Calvin and his friends, who all live in an orphanage, find old shoes with the faded letters MJ connected to a powerline. One stormy night, they go to get the shoes when Calvin and the shoes are struck by lightning. Calvin now has unbelievable basketball powers and has the chance to play for the NBA.
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| Editing | Peter E. Berger | Editor |
| Production | Risa Bramon Garcia | Casting |
| Production | Marc S. Fischer | Unit Production Manager |
| Art | Arlan Jay Vetter | Production Design |
| Editing | Jim Passon | Color Timer |
| Crew | Anne Fletcher | Choreographer |
| Sound | Richard Gibbs | Original Music Composer |
| Production | Garrett Grant | Co-Producer |
| Costume & Make-Up | Mary Jane Fort | Costume Design |
| Production | Barry Josephson | Producer |
| Art | Suzette Sheets | Set Decoration |
| Sound | R.J. Kizer | Supervising ADR Editor |
| Camera | Shawn Maurer | Director of Photography |
| Production | Peter Heller | Producer |
| Sound | David Betancourt | Foley Mixer |
| Sound | Dawn Fintor | Foley Artist |
| Sound | Tim Gomillion | Sound Recordist |
| Sound | John Murray | Foley Supervisor |
| Sound | Dennis Rogers | Sound Recordist |
| Sound | Alicia Stevenson | Foley Artist |
| Production | Caitlin McKenna | ADR Voice Casting |
| Crew | Tierre Turner | Stunt Coordinator |
| Costume & Make-Up | Julia Bartholomew | Assistant Costume Designer |
| Directing | John Schultz | Director |
| Writing | Michael Elliot | Screenplay |
| Writing | Jordan Moffet | Screenplay |
| Production | Teresa Caldwell | Co-Producer |
| Production | Jermaine Dupri | Co-Producer |
| Production | Michael Mauldin | Co-Producer |
| Production | Gregg Winik | Executive Producer |
| Crew | Troy Brown | Stunts |
| Editing | John Pace | Editor |
| Crew | Paul J. Lombardi | Special Effects Coordinator |
| Art | John Zachary | Art Direction |
| Costume & Make-Up | Wendy M. Craig | Costume Supervisor |
| Art | Tony Bonaventura | Property Master |
| Art | Colin De Rouin | Set Designer |
| Sound | Ted Caplan | Dialogue Editor |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Sound | Michael Herbick | Sound Re-Recording Mixer |
| Sound | Susan Dawes | Dialogue Editor |
| Sound | Jay Wilkinson | Sound Effects Editor |
| Sound | Richard A. Harrison | Music Editor |
| Sound | John A. Larsen | Supervising Sound Editor |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Sound | Donald Sylvester | ADR Editor |
| Sound | James Bolt | Sound Re-Recording Mixer |
| Art | Richard Lambert | Leadman |
| Art | Kristen Davis | Set Designer |
| Costume & Make-Up | Amy Elise Roberts | Costume Supervisor |
| Art | Tim R. Lafferty | Construction Coordinator |
| Costume & Make-Up | Sterfon Demings | Hair Department Head |
| Sound | Billy Gottlieb | Music Supervisor |
| Costume & Make-Up | Lynn Barber | Makeup Department Head |
| Sound | John Morris | Sound Effects Editor |
| Sound | Jim Harrison | Music Editor |
| Sound | Daniel Allan Carlin | Supervising Music Editor |
| Directing | Donald Murphy | Second Assistant Director |
| Camera | Darwin Montana Browne | Key Grip |
| Production | Robert West | Production Coordinator |
| Sound | David MacMillan | Sound Mixer |
| Costume & Make-Up | Tammy Ashmore | Makeup Artist |
| Editing | Gary Burritt | Negative Cutter |
| Sound | Harrison D. Marsh | Boom Operator |
| Crew | Michael Battaglia | Unit Publicist |
| Directing | Gary Marcus | First Assistant Director |
| Camera | Jim Leidholdt | Dolly Grip |
| Directing | Keiann Collins | Script Supervisor |
| Sound | Thomas J. O'Connell | ADR Recordist |
| Sound | Daniel Yale | Foley Editor |
| Production | Adam Silver | Executive Producer |
| Production | Brennan Dufresne | Casting |
