Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
Is The Silence of the Lambs on Netflix? Unfortunately the movie The Silence of the Lambs is not yet available on Netflix.
| Directing | Jonathan Demme | Director |
| Camera | Tak Fujimoto | Director of Photography |
| Editing | Craig McKay | Editor |
| Writing | Ted Tally | Screenplay |
| Art | Kristi Zea | Production Design |
| Art | Tim Galvin | Art Direction |
| Art | Karen O'Hara | Set Decoration |
| Costume & Make-Up | Colleen Atwood | Costume Design |
| Production | Kenneth Utt | Producer |
| Production | Edward Saxon | Producer |
| Production | Ron Bozman | Producer |
| Writing | Thomas Harris | Novel |
| Production | Grace Blake | Associate Producer |
| Production | Gary Goetzman | Executive Producer |
| Sound | Howard Shore | Original Music Composer |
| Production | Howard Feuer | Casting |
| Lighting | Russell Engels | Gaffer |
| Crew | John Robotham | Stunt Coordinator |
| Sound | Sharon Boyle | Music Supervisor |
| Sound | Suzana Peric | Music Editor |
| Camera | Ken Regan | Still Photographer |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Sound | Chris Newman | Production Sound Mixer |
| Costume & Make-Up | Kathleen Gerlach | Assistant Costume Designer |
| Crew | James Deeth | Thanks |
| Costume & Make-Up | Alan D'Angerio | Hair Designer |
| Costume & Make-Up | Allen Weisinger | Makeup Artist |
| Crew | Todd Kleitsch | Makeup Effects |
| Crew | Marshall Persinger | Post Production Supervisor |
| Directing | Ron Bozman | Assistant Director |
| Crew | Dwight Benjamin-Creel | Special Effects |
| Crew | Michael Cassidy | Stunts |
| Crew | Walter Robles | Stunts |
| Crew | George P. Wilbur | Stunts |
| Costume & Make-Up | Hartsell Taylor | Costume Supervisor |
| Crew | John Leonidas | Transportation Captain |
| Crew | Denny Caira | Transportation Coordinator |
| Lighting | Michael F. Burke | Electrician |
| Lighting | Ken Connors | Best Boy Electric |
| Art | Francine Byrne | Art Department Coordinator |
| Art | Gary Kosko | Assistant Art Director |
| Art | S. Bruce Wineinger | Construction Coordinator |
| Art | Brian Hartman | Location Scout |
| Art | Chris Call | Painter |
| Art | C.A. Kelly | Standby Painter |
| Camera | Anthony Jannelli | Camera Operator |
| Camera | Bruce MacCallum | First Assistant Camera |
| Camera | Richard Aversa | Grip |
| Camera | Mark Streapy | Aerial Camera |
| Camera | Larry McConkey | Steadicam Operator |
| Costume & Make-Up | Ed Lohrer III | Set Dressing Artist |
| Crew | Richard Fishwick | Craft Service |
| Crew | Trish Breganti | Post Production Assistant |
| Crew | Matthew Myers | Production Intern |
| Art | Ann Miller | Property Master |
| Crew | Eileen Garrigan | Scenic Artist |
| Crew | Catherine Marie McDonald | Set Production Assistant |
| Sound | John Fundus | Sound Recordist |
| Crew | Dennis Radesky | Transportation Co-Captain |
| Production | Kenneth Utt | Unit Production Manager |
| Crew | Judy Arthur | Unit Publicist |
| Editing | Colleen Sharp | First Assistant Editor |
| Production | Larry Jackson | Executive In Charge Of Production |
| Production | Neri Kyle Tannenbaum | Location Manager |
| Sound | Dennis Maitland II | Boom Operator |
| Sound | Brian Johnson | Assistant Sound Editor |
| Sound | Homer Denison | Orchestrator |
| Sound | Skip Lievsay | Sound Designer |
| Sound | Robert F. Warren | Dolby Consultant |
| Editing | David Orr | Color Timer |
| Camera | Billy Miller | Key Grip |
| Sound | Marissa Littlefield | Dialogue Editor |
| Sound | Deborah Wallach | ADR Editor |
| Sound | Fred Rosenberg | Dialogue Editor |
| Sound | Philip Stockton | Dialogue Editor |
| Sound | Jeffrey Stern | Dialogue Editor |
| Sound | Gail Showalter | ADR Editor |
| Art | Kenneth Turek | Set Dresser |
| Costume & Make-Up | Carl Fullerton | Makeup Effects Designer |
| Costume & Make-Up | Neal Martz | Makeup Effects Designer |
| Crew | Ray Mendez | Animal Wrangler |
| Directing | Mary A. Kelly | Continuity |
| Directing | Kyle McCarthy | Second Assistant Director |
| Directing | Gina Maria Leonetti | Second Second Assistant Director |
| Art | Kalina Ivanov | Storyboard Artist |
| Sound | Missy Cohen | Apprentice Sound Editor |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Natasha Kinne | Playback Singer |
| Camera | Brian S. Osmond | Camera Trainee |
| Camera | John Donohue | Dolly Grip |
| Camera | Tom O'Halloran | Second Assistant Camera |
| Production | Donna M. Belajac | Additional Casting |
| Costume & Make-Up | Benjamin Wilson | Wardrobe Assistant |
| Costume & Make-Up | Mark Burchard | Wardrobe Supervisor |
| Editing | Lisa Bromwell | Associate Editor |
| Production | John Crowder | Location Coordinator |
| Sound | Dana Sano | Music Coordinator |
| Production | Lisa Bradley | Assistant Production Coordinator |
| Production | Jonathan Sheinberg | Head of Production |
| Crew | Frederika Gray | Key Scenic Artist |
| Crew | Walt Oggier | Police Consultant |
| Production | Jeffrey T. Barabe | Production Assistant |
| Sound | David Boulton | ADR Recordist |
| Sound | Steven Visscher | Foley Editor |
| Sound | Frank Kern | Foley Editor |
