Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
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| Sound | Howard Shore | Original Music Composer |
| Costume & Make-Up | Colleen Atwood | Costume Design |
| Production | Howard Feuer | Casting |
| Sound | Chris Newman | Production Sound Mixer |
| Directing | Jonathan Demme | Director |
| Production | Ronald M. Bozman | Producer |
| Directing | Ronald M. Bozman | Assistant Director |
| Production | Edward Saxon | Producer |
| Production | Kenneth Utt | Producer |
| Production | Kenneth Utt | Unit Production Manager |
| Camera | Tak Fujimoto | Director of Photography |
| Editing | Craig McKay | Editor |
| Sound | David Boulton | ADR Recordist |
| Art | Karen O'Hara | Set Decoration |
| Sound | Skip Lievsay | Sound Designer |
| Art | Kristi Zea | Production Design |
| Art | Kalina Ivanov | Storyboard Artist |
| Art | Tim Galvin | Art Direction |
| Costume & Make-Up | Neal Martz | Makeup Effects Designer |
| Sound | Sharon Boyle | Music Supervisor |
| Writing | Thomas Harris | Novel |
| Camera | Billy Miller | Key Grip |
| Editing | Lisa Bromwell | Associate Editor |
| Production | Jeffrey T. Barabe | Production Assistant |
| Art | Gary Kosko | Assistant Art Director |
| Production | Gary Goetzman | Executive Producer |
| Costume & Make-Up | Alan D'Angerio | Hair Designer |
| Crew | James Deeth | Thanks |
| Camera | Tony C. Jannelli | Camera Operator |
| Writing | Ted Tally | Screenplay |
| Art | Brian Hartman | Location Scout |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Marissa Littlefield | Dialogue Editor |
| Crew | George P. Wilbur | Stunts |
| Crew | Marshall Persinger | Post Production Supervisor |
| Crew | Walter Robles | Stunts |
| Crew | Matthew Myers | Production Intern |
| Camera | John Donohue | Dolly Grip |
| Sound | Dana Sano | Music Coordinator |
| Sound | Fred Rosenberg | Dialogue Editor |
| Sound | John Fundus | Sound Recordist |
| Crew | John Robotham | Stunt Coordinator |
| Sound | Suzana Peric | Music Editor |
| Crew | John Leonidas | Transportation Captain |
| Editing | David Orr | Color Timer |
| Sound | Jeffrey Stern | Dialogue Editor |
| Sound | Brian Johnson | Assistant Sound Editor |
| Camera | Larry McConkey | Steadicam Operator |
| Editing | Colleen Sharp | First Assistant Editor |
| Sound | Frank Kern | Foley Editor |
| Crew | Todd Kleitsch | Makeup Effects |
| Production | Donna M. Belajac | Additional Casting |
| Sound | Philip Stockton | Dialogue Editor |
| Costume & Make-Up | Hartsell Taylor | Costume Supervisor |
| Production | Jonathan Sheinberg | Head of Production |
| Crew | Michael Cassidy | Stunts |
| Crew | Dwight Benjamin-Creel | Special Effects |
| Crew | Denny Caira | Transportation Coordinator |
| Costume & Make-Up | Carl Fullerton | Makeup Effects Designer |
| Camera | Bruce MacCallum | First Assistant Camera |
| Art | Ann Miller | Property Master |
| Lighting | Russell Engels | Gaffer |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Sound | Missy Cohen | Apprentice Sound Editor |
| Sound | Deborah Wallach | ADR Editor |
| Art | Kenneth Turek | Set Dresser |
| Production | John Crowder | Location Coordinator |
| Costume & Make-Up | Allen Weisinger | Makeup Artist |
| Directing | Mary A. Kelly | Continuity |
| Production | Grace Blake | Associate Producer |
| Camera | Ken Regan | Still Photographer |
| Sound | Steven Visscher | Foley Editor |
| Art | Francine Byrne | Art Department Coordinator |
| Costume & Make-Up | Kathleen Gerlach | Assistant Costume Designer |
| Lighting | Ken Connors | Best Boy Electric |
| Costume & Make-Up | Mark Burchard | Wardrobe Supervisor |
| Camera | Brian S. Osmond | Camera Trainee |
| Art | Chris Call | Painter |
| Lighting | Michael F. Burke | Electrician |
| Camera | Tom O'Halloran | Second Assistant Camera |
| Sound | Gail Showalter | ADR Editor |
| Art | S. Bruce Wineinger | Construction Coordinator |
| Art | C.A. Kelly | Standby Painter |
| Camera | Richard Aversa | Grip |
| Camera | Mark Streapy | Aerial Camera |
| Costume & Make-Up | Ed Lohrer III | Set Dressing Artist |
| Crew | Richard Fishwick | Craft Service |
| Crew | Trish Breganti | Post Production Assistant |
| Crew | Eileen Garrigan | Scenic Artist |
| Crew | Catherine Marie McDonald | Set Production Assistant |
| Crew | Dennis Radesky | Transportation Co-Captain |
| Crew | Judy Arthur | Unit Publicist |
| Production | Larry Jackson | Executive In Charge Of Production |
| Production | Neri Kyle Tannenbaum | Location Manager |
| Sound | Dennis Maitland II | Boom Operator |
| Sound | Homer Denison | Orchestrator |
| Sound | Robert F. Warren | Dolby Consultant |
| Production | Lisa Bradley | Assistant Production Coordinator |
| Costume & Make-Up | Benjamin Wilson | Wardrobe Assistant |
| Crew | Ray Mendez | Animal Wrangler |
| Directing | Kyle McCarthy | Second Assistant Director |
| Directing | Gina Maria Leonetti | Second Second Assistant Director |
| Sound | Natasha Kinne | Playback Singer |
| Crew | Frederika Gray | Key Scenic Artist |
| Crew | Walt Oggier | Police Consultant |
