A successful physician and devoted family man, John Dolittle seems to have the world by the tail, until a long suppressed talent he possessed as a child, the ability to communicate with animals is suddenly reawakened with a vengeance! Now every creature within squawking distance wants the good doctor's advice, unleashing an outrageous chain of events that turns his world upside down!
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| Art | William A. Elliott | Production Design |
| Production | John Davis | Producer |
| Production | Nancy Foy | Casting |
| Sound | Craig Berkey | Sound Effects Editor |
| Production | David T. Friendly | Producer |
| Visual Effects | Jon Farhat | Visual Effects Supervisor |
| Directing | Jon Farhat | Second Unit Director |
| Art | Greg Papalia | Art Direction |
| Costume & Make-Up | Sharen Davis | Costume Design |
| Directing | Julie Herrin | Second Assistant Director |
| Art | K.C. Fox | Set Decoration |
| Sound | Richard Gibbs | Original Music Composer |
| Editing | Peter Teschner | Editor |
| Costume & Make-Up | Matthew W. Mungle | Special Effects Makeup Artist |
| Visual Effects | Van Ling | Visual Effects Supervisor |
| Production | Steph Lady | Associate Producer |
| Directing | Betty Thomas | Director |
| Writing | Nat Mauldin | Screenplay |
| Writing | Larry Levin | Screenplay |
| Camera | Russell Boyd | Director of Photography |
| Production | Jenno Topping | Executive Producer |
| Production | Joseph Singer | Producer |
| Costume & Make-Up | Toy Van Lierop | Makeup Artist |
| Production | Jeffrey Downer | Unit Production Manager |
| Production | Sue Baden-Powell | Executive Producer |
| Production | Sue Baden-Powell | Unit Production Manager |
| Sound | Gary Alexander | Sound Re-Recording Mixer |
| Costume & Make-Up | Ann Pala | Makeup Artist |
| Costume & Make-Up | Fay Kelly | Hairstylist |
| Directing | Benita Brazier | Script Supervisor |
| Crew | Ernie F. Orsatti | Stunt Coordinator |
| Directing | Ernie F. Orsatti | Second Unit Director |
| Directing | Tamu Blackwell | Second Second Assistant Director |
| Art | Easton Michael Smith | Set Designer |
| Art | Gina B. Cranham | Set Designer |
| Costume & Make-Up | Riki Lin Sabusawa | Costume Supervisor |
| Directing | Marvel Wakefield | Script Supervisor |
| Sound | John A. Larsen | Supervising Sound Editor |
| Directing | Sarah Auerswald | Script Supervisor |
| Sound | Gary C. Bourgeois | Sound Re-Recording Mixer |
| Sound | Paul Apted | Sound Effects Editor |
| Costume & Make-Up | Erma Kent | Hairstylist |
| Sound | Michael J. Benavente | Supervising Sound Editor |
| Art | James F. Claytor Sr. | Set Designer |
| Visual Effects | Casey Cannon | Visual Effects Producer |
| Visual Effects | Melissa Brockman | Visual Effects Producer |
| Writing | Hugh Lofting | Story |
| Directing | Donald Sparks | Second Assistant Director |
| Directing | Mads Hansen | Script Coordinator |
| Sound | Pilar McCurry | Music Supervisor |
| Crew | P. Todd Coe | Post Production Supervisor |
| Directing | Susan J. Hellmann | Second Assistant Director |
| Directing | Richard Graves | First Assistant Director |
| Production | Cathy Mickel Gibson | Production Supervisor |
| Sound | David Kirschner | Sound Mixer |
| Visual Effects | Anne Putnam Kolbe | Visual Effects Producer |
| Visual Effects | Mark Brown | Visual Effects Producer |
| Costume & Make-Up | Shontai Clark | Makeup Artist |
| Directing | Shery Blanc | Second Assistant Director |
| Production | Vince Duque | Trainee Production Coordinator |
| Directing | Kris Krengel | First Assistant Director |
