Balthazar Blake is a master sorcerer in modern-day Manhattan trying to defend the city from his arch-nemesis, Maxim Horvath. Balthazar can't do it alone, so he recruits Dave Stutler, a seemingly average guy who demonstrates hidden potential, as his reluctant protégé. The sorcerer gives his unwilling accomplice a crash course in the art and science of magic, and together, these unlikely partners work to stop the forces of darkness.
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Art | Naomi Shohan | Production Design |
Art | David Lazan | Supervising Art Director |
Production | Jerry Bruckheimer | Producer |
Production | Ronna Kress | Casting |
Production | Mike Stenson | Executive Producer |
Production | Chad Oman | Executive Producer |
Production | Pat Sandston | Associate Producer |
Costume & Make-Up | Michael Kaplan | Costume Design |
Editing | William Goldenberg | Editor |
Sound | Trevor Rabin | Original Music Composer |
Sound | Christopher Boyes | Sound Re-Recording Mixer |
Writing | Lawrence Konner | Writer |
Writing | Mark Rosenthal | Writer |
Production | Nicolas Cage | Executive Producer |
Sound | David Boulton | ADR Mixer |
Visual Effects | John Frazier | Special Effects Supervisor |
Camera | Bojan Bazelli | Director of Photography |
Sound | Doc Kane | ADR Mixer |
Sound | Shannon Mills | Sound Effects Designer |
Production | Barry H. Waldman | Executive Producer |
Production | Todd Garner | Executive Producer |
Camera | Patrick Loungway | Second Unit Director of Photography |
Editing | Jim Passon | Color Timer |
Directing | Jon Turteltaub | Director |
Crew | Steven Kirshoff | Special Effects Coordinator |
Costume & Make-Up | Ilona Herman | Makeup & Hair |
Sound | Tod A. Maitland | Sound Mixer |
Art | George DeTitta Jr. | Set Decoration |
Costume & Make-Up | Michelle Matland | Assistant Costume Designer |
Production | Norman Golightly | Executive Producer |
Directing | Geoffrey Hansen | First Assistant Director |
Costume & Make-Up | Alan D'Angerio | Hairstylist |
Art | David Swayze | Art Direction |
Production | Richard Baratta | Unit Production Manager |
Editing | Scott Chestnut | Editor |
Writing | Matt Lopez | Writer |
Directing | Philip G. Atwell | Second Unit Director |
Sound | Gary Wright | Sound Effects Editor |
Writing | Doug Miro | Screenplay |
Art | Ron Petagna | Construction Coordinator |
Crew | Michael Bloomberg | Thanks |
Writing | Carlo Bernard | Screenplay |
Costume & Make-Up | Bernadette Mazur | Makeup Department Head |
Sound | Kimberly Harris | Supervising ADR Editor |
Production | Sondra James | ADR Voice Casting |
Production | Barbara Harris | ADR Voice Casting |
Lighting | Anthony G. Nakonechnyj | Chief Lighting Technician |
Art | James Mazzola | Property Master |
Costume & Make-Up | Donna Maloney | Costume Supervisor |
Sound | James Matheny | Dialogue Editor |
Costume & Make-Up | Marian Toy | Assistant Costume Designer |
Costume & Make-Up | David Davenport | Costume Supervisor |
Art | Claire Kirk | Art Department Coordinator |
Sound | Dan O'Connell | Foley Artist |
Costume & Make-Up | Nicole Greenbaum | Costumer |
Sound | Nevin Seus | Music Editor |
Sound | John T. Cucci | Foley Artist |
Directing | Julie Pitkanen | Script Supervisor |
Editing | Kurt Smith | Color Timer |
Sound | George Watters II | Supervising Sound Editor |
Sound | Kevin O’Connell | Sound Re-Recording Mixer |
Sound | Robb Boyd | Music Editor |
Camera | Stephen Consentino | Steadicam Operator |
Lighting | Richard Neumann | Best Boy Electric |
Crew | Michael Singer | Unit Publicist |
Sound | Greg Steele | ADR Mixer |
Camera | Mark Schmidt | Camera Operator |
Art | Gerald DeTitta | Leadman |
Sound | Suhail Kafity | Sound Effects Editor |
Sound | David A. Arnold | Dialogue Editor |
Sound | Laura Graham | ADR Editor |
Sound | Adam Kopald | Sound Effects Editor |
Sound | Teri E. Dorman | Supervising Dialogue Editor |
Camera | Robert Zuckerman | Still Photographer |
Sound | Michele Perrone | ADR Editor |
Visual Effects | Larry White | Animation |
Visual Effects | John Nelson | Visual Effects Supervisor |
Costume & Make-Up | Megan Asbee | Costumer |
Costume & Make-Up | Alex Bovaird | Costume Coordinator |
Production | Trevor Waterson | Production Supervisor |
Sound | Matthew Harrison | Foley Editor |
Crew | Mark Hawker | Special Effects Coordinator |
Sound | Katie Greathouse | Music Editor |
Sound | R.J. Palmer | Sound Effects Editor |
Sound | F. Hudson Miller | Sound Effects Editor |
Sound | Jeanette Surga | Supervising Music Editor |
Production | John DeSimone | Production Coordinator |
Sound | Melissa Lytle | Assistant Sound Editor |
Sound | Victoria Martin | Foley Supervisor |
Directing | Peter Thorell | Second Assistant Director |
Sound | James Ashwill | Foley Mixer |
Crew | Tami Goldman | Post Production Supervisor |
Crew | George Marshall Ruge | Stunt Coordinator |
Directing | George Marshall Ruge | Second Unit Director |
Crew | Jerry Yuen | Cableman |
Costume & Make-Up | Frank Barbosa | Key Hair Stylist |
Lighting | Michael Gallart | Gaffer |
Editing | Brett M. Reed | First Assistant Editor |
Costume & Make-Up | Don Kozma | Key Makeup Artist |
Sound | Thomas W. Small | Foley Editor |
Art | Simon Cassels | Title Designer |
Production | Patty Carey | Location Manager |
Sound | Douglas Parker | Assistant Sound Editor |
Production | Ellen Adolph | Production Accountant |
Camera | John Krause | Dolly Grip |
Art | Thomas R. Polleri | Location Scout |
Camera | Brendon Malone | Dolly Grip |
Lighting | Rocco Palmieri | Rigging Gaffer |
Crew | Don Hewitt Sr. | Utility Stunts |
Crew | Roland Brooks | Charge Scenic Artist |
Sound | Timothy R. Boyce Jr. | Boom Operator |
Art | Zachary Zirlin | Graphic Designer |
Art | David Schanker | Assistant Property Master |
Crew | Darren Ryan | Video Assist Operator |
Crew | August Coppola | In Memory Of |