A rich, young businessman travels to Australia with the intention of buying a 1967 Citroën DS. Once he arrives, things do not go to plan, and he must drive the DS into the outback alongside a blind young woman in order to track down its seller.
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Writing | Eddie Fong | Writer |
Production | Dennis Kiely | Line Producer |
Directing | Clara Law | Director |
Production | Helen Loveridge | Executive Producer |
Writing | Clara Law | Writer |
Production | Akiko Funatsu | Executive Producer |
Production | Wouter Barendrecht | Executive Producer |
Production | Peter Sainsbury | Executive Producer |
Production | Eddie Fong | Producer |
Production | Michael J. Werner | Executive Producer |
Costume & Make-Up | Helen Mather | Costume Design |
Costume & Make-Up | Annie Marshall | Costume Design |
Editing | Kate Williams | Editor |
Production | Yōko Narahashi | Casting |
Art | Nicholas McCallum | Production Design |
Production | Anousha Zarkesh | Casting |
Camera | Dion Beebe | Director of Photography |
Sound | Jen Anderson | Original Music Composer |
Art | Emma Lawes | Art Direction |
Costume & Make-Up | Margaret Aston | Assistant Makeup Artist |
Costume & Make-Up | Robyn Austin | Makeup Supervisor |
Costume & Make-Up | Robyn Austin | Hair Supervisor |
Crew | Christian Gazal | Post Production Supervisor |
Production | Geoff Naylor | Unit Manager |
Directing | Chris Webb | First Assistant Director |
Directing | Tanya Jackson | Second Assistant Director |
Directing | Scott Lovelock | Third Assistant Director |
Directing | Geoff Willman | Third Assistant Director |
Art | Geoff Howe | Construction Coordinator |
Art | Dillon Yeats | Runner Art Department |
Sound | Sue Kerr | Boom Operator |
Sound | Gerry Long | Foley Artist |
Sound | Robert Mackenzie | ADR Recordist |
Sound | Skye Ritchie | Assistant Sound Editor |
Sound | Livia Ruzic | Sound Editor |
Sound | Roger Savage | Sound Mixer |
Sound | Gareth Vanderhope | Sound Effects Designer |
Visual Effects | Andrea Parkes | Visual Effects Producer |
Visual Effects | Chris Schwarze | Visual Effects Producer |
Visual Effects | Peter Webb | Visual Effects |
Crew | Mick Corrigan | Stunts |
Camera | Venetia Armstrong-Smith | Clapper Loader |
Camera | John Balbi | Grip |
Camera | Simon Cardwell | Still Photographer |
Lighting | Nick De Laine | Gaffer |
Camera | Jeremy Dibben | Assistant Camera |
Camera | Sally Eccleston | First Assistant Camera |
Lighting | Adam Hunter | Best Boy Electric |
Camera | Benjamin Jasper | Focus Puller |
Camera | Roy Mico | Key Grip |
Visual Effects | Scott Otto Anderson | Animation Director |
Production | Jane Norris | Casting Assistant |
Production | Dani Skye | Casting Assistant |
Crew | Billy Browne | Post Production Assistant |
Editing | Arthur Cambridge | Color Grading |
Editing | Adrian Hauser | Colorist |
Editing | Caroline Scott | Assistant Editor |
Production | Auslan Ismail | Location Manager |
Directing | Claude Gonzalez | Continuity |
Art | Scott Otto Anderson | Title Designer |
Production | Katie Gordon | Production Coordinator |
Crew | Sue Healy | Choreographer |
Production | Lucy Vorst | Production Accountant |
Sound | Peter Grace | Sound Recordist |