In response to political pressure from Senator Lillian DeHaven, the U.S. Navy begins a program that would allow for the eventual integration of women into its combat services. The program begins with a single trial candidate, Lieutenant Jordan O'Neil, who is chosen specifically for her femininity. O'Neil enters the grueling Navy SEAL training program under the command of Master Chief John James Urgayle, who unfairly pushes O'Neil until her determination wins his respect.
Is G.I. Jane on Netflix? Unfortunately the movie G.I. Jane is not yet available on Netflix.
| Production | Suzanne Todd | Producer |
| Production | Demi Moore | Producer |
| Editing | Pietro Scalia | Editor |
| Writing | Danielle Alexandra | Screenplay |
| Art | Richard L. Johnson | Art Direction |
| Directing | Ridley Scott | Director |
| Sound | Trevor Jones | Original Music Composer |
| Production | Ridley Scott | Producer |
| Art | Cindy Carr | Set Decoration |
| Camera | Hugh Johnson | Director of Photography |
| Production | Louis DiGiaimo | Casting |
| Production | Roger Birnbaum | Producer |
| Writing | David Twohy | Screenplay |
| Costume & Make-Up | Marilyn Vance | Costume Design |
| Camera | Gerrit Garretsen | Second Company Grip |
| Crew | Frank Moorefield | Set Medic |
| Production | Ned Dowd | Head of Production |
| Crew | Harry Humphries | Technical Advisor |
| Art | William Hiney | Supervising Art Director |
| Camera | Fred L. McLane | First Assistant Camera |
| Costume & Make-Up | Cheri Minns | Key Makeup Artist |
| Art | Eric J. Bates | Property Master |
| Lighting | Chuck Finch | Gaffer |
| Camera | Phil Bray | Still Photographer |
| Directing | Christopher Surgent | Second Assistant Director |
| Sound | Keith A. Wester | Production Sound Mixer |
| Camera | Tony Rivetti Jr. | First Assistant Camera |
| Crew | David Paris | Aerial Coordinator |
| Crew | Steve Galich | Special Effects Coordinator |
| Camera | Frank D. Parrish | Second Assistant Camera |
| Production | Daneen Conroy | Production Supervisor |
| Art | Dan Pemberton | Construction Coordinator |
| Costume & Make-Up | David Rawley | Costume Supervisor |
| Directing | J. David Brightbill | Second Assistant Director |
| Camera | David Brink | Second Assistant Camera |
| Sound | Timothy P. Salmon | Boom Operator |
| Editing | Chisako Yokoyama | Assistant Editor |
| Sound | Jeremy Child | Sound Editor |
| Sound | Robert Gavin | ADR Editor |
| Editing | Paul Elman | Assistant Editor |
| Sound | Campbell Askew | Supervising Sound Editor |
| Editing | Chris Innis | Associate Editor |
| Editing | Tristan Mullane | Assistant Editor |
| Editing | Pamela Power | Additional Editor |
| Sound | John Ireland | Foley Editor |
| Sound | John Cochrane | Dialogue Editor |
| Crew | Richard Scarpone | Video Assist Operator |
| Sound | Derek Lomas | Assistant Sound Editor |
| Sound | Andrew Glen | Music Editor |
| Production | Rob Meisenholder | Assistant Accountant |
| Production | Chris McComb | Assistant Accountant |
| Sound | Ray Merrin | Sound Re-Recording Mixer |
| Costume & Make-Up | Chuck Askerneese | On Set Dresser |
| Sound | Sarah Dane | Assistant Sound Editor |
| Production | Allison Sherman | Production Coordinator |
| Crew | Morgan Guynes | Special Effects |
| Production | Gary Gillingham | Production Accountant |
| Sound | Adrian Trent | Assistant Sound Editor |
| Sound | Graham Daniel | Sound Re-Recording Mixer |
| Production | Catherine Schwenn | Assistant Production Coordinator |
| Art | Jon Danniells | Leadman |
| Production | Amy Taft | Production Coordinator |
| Production | Shari Leibowitz | Production Coordinator |
| Production | Sarah Millar | Assistant Accountant |
| Production | Billy Dowd | Extras Casting |
| Art | Thomas Minton | Set Designer |
| Crew | Michael Solinger | Post Production Supervisor |
| Production | Rick Baer | First Assistant Accountant |
| Production | Clare St. John | Production Coordinator |
| Crew | Jeff Frink | Special Effects |
| Crew | Mark Hunter Reinking | Actor's Assistant |
| Art | Bill Taliaferro | Assistant Art Director |
| Crew | Ray Svedin | Special Effects |
| Crew | Phillip Beck Jr. | Special Effects |
| Crew | Ken Gorrell | Special Effects |
| Crew | Chris Brenczewski | Special Effects |
| Crew | Jeff Sparks | Special Effects |
| Crew | Allen Richardson | Special Effects |
| Camera | W.C. 'Chunky' Huse | Key Grip |
| Costume & Make-Up | Dorothy D. Fox | Key Hair Stylist |
| Costume & Make-Up | Rodger Jacobs | Makeup Artist |
| Costume & Make-Up | Joe McCloskey | Key Costumer |
| Costume & Make-Up | Kylie Bell | Assistant Makeup Artist |
| Costume & Make-Up | Brad Wilder | Makeup Artist |
| Camera | Scott W. Leftridge | Grip |
| Camera | Sean Finnegan | Grip |
| Camera | Andrew Taylor | Grip |
| Camera | Rick Uva | Grip |
