Assistant Sound Editor |
Sound | Al Gomez | Foley Mixer |
Sound | Charles C. Simmons | Foley Editor |
Sound | Bess Steele | Foley Artist |
Camera | Andrea Dorman | Second Assistant Camera |
Lighting | Charlie McNamara | Gaffer |
Lighting | John Milcetic | Best Boy Electric |
Camera | Adrian Misol | Camera Intern |
Crew | Tom Zafian | Video Assist Operator |
Camera | Laura Zito | Still Photographer |
Production | Laura Gillis | Extras Casting |
Editing | Antonio Costa | Assistant Editor |
Production | Tony Kono | Location Manager |
Production | Jonathan H. Shaw | Location Assistant |
Crew | William Curtin | Driver |
Crew | Vincent Russo Jr. | Driver |
Crew | Barry Stanton | Driver |
Production | Roni Ben-Nevat | Key Set Production Assistant |
Crew | Cyrus Claffy | Craft Service |
Crew | Jenn 'Waiff' Cobb | Production Office Assistant |
Production | Wendy Damon | Production Assistant |
Production | Lori Gottlieb | Production Assistant |
Production | Grace Griffith | Production Assistant |
Production | Bruce Hofert | Production Assistant |
Production | Peter Millerman | Production Assistant |
Production | Daniel Posener | Production Assistant |
Production | Mark Taylor | Assistant Accountant |
Crew | Michael Tracey | Set Production Assistant |
Production | Tony Trimarco | Production Accountant |