Balthazar Blake is a master sorcerer in modern-day Manhattan trying to defend the city from his arch-nemesis, Maxim Horvath. Balthazar can't do it alone, so he recruits Dave Stutler, a seemingly average guy who demonstrates hidden potential, as his reluctant protégé. The sorcerer gives his unwilling accomplice a crash course in the art and science of magic, and together, these unlikely partners work to stop the forces of darkness.
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| Art | Naomi Shohan | Production Design |
| Art | David Lazan | Supervising Art Director |
| Production | Jerry Bruckheimer | Producer |
| Production | Ronna Kress | Casting |
| Production | Mike Stenson | Executive Producer |
| Production | Chad Oman | Executive Producer |
| Production | Pat Sandston | Associate Producer |
| Costume & Make-Up | Michael Kaplan | Costume Design |
| Editing | William Goldenberg | Editor |
| Sound | Trevor Rabin | Original Music Composer |
| Sound | Christopher Boyes | Sound Re-Recording Mixer |
| Writing | Lawrence Konner | Writer |
| Writing | Mark Rosenthal | Writer |
| Production | Nicolas Cage | Executive Producer |
| Sound | David Boulton | ADR Mixer |
| Visual Effects | John Frazier | Special Effects Supervisor |
| Camera | Bojan Bazelli | Director of Photography |
| Sound | Doc Kane | ADR Mixer |
| Sound | Shannon Mills | Sound Effects Designer |
| Production | Barry H. Waldman | Executive Producer |
| Production | Todd Garner | Executive Producer |
| Camera | Patrick Loungway | Second Unit Director of Photography |
| Editing | Jim Passon | Color Timer |
| Directing | Jon Turteltaub | Director |
| Crew | Steven Kirshoff | Special Effects Coordinator |
| Costume & Make-Up | Ilona Herman | Makeup & Hair |
| Sound | Tod A. Maitland | Sound Mixer |
| Art | George DeTitta Jr. | Set Decoration |
| Costume & Make-Up | Michelle Matland | Assistant Costume Designer |
| Production | Norman Golightly | Executive Producer |
| Directing | Geoffrey Hansen | First Assistant Director |
| Costume & Make-Up | Alan D'Angerio | Hairstylist |
| Art | David Swayze | Art Direction |
| Production | Richard Baratta | Unit Production Manager |
| Editing | Scott Chestnut | Editor |
| Writing | Matt Lopez | Writer |
| Directing | Philip G. Atwell | Second Unit Director |
| Sound | Gary Wright | Sound Effects Editor |
| Writing | Doug Miro | Screenplay |
| Art | Ron Petagna | Construction Coordinator |
| Crew | Michael Bloomberg | Thanks |
| Writing | Carlo Bernard | Screenplay |
| Costume & Make-Up | Bernadette Mazur | Makeup Department Head |
| Sound | Kimberly Harris | Supervising ADR Editor |
| Production | Sondra James | ADR Voice Casting |
| Production | Barbara Harris | ADR Voice Casting |
| Lighting | Anthony G. Nakonechnyj | Chief Lighting Technician |
| Art | James Mazzola | Property Master |
| Costume & Make-Up | Donna Maloney | Costume Supervisor |
| Sound | James Matheny | Dialogue Editor |
| Costume & Make-Up | Marian Toy | Assistant Costume Designer |
| Costume & Make-Up | David Davenport | Costume Supervisor |
| Art | Claire Kirk | Art Department Coordinator |
| Sound | Dan O'Connell | Foley Artist |
| Costume & Make-Up | Nicole Greenbaum | Costumer |
| Sound | Nevin Seus | Music Editor |
| Sound | John T. Cucci | Foley Artist |
| Directing | Julie Pitkanen | Script Supervisor |
| Editing | Kurt Smith | Color Timer |
| Sound | George Watters II | Supervising Sound Editor |
| Sound | Kevin O’Connell | Sound Re-Recording Mixer |
| Sound | Robb Boyd | Music Editor |
| Camera | Stephen Consentino | Steadicam Operator |
| Lighting | Richard Neumann | Best Boy Electric |
| Crew | Michael Singer | Unit Publicist |
| Sound | Greg Steele | ADR Mixer |
| Camera | Mark Schmidt | Camera Operator |
| Art | Gerald DeTitta | Leadman |
| Sound | Suhail Kafity | Sound Effects Editor |
| Sound | David A. Arnold | Dialogue Editor |
| Sound | Laura Graham | ADR Editor |
| Sound | Adam Kopald | Sound Effects Editor |
| Sound | Teri E. Dorman | Supervising Dialogue Editor |
| Camera | Robert Zuckerman | Still Photographer |
| Sound | Michele Perrone | ADR Editor |
| Visual Effects | Larry White | Animation |
| Visual Effects | John Nelson | Visual Effects Supervisor |
| Costume & Make-Up | Megan Asbee | Costumer |
| Costume & Make-Up | Alex Bovaird | Costume Coordinator |
| Production | Trevor Waterson | Production Supervisor |
| Sound | Matthew Harrison | Foley Editor |
| Crew | Mark Hawker | Special Effects Coordinator |
| Sound | Katie Greathouse | Music Editor |
| Sound | R.J. Palmer | Sound Effects Editor |
| Sound | F. Hudson Miller | Sound Effects Editor |
| Sound | Jeanette Surga | Supervising Music Editor |
| Production | John DeSimone | Production Coordinator |
| Sound | Melissa Lytle | Assistant Sound Editor |
| Sound | Victoria Martin | Foley Supervisor |
| Directing | Peter Thorell | Second Assistant Director |
| Sound | James Ashwill | Foley Mixer |
| Crew | Tami Goldman | Post Production Supervisor |
| Crew | George Marshall Ruge | Stunt Coordinator |
| Directing | George Marshall Ruge | Second Unit Director |
| Crew | Jerry Yuen | Cableman |
| Costume & Make-Up | Frank Barbosa | Key Hair Stylist |
| Lighting | Michael Gallart | Gaffer |
| Editing | Brett M. Reed | First Assistant Editor |
| Costume & Make-Up | Don Kozma | Key Makeup Artist |
| Sound | Thomas W. Small | Foley Editor |
| Art | Simon Cassels | Title Designer |
| Production | Patty Carey | Location Manager |
| Sound | Douglas Parker | Assistant Sound Editor |
| Production | Ellen Adolph | Production Accountant |
| Camera | John Krause | Dolly Grip |
| Art | Thomas R. Polleri | Location Scout |
| Camera | Brendon Malone | Dolly Grip |
| Lighting | Rocco Palmieri | Rigging Gaffer |
| Crew | Don Hewitt Sr. | Utility Stunts |
| Crew | Roland Brooks | Charge Scenic Artist |
| Sound | Timothy R. Boyce Jr. | Boom Operator |
| Art | Zachary Zirlin | Graphic Designer |
| Art | David Schanker | Assistant Property Master |
| Crew | Darren Ryan | Video Assist Operator |
| Crew | August Coppola | In Memory Of |
