A disfigured concentration-camp survivor, unrecognizable after facial reconstruction surgery, searches ravaged postwar Berlin for the husband who might have betrayed her to the Nazis.
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| Writing | Christian Petzold | Screenplay |
| Directing | Christian Petzold | Director |
| Writing | Harun Farocki | Co-Writer |
| Production | Florian Koerner von Gustorf | Producer |
| Sound | Stefan Will | Original Music Composer |
| Camera | Hans Fromm | Director of Photography |
| Editing | Bettina Böhler | Editor |
| Production | Simone Bär | Casting |
| Costume & Make-Up | Anette Guther | Costume Design |
| Sound | Martin Steyer | Sound Re-Recording Mixer |
| Sound | Carsten Richter | Foley |
| Costume & Make-Up | Barbara Kreuzer | Makeup Artist |
| Art | Klaus-Dieter Gruber | Production Design |
| Production | Dorissa Berninger | Production Manager |
| Costume & Make-Up | Jeanette Kellermann | Wigmaker |
| Costume & Make-Up | Alexandra Lebedynski | Makeup Artist |
| Directing | Frederic Moriette | Script Supervisor |
| Costume & Make-Up | Irina Tübbecke-Bechem | Makeup Artist |
| Camera | Matthias Biber | Steadicam Operator |
| Writing | Hubert Monteilhet | Novel |
| Camera | Christian Schulz | Still Photographer |
| Editing | Jochen Jezussek | Dialogue Editor |
| Sound | Dominik Schleier | Sound Designer |
| Lighting | Christoph Dehmel-Osterloh | Gaffer |
| Production | Piotr Strzelecki | Executive Producer |
| Production | Jacek Gaczkowski | Executive Producer |
| Visual Effects | Björn Friese | Special Effects Supervisor |
| Camera | Florian Trautwein | First Assistant Camera |
| Sound | Andreas Mücke-Niesytka | Sound Mixer |
| Art | Merlin Ortner | Art Direction |
| Art | Stefan Rohde | Art Department Assistant |
| Art | Christin Busse | Set Decoration |
| Directing | Ires Jung | Assistant Director |
