Four successful elderly gentlemen, members of the Chowder Society, share a gruesome, 50-year-old secret. When one of Edward Wanderley's twin sons dies in a bizarre accident, the group begins to see a pattern of frightening events developing.
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Directing | John Irvin | Director |
Production | Burt Weissbourd | Producer |
Editing | Tom Rolf | Editor |
Writing | Lawrence D. Cohen | Screenplay |
Writing | Peter Straub | Novel |
Camera | Jack Cardiff | Director of Photography |
Production | Douglas Green | Co-Producer |
Production | Ronald G. Smith | Associate Producer |
Production | Mike Fenton | Casting |
Art | Norman Newberry | Production Design |
Art | Norman Newberry | Art Direction |
Sound | Philippe Sarde | Original Music Composer |
Art | Mary Ann Biddle | Set Decoration |
Costume & Make-Up | May Routh | Costume Design |
Costume & Make-Up | Rick Baker | Special Effects Makeup Artist |
Costume & Make-Up | Irving Buchman | Makeup Artist |
Costume & Make-Up | Carl Fullerton | Special Effects Makeup Artist |
Costume & Make-Up | Albert Jeyte | Makeup Artist |
Costume & Make-Up | Robert Jiras | Makeup Artist |
Costume & Make-Up | Philip Leto | Hairstylist |
Costume & Make-Up | Rick Sharp | Makeup Artist |
Production | Robert Latham Brown | Production Manager |
Production | Ronald G. Smith | Production Manager |
Directing | Dan Kolsrud | First Assistant Director |
Directing | Dean Lyras | Second Assistant Director |
Art | James Allen | Assistant Decorator |
Art | William Apperson | Construction Foreman |
Art | John Zemansky | Property Master |
Sound | James R. Alexander | Sound |
Sound | Allan Bromberg | Assistant Sound Editor |
Sound | Charles L. Campbell | Supervising Sound Editor |
Sound | Larry Carow | Sound Effects Editor |
Sound | Samuel C. Crutcher | Sound Effects Editor |
Sound | Richard C. Franklin | Sound Effects Editor |
Sound | Robert L. Hoyt | Sound Recordist |
Sound | David Pettijohn | Sound Effects Editor |
Sound | Stanley H. Polinsky | Sound Re-Recording Mixer |
Sound | Mark Server | Boom Operator |
Sound | John J. Stephens | Sound Re-Recording Mixer |
Sound | John Roesch | Foley Artist |
Crew | Henry Millar Jr. | Special Effects |
Visual Effects | Syd Dutton | Matte Painter |
Visual Effects | Albert Whitlock | Visual Effects |
Visual Effects | Susan Turner | Visual Effects |
Camera | Lou Barlia | Camera Operator |
Camera | Bobby Brown | Assistant Camera |
Camera | Dick Mingalone | Camera Operator |
Camera | Reggie Newkirk | First Assistant Camera |
Lighting | Ted Varnadoe | Electrician |
Editing | Michael Ripps | Assistant Editor |
Sound | Harry Betts | Orchestrator |
Sound | John Caper Jr. | Music Coordinator |
Sound | John Caper Jr. | Conductor |
Sound | Peter Knight | Conductor |
Sound | Peter Knight | Orchestrator |
Sound | Michel Mention | Orchestrator |
Sound | Peter T. Myers | Orchestrator |
Production | Patrick A. DiCocco | Production Driver |
Directing | Sonny P. Filippini | Script Supervisor |
Production | Mike Henry | Production Assistant |
Art | Phill Norman | Title Designer |
Production | Suzanne E. Petersen | Production Assistant |
Costume & Make-Up | Dick Smith | Makeup Artist |
Costume & Make-Up | Rick Baker | Makeup Artist |