A small-time hood must choose from among love, friendship and the chance to rise within the mob.
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Camera | Kent L. Wakeford | Director of Photography |
Production | Jonathan T. Taplin | Producer |
Editing | Sidney Levin | Editor |
Directing | Martin Scorsese | Director |
Production | E. Lee Perry | Executive Producer |
Writing | Martin Scorsese | Screenplay |
Writing | Mardik Martin | Screenplay |
Crew | Chris Thompson | Production Office Assistant |
Costume & Make-Up | Cornelia McNamara | Other |
Directing | Ron Satlof | Second Assistant Director |
Camera | John Murray | Key Grip |
Sound | Charles Grenzbach | Sound Re-Recording Mixer |
Sound | Walter Goss | Sound Re-Recording Mixer |
Camera | Harry Young | First Assistant Camera |
Sound | Kenneth Schwarz | Boom Operator |
Directing | Bobbie Sierks | Script Supervisor |
Editing | George Trirogoff | Assistant Editor |
Costume & Make-Up | Norman Salling | Wardrobe Supervisor |
Art | Doyle Hall | Other |
Sound | Glen Glenn | Sound |
Sound | Donald F. Johnson | Sound Mixer |
Crew | Joe Cupcake | Production Office Assistant |
Crew | Pamela Williams | Production Office Assistant |
Writing | Martin Scorsese | Story |
Production | Peter Fain | Production Coordinator |
Crew | Neil Rapp | Production Office Assistant |
Crew | Sandra Weintraub | Post Production Supervisor |
Camera | Gene Talvin | Camera Operator |
Camera | Pat O'Mara | Camera Intern |
Crew | George Toth | Animal Wrangler |
Production | Paul Rapp | Production Manager |
Camera | Pat O'Mara | First Assistant Camera |
Crew | Bill Catching | Stunt Coordinator |
Production | David Osterhout | Assistant Production Coordinator |
Lighting | Bill Young | Best Boy Electrician |
Crew | Bill Balles | Special Effects |
Camera | Norman Gerard | Additional Photography |
Sound | John Wilkinson | Sound Re-Recording Mixer |
Directing | Russell Vreeland | First Assistant Director |
Art | David Nichols | Other |
Crew | Bob Orrison | Stunts |
Editing | Martin Scorsese | Editor |
Art | David Nichols | Production Design |