Turin, 1969. Nine-year-old Massimo’s idyllic childhood is shattered by the mysterious death of his mother. The young boy refuses to accept this brutal loss, even if the priest says she is now in Heaven. Years later in the 90s, adult Massimo has become an accomplished journalist. After reporting on the war in Sarajevo, he begins to suffer from panic attacks. As he prepares to sell his parents’ apartment, Massimo is forced to relive his traumatic past. Compassionate doctor Elisa could help tormented Massimo open up and confront his childhood wounds…
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| Directing | Marco Bellocchio | Director |
| Camera | Daniele Ciprì | Director of Photography |
| Editing | Francesca Calvelli | Editor |
| Writing | Edoardo Albinati | Screenplay |
| Writing | Valia Santella | Screenplay |
| Writing | Marco Bellocchio | Screenplay |
| Writing | Massimo Gramellini | Novel |
| Visual Effects | Stefano Marinoni | Visual Effects Supervisor |
| Visual Effects | Franco Galiano | Special Effects Supervisor |
| Production | Beppe Caschetto | Producer |
| Camera | Mauro Calanca | First Assistant Camera |
| Sound | Antonio Tirinelli | Sound Effects Editor |
| Costume & Make-Up | Olga Michalowska | Assistant Costume Designer |
| Lighting | Domenico Caiuli | Gaffer |
| Visual Effects | Paola Trisoglio | Visual Effects Producer |
| Sound | Sergio Basili | Foley |
| Camera | Matteo Carlesimo | Steadicam Operator |
| Camera | Simone Martinetto | Still Photographer |
| Sound | Gianluca Basili | Sound Effects Editor |
| Sound | Roberto Cappannelli | Sound Re-Recording Mixer |
| Art | Marco Dentici | Production Design |
| Art | Lily Pungitore | Set Decoration |
| Camera | Pier Giorgio Bellocchio | Camera Operator |
| Production | Dorval Pittaluga | Extras Casting Assistant |
| Production | Paolo Del Brocco | Co-Producer |
