Four 1950s cultural icons who conceivably could have met but probably didn't, fictionally do so in this modern fable of post-WWII America. Visually intriguing, the film has a fluid progression of flashbacks and flashforwards centering on the fictional Einstein's current observations, childhood memories, and apprehensions for the future.
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| Directing | Nicolas Roeg | Director |
| Writing | Terry Johnson | Writer |
| Production | Alexander Stuart | Executive Producer |
| Production | Jeremy Thomas | Producer |
| Sound | Stanley Myers | Music |
| Camera | Peter Hannan | Director of Photography |
| Editing | Tony Lawson | Editor |
| Production | Lucy Boulting | Casting |
| Production | Margery Simkin | Casting |
| Directing | Mary Holdsworth | Script Supervisor |
| Art | David Brockhurst | Production Design |
| Art | Arthur Max | Art Direction |
| Art | Celia Barnett | Art Direction |
| Costume & Make-Up | Shuna Harwood | Costume Design |
| Costume & Make-Up | Christine Beveridge | Makeup Artist |
| Sound | Alan Bell | Sound Editor |
| Sound | Paul Le Mare | Sound |
| Camera | Edward Lachman | Additional Camera |
| Sound | Hans Zimmer | Original Music Composer |
