When hard boiled private eye Donald Strachey finds his latest client dead, an apparent suicide, Albany’s favorite gay detective smells a rat and decides to take matters into his own hands. With the help of his straight-laced but adoring husband Tim and his occasionally too-eager assistant Kenny, Strachey’s investigation leads him on a dark and dangerous trail into the world of "gay conversion therapy".
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| Directing | Ron Oliver | Director |
| Writing | Ron McGee | Writer |
| Camera | C. Kim Miles | Director of Photography |
| Art | Rick Whitfield | Production Design |
| Costume & Make-Up | Sylvie Gendron | Costume Design |
| Writing | Richard Stevenson | Novel |
| Production | Kirk Shaw | Producer |
| Editing | Steve Schmidt | Editor |
| Directing | Sandra Montgomery | Script Supervisor |
| Production | Candice Elzinga | Casting |
| Production | Lindsay MacAdam | Associate Producer |
| Production | Paul Colichman | Executive Producer |
| Production | Barry Krost | Executive Producer |
| Production | Jeffrey Schenck | Executive Producer |
| Production | Jamie Goehring | Production Manager |
| Crew | Steven McMichael | Stunt Coordinator |
| Camera | James Power | Grip |
| Directing | Catherine Kretz | Second Assistant Director |
| Art | Tamara Susik | On Set Props |
| Sound | Steve Smith | Sound Effects Editor |
| Camera | Ed Araquel | Still Photographer |
| Costume & Make-Up | Amy Van Wormer | Key Hair Stylist |
| Art | Monika Choynowski | Set Decoration |
| Art | Veronica Kayvchum | Set Buyer |
| Art | Nelson Wong | Storyboard Artist |
| Lighting | Blaine Ackerly | Gaffer |
| Art | Victoria Söderholm | Set Decoration |
| Sound | Hennie Britton | Foley Recordist |
| Sound | Vince Renaud | Sound Re-Recording Mixer |
| Camera | Katy Matheson | Second Assistant Camera |
| Art | Paul Hendriks | Set Dresser |
| Camera | Adrian Netto | Best Boy Grip |
| Production | Stacey Shaw | Associate Producer |
| Sound | Jo Rossi | Sound Re-Recording Mixer |
| Crew | Lars Grant | Stunt Double |
| Directing | Trevor McWhinney | Third Assistant Director |
| Costume & Make-Up | Liam McAinsh | On Set Dresser |
| Visual Effects | Jon Shaw | Visual Effects |
| Camera | Jeff Cassidy | First Assistant Camera |
| Lighting | Tony Durke | Electrician |
| Camera | Andrew Pepper | Grip |
| Costume & Make-Up | Amy Van Wormer | Key Makeup Artist |
| Art | Joan Richardson | Set Dresser |
| Art | Steve Schram | Set Dresser |
| Crew | Owen Walstrom | Stunt Coordinator |
| Production | James Shavick | Executive Producer |
| Art | Adrian Pattersen | Lead Set Dresser |
| Sound | Millar Montgomery | Boom Operator |
| Visual Effects | Douglas Kerr | Visual Effects |
| Camera | Craig Powell | Camera Operator |
| Camera | Charlie Schrodt | Grip |
| Art | Krista Eve Lomax | Title Designer |
| Crew | Rob 'Sluggo' Boyce | Stunt Double |
| Camera | Andrew Boxwell | Second Assistant Camera |
| Costume & Make-Up | Carole Simcox | Makeup Artist |
| Sound | Michael Keeping | Foley Artist |
| Camera | Brock Miller | Grip |
| Production | Randy Zalken | Associate Producer |
| Costume & Make-Up | Tana Lynn Moldovanos | Key Makeup Artist |
| Production | Meredith Kadlec | Executive In Charge Of Production |
| Directing | Kevin Leslie | First Assistant Director |
| Sound | Matthew Gionet | Sound Supervisor |
| Lighting | Riley Pearcy | Best Boy Electric |
| Art | John Kendall | Set Dresser |
| Art | Donna Smith | Property Master |
| Sound | Shawn Miller | Sound Mixer |
| Camera | Chris Cristobal | Grip |
| Crew | Jeffrey Schenck | Creative Consultant |
| Camera | Rob Wood | First Assistant Camera |
| Camera | D. Mark Schwartz | Camera Operator |
| Production | Mark Gamache | Location Manager |
| Camera | Jeff Smith | Key Grip |
| Editing | Georgia Milroy | First Assistant Editor |
| Sound | Peter Allen | Original Music Composer |
