Australian journalist Guy Hamilton travels to Indonesia to cover civil strife in 1965. There—on the eve of an attempted coup—he befriends a Chinese Australian photographer with a deep connection to and vast knowledge of the Indonesian people, and also falls in love with a British national.
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Writing | C.J. Koch | Screenplay |
Writing | C.J. Koch | Novel |
Camera | Russell Boyd | Director of Photography |
Production | Jim McElroy | Producer |
Editing | William M. Anderson | Editor |
Directing | Peter Weir | Director |
Writing | Peter Weir | Screenplay |
Sound | Maurice Jarre | Original Music Composer |
Writing | David Williamson | Screenplay |
Production | Freddie Fields | Executive Producer |
Art | Herbert Pinter | Art Direction |
Directing | Moya Iceton | Continuity |
Camera | Nixon Binney | Camera Operator |
Camera | John Seale | Second Unit Director of Photography |
Sound | Gary Wilkins | Sound Recordist |
Sound | Mark J. Wasiutak | Boom Operator |
Production | Elaine Crowther | Production Accountant |
Directing | Mark Egerton | First Assistant Director |
Production | Mark Egerton | Production Supervisor |
Production | Carolynne Cunningham | Production Coordinator |
Directing | Chris Webb | Second Assistant Director |
Directing | Michael Bourchier | Third Assistant Director |
Lighting | Brian Bansgrove | Gaffer |
Lighting | Paul Gantner | Best Boy Electric |
Camera | Ray Brown | Key Grip |
Costume & Make-Up | Terry Ryan | Costume Design |
Costume & Make-Up | Anthony Jones | Costume Supervisor |
Costume & Make-Up | Judy Lovell | Makeup Artist |
Costume & Make-Up | Cheryl Williams | Hairstylist |
Art | Anni Browning | Assistant Art Director |
Production | Alison Barrett | Casting |
Camera | Jim Townley | Still Photographer |