In Gossette (1923), Dulac experimented with and designed a number of special lenses and prisms to produce a variety of effects and multiply the expressive means which translate the characters' visions and mental states. She also reversed class and gender roles, as she made the female character Gossette come to the aid of Phillipe de Savières, falsely accused of murder, in order to save his name.
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| Art | Jean Perrier | Set Decoration |
| Art | Louis Nalpas | Art Direction |
| Directing | Germaine Dulac | Director |
| Art | Georges Quénu | Set Decoration |
| Writing | Charles Vayre | Novel |
| Camera | Albert Cohendy | Director of Photography |
| Camera | Henri Stuckert | Director of Photography |
