Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
Is The Silence of the Lambs on Netflix? Unfortunately the movie The Silence of the Lambs is not yet available on Netflix.
| Camera | Tak Fujimoto | Director of Photography |
| Art | Kristi Zea | Production Design |
| Art | Karen O'Hara | Set Decoration |
| Writing | Ted Tally | Screenplay |
| Directing | Jonathan Demme | Director |
| Editing | Craig McKay | Editor |
| Art | Tim Galvin | Art Direction |
| Costume & Make-Up | Colleen Atwood | Costume Design |
| Production | Edward Saxon | Producer |
| Production | Ron Bozman | Producer |
| Production | Kenneth Utt | Producer |
| Writing | Thomas Harris | Novel |
| Production | Grace Blake | Associate Producer |
| Production | Gary Goetzman | Executive Producer |
| Production | Howard Feuer | Casting |
| Sound | Howard Shore | Original Music Composer |
| Sound | Suzana Peric | Music Editor |
| Sound | Sharon Boyle | Music Supervisor |
| Crew | John Robotham | Stunt Coordinator |
| Lighting | Russell Engels | Gaffer |
| Camera | Ken Regan | Still Photographer |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Sound | Chris Newman | Production Sound Mixer |
| Costume & Make-Up | Kathleen Gerlach | Assistant Costume Designer |
| Crew | James Deeth | Thanks |
| Directing | Ron Bozman | Assistant Director |
| Crew | Dwight Benjamin-Creel | Special Effects |
| Crew | Denny Caira | Transportation Coordinator |
| Costume & Make-Up | Hartsell Taylor | Costume Supervisor |
| Lighting | Michael F. Burke | Electrician |
| Crew | Walter Robles | Stunts |
| Crew | Michael Cassidy | Stunts |
| Crew | George P. Wilbur | Stunts |
| Crew | John Leonidas | Transportation Captain |
| Crew | Marshall Persinger | Post Production Supervisor |
| Crew | Todd Kleitsch | Makeup Effects |
| Costume & Make-Up | Alan D'Angerio | Hair Designer |
| Costume & Make-Up | Allen Weisinger | Makeup Artist |
| Lighting | Ken Connors | Best Boy Electric |
| Art | S. Bruce Wineinger | Construction Coordinator |
| Art | C.A. Kelly | Standby Painter |
| Art | Chris Call | Painter |
| Camera | Anthony Jannelli | Camera Operator |
| Camera | Larry McConkey | Steadicam Operator |
| Camera | Mark Streapy | Aerial Camera |
| Art | Brian Hartman | Location Scout |
| Camera | Richard Aversa | Grip |
| Camera | Bruce MacCallum | First Assistant Camera |
| Art | Gary Kosko | Assistant Art Director |
| Art | Francine Byrne | Art Department Coordinator |
| Crew | Trish Breganti | Post Production Assistant |
| Sound | Dennis Maitland II | Boom Operator |
| Crew | Eileen Garrigan | Scenic Artist |
| Crew | Catherine Marie McDonald | Set Production Assistant |
| Crew | Matthew Myers | Production Intern |
| Editing | Colleen Sharp | First Assistant Editor |
| Sound | Brian Johnson | Assistant Sound Editor |
| Costume & Make-Up | Ed Lohrer III | Set Dressing Artist |
| Crew | Judy Arthur | Unit Publicist |
| Production | Larry Jackson | Executive In Charge Of Production |
| Sound | Skip Lievsay | Sound Designer |
| Crew | Richard Fishwick | Craft Service |
| Crew | Dennis Radesky | Transportation Co-Captain |
| Production | Kenneth Utt | Unit Production Manager |
| Sound | Homer Denison | Orchestrator |
| Sound | John Fundus | Sound Recordist |
| Production | Neri Kyle Tannenbaum | Location Manager |
| Art | Ann Miller | Property Master |
| Sound | Robert F. Warren | Dolby Consultant |
| Editing | David Orr | Color Timer |
| Camera | Billy Miller | Key Grip |
| Sound | Jeffrey Stern | Dialogue Editor |
| Sound | Gail Showalter | ADR Editor |
| Sound | Fred Rosenberg | Dialogue Editor |
| Sound | Marissa Littlefield | Dialogue Editor |
| Sound | Philip Stockton | Dialogue Editor |
| Sound | Deborah Wallach | ADR Editor |
| Art | Kenneth Turek | Set Dresser |
| Costume & Make-Up | Neal Martz | Makeup Effects Designer |
| Costume & Make-Up | Carl Fullerton | Makeup Effects Designer |
| Crew | Ray Mendez | Animal Wrangler |
| Camera | Brian S. Osmond | Camera Trainee |
| Crew | Walt Oggier | Police Consultant |
| Sound | Marko Costanzo | Foley Artist |
| Directing | Kyle McCarthy | Second Assistant Director |
| Production | Lisa Bradley | Assistant Production Coordinator |
| Sound | Natasha Kinne | Playback Singer |
| Production | Jonathan Sheinberg | Head of Production |
| Production | John Crowder | Location Coordinator |
| Camera | Tom O'Halloran | Second Assistant Camera |
| Costume & Make-Up | Benjamin Wilson | Wardrobe Assistant |
| Production | Jeffrey T. Barabe | Production Assistant |
| Costume & Make-Up | Mark Burchard | Wardrobe Supervisor |
| Sound | Dana Sano | Music Coordinator |
| Editing | Lisa Bromwell | Associate Editor |
| Directing | Mary A. Kelly | Continuity |
| Crew | Frederika Gray | Key Scenic Artist |
| Art | Kalina Ivanov | Storyboard Artist |
| Sound | Missy Cohen | Apprentice Sound Editor |
| Directing | Gina Maria Leonetti | Second Second Assistant Director |
| Camera | John Donohue | Dolly Grip |
| Production | Donna M. Belajac | Additional Casting |
| Sound | David Boulton | ADR Recordist |
| Sound | Steven Visscher | Foley Editor |
| Sound | Frank Kern | Foley Editor |