| Camera | Frank Ryan | Grip |
| Camera | Daniel R. Haizlip | Best Boy Grip |
| Camera | Edward 'Gooch' Gutierrez | Grip |
| Lighting | Andrew Reed Conner | Electrician |
| Lighting | Steven Litecky | Best Boy Electric |
| Lighting | Bill Fiedler | Electrician |
| Lighting | Steve Owen | Key Rigging Grip |
| Lighting | Craig Ligget | Rigging Gaffer |
| Lighting | Michael Goldman | Electrician |
| Lighting | Stuart Bicknell | Electrician |
| Crew | Kelly Wroe | Stand In |
| Lighting | Robert Spencer | Electrician |
| Crew | Tommy Tancharoen | Transportation Coordinator |
| Crew | Terry J. Erdmann | Unit Publicist |
| Crew | Lee Garibaldi | Transportation Captain |
| Crew | Adam Collins | Set Production Assistant |
| Lighting | Todd Ranson | Electrician |
| Crew | Craig Glaser | Craft Service |
| Directing | Hugh Johnson | Second Unit Director |
| Sound | Kathy Nelson | Music Supervisor |
| Sound | Clem Clempson | Musician |
| Editing | Paul Ensby | Color Timer |
| Crew | Karyn V. Cody | Technical Advisor |
| Lighting | Lee Shapira | Key Rigging Grip |
| Art | Ron Breedlove | Construction Manager |
| Crew | Gilbert Young | Transportation Captain |
| Crew | Gene R. Johnson | Transportation Coordinator |
| Sound | Alex Marcou | Music Editor |
| Production | Mary Morgan | Location Manager |
| Production | Carol Flaisher | Location Manager |
| Art | Rob Simons | Assistant Art Director |
| Crew | Peter Cobbin | Additional Music |
| Production | Deirdre de Tappan | Production Coordinator |
| Production | Marisa Johnston | Post Production Coordinator |
| Lighting | Chris Walters | Rigging Gaffer |
| Crew | Danny Mortenson | Transportation Captain |
| Production | Donald Heitzer | Production Manager |
| Sound | Charlie Morgan | Musician |
| Sound | Phil Todd | Musician |
| Sound | Victoria Seale | Music Coordinator |
| Sound | Paul Clarvis | Musician |
| Production | John McSweeney | Assistant Location Manager |
| Crew | Robert W. Simpson | Transportation Captain |
| Editing | Jason Wheeler | Negative Cutter |
| Production | Ken Haber | Location Manager |
| Camera | John Skotchdopole | First Assistant Camera |
| Production | Errol Reichow | Location Manager |
| Directing | Marion Tumen | Script Supervisor |
| Camera | William McConnell | First Assistant Camera |
| Costume & Make-Up | Ed Fincher | Costume Supervisor |
| Costume & Make-Up | Cheryl Markowitz | Key Makeup Artist |
| Camera | Dan Mindel | Second Unit Director of Photography |
| Sound | David M. Ronne | Sound Mixer |
| Art | Allan Gordon | Property Master |
| Costume & Make-Up | Diana Acrey | Key Hair Stylist |
| Lighting | Jeff Sondberg | Best Boy Electric |
| Art | Virginia Randolph-Weaver | Art Direction |
| Crew | Russell McEntyre | Transportation Coordinator |
| Camera | Gary Kangrga | Key Grip |
| Sound | Jules Strasser | Boom Operator |
| Crew | Chris Soule | Stunts |
| Crew | Brian Finn | Stunts |
| Crew | Phil Neilson | Stunt Coordinator |
| Crew | Charles Grisham | Stunts |
| Production | Danielle Alexandra | Executive Producer |
| Crew | Keith Woulard | Stunt Double |
| Camera | Craig Haagensen | Camera Operator |
| Crew | Duffy Gaver | Utility Stunts |
| Crew | Darrin Prescott | Stunts |
| Crew | Hash Shallan | Stunts |
| Crew | Scott Helvenston | Utility Stunts |
| Crew | Steve Bolan | Utility Stunts |
| Crew | Cinda-Lin James | Stunt Double |
| Production | Julie Bergman Sender | Executive Producer |
| Production | Terry Needham | Associate Producer |
| Directing | Darin Rivetti | Second Assistant Director |
| Directing | Luca Kouimelis | Script Supervisor |
| Crew | G. Peter King | Utility Stunts |
| Crew | Mark Lonsdale | Utility Stunts |
| Production | Chris Zarpas | Executive Producer |
| Crew | Leigh Hennessy | Stunt Double |
| Writing | Danielle Alexandra | Story |
| Production | Diane Minter Lewis | Associate Producer |
| Production | Nigel Wooll | Unit Production Manager |
| Directing | Terry Needham | First Assistant Director |
| Directing | Adam Somner | Second Assistant Director |
| Production | Michele Imperato Stabile | Unit Production Manager |
| Production | Tim McBride | Associate Producer |
| Production | Nigel Wooll | Co-Producer |
| Camera | Terry Bowen | Camera Operator |
| Crew | Andy Birmingham | Production Controller |
| Production | Brett Goldstein | Casting |
| Art | Arthur Max | Production Design |
| Sound | Trevor Jones | Orchestrator |
| Sound | Nick Ingman | Orchestrator |
| Sound | Geoff Alexander | Orchestrator |
| Sound | Julian Kershaw | Orchestrator |
| Sound | Gavyn Wright | Conductor |
| Sound | Belinda Sykes | Vocals |
| Crew | Gretchen Husting | Production Intern |
| Crew | Nicole Fleit | Production Intern |
| Crew | Blake Schultz | Production Intern |
| Camera | Kevin Jackson | Grip |
