In 1958, in the state of Virginia, the idea of interracial marriage was not only considered to be immoral to many, it was also illegal. When Richard and Mildred fall in love, they are aware of the eyes staring at them and the words said behind their backs. It's when they get married, however, that words and looks become actions, and the two are arrested. The couple decide to take their case all of the way to the Supreme Court in order to fight for their love. Based on a true story.
Is Loving on Netflix? Unfortunately the movie Loving is not yet available on Netflix.
| Costume & Make-Up | Gary Archer | Prosthetics |
| Writing | Jeff Nichols | Writer |
| Directing | Jeff Nichols | Director |
| Editing | Julie Monroe | Editor |
| Production | Colin Firth | Producer |
| Production | Sarah Green | Producer |
| Production | Ged Doherty | Producer |
| Art | Jonathan Guggenheim | Art Direction |
| Production | Nancy Buirski | Producer |
| Production | Marc Turtletaub | Producer |
| Production | Brian Kavanaugh-Jones | Executive Producer |
| Production | Peter Saraf | Producer |
| Production | Jack Turner | Executive Producer |
| Art | Adam Willis | Set Decoration |
| Production | Jared Ian Goldman | Executive Producer |
| Costume & Make-Up | Erin Benach | Costume Design |
| Production | Francine Maisler | Casting |
| Art | Chad Keith | Production Design |
| Production | Will Greenfield | Co-Producer |
| Production | Oge Egbuono | Associate Producer |
| Directing | Jean-Paul Chreky | Script Supervisor |
| Camera | Ben Rothstein | Still Photographer |
| Sound | David Wingo | Original Music Composer |
| Camera | Adam Stone | Director of Photography |
| Sound | Lauren Mikus | Music Supervisor |
| Crew | Gary Pilkinton | Special Effects Coordinator |
| Crew | Trevor Smithson | Special Effects Technician |
| Art | A. Patrick Storey | Property Master |
| Production | Sarah Green | Unit Production Manager |
| Production | Will Greenfield | Unit Production Manager |
| Costume & Make-Up | Lee Mason | Hairstylist |
| Costume & Make-Up | Brian Morton | Hairstylist |
| Art | Hannah Ross | Assistant Property Master |
| Camera | Dylan Conrad | First Assistant "B" Camera |
| Camera | Kenneth Neil Moore | Second Unit Director of Photography |
| Directing | Tommy Martin | Second Assistant Director |
| Art | Roslyn Blankenship | Construction Buyer |
| Sound | Will Files | Supervising Sound Editor |
| Sound | Judy Kirschner | Foley Mixer |
| Crew | Dean Mumford | Stunt Driver |
| Crew | Alexander Schuler | Stunts |
| Lighting | Sean Engel | Electrician |
| Lighting | Maxwel Fisher | Genetator Operator |
| Costume & Make-Up | Julia Lallas | Makeup Department Head |
| Sound | Proctor Trivette | Boom Operator |
| Lighting | Rachel Landis | Lighting Technician |
| Lighting | Timothy P. Reilly | Lighting Technician |
| Editing | Jamal McLemore | Assistant Editor |
| Art | Susan Sutphin | Art Department Coordinator |
| Crew | Henry Walton | Propmaker |
| Lighting | Kevin Gallagher | Electrician |
| Lighting | Robert Spencer | Rigging Gaffer |
| Costume & Make-Up | Lindsay Austria | Seamstress |
| Art | Richard Blankenship | Construction Coordinator |
| Sound | Shayna Brown | ADR Mixer |
| Crew | Miles Brew | Stunts |
| Camera | Stephen McBride | Second Assistant "A" Camera |
| Editing | Tony Costello | First Assistant Editor |
| Sound | Jay Weigel | Orchestrator |
| Camera | Rocky Ford | Key Grip |
| Editing | Christopher McDonald | Dailies Operator |
| Production | Colleen Gibbons | Location Manager |
| Costume & Make-Up | Kenneth Walker | Hair Department Head |
| Crew | Susan E. Novick | Post Production Supervisor |
| Sound | Andrea Gard | Foley Editor |
| Sound | P.K. Hooker | Sound Effects Editor |
| Sound | Chris Navarro | ADR Mixer |
| Camera | Max Fischer | Steadicam Operator |
| Lighting | Michael Piekutowski | Lighting Technician |
| Costume & Make-Up | Jonny Pray | Costume Supervisor |
| Sound | Satoshi Mark Noguchi | Scoring Mixer |
| Sound | Jay B. Richardson | Music Editor |
| Costume & Make-Up | Travis Corprew | Hairstylist |
| Costume & Make-Up | Katie Middleton | Key Makeup Artist |
| Crew | Chad Hessler | Stunt Coordinator |
| Crew | Maï Boiron | Translator |
| Production | Taylor Morgan | Assistant Production Coordinator |
| Art | Ronald Alexander | Construction Foreman |
| Crew | Aaron Vexler | Stunts |
| Lighting | Michael Roy | Gaffer |
| Camera | Christopher Smitty Smith | Dolly Grip |
| Directing | Ben LeDoux | Second Second Assistant Director |
| Sound | Joel Dougherty | Sound Effects Editor |
| Sound | Brandon Proctor | Dialogue Editor |
| Costume & Make-Up | Elizabeth Paschall | Key Hair Stylist |
| Directing | Cas Donovan | First Assistant Director |
| Sound | Pud Cusack | Sound Mixer |
| Art | Stephen G. Shifflette | Leadman |
| Sound | Richard Bullock Jr. | Boom Operator |
| Sound | Bob Kellough | Sound Effects Editor |
| Crew | Jason Gupton | Stunts |
| Camera | Lou Rubsamen | Best Boy Grip |
| Production | Theresa Marsh | Production Accountant |
| Lighting | Kevin Mucha | Best Boy Electric |
| Editing | Warren Hickman | First Assistant Editor |
| Production | Emily Kacere | Production Coordinator |
| Production | Jonathan D. Ortiz | Production Secretary |
| Art | Eric Gruber | Construction Foreman |
| Camera | David Regan | First Assistant "A" Camera |
| Production | Kendall Cooper | Extras Casting |
| Costume & Make-Up | Samantha M. Capps | Makeup Artist |
| Art | David Keith Broome | Greensman |
| Sound | David Grimaldi | Sound Effects Editor |
| Crew | Kevin Dyer | Stunt Driver |
| Camera | Tonja Greenfield | Second Assistant "B" Camera |
| Lighting | Adunbi Kazembe | Lighting Technician |
| Camera | Sean Piper | Dolly Grip |
| Costume & Make-Up | Karen Wolfe | Key Costumer |
| Crew | Samara Bay | Dialect Coach |
| Crew | Christine Conway | Studio Teacher |
| Art | Nancy Buirski | Storyboard Artist |
