Fairly sensitive melodrama about life on the back-roads in Australia at the height of the Great Depression. Centring on the developing romance between two drifters this presents a commendable level of period detail. Based on the novel by Kylie Tennant.
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| Directing | George Ogilvie | Director |
| Writing | Kylie Tennant | Novel |
| Writing | Peter Yeldham | Writer |
| Production | Des Monaghan | Executive Producer |
| Production | Gus Howard | Producer |
| Production | Valerie Hardy | Executive Producer |
| Production | Tom Donald | Executive Producer |
| Editing | Denise Haratzis | Editor |
| Camera | Roger Dowling | Director of Photography |
| Costume & Make-Up | Anna French | Costume Designer |
| Art | Ken James | Art Direction |
| Sound | Carl Vine | Music |
| Crew | Zev Eleftheriou | Stunt Coordinator |
| Sound | Toivo Lember | Sound Recordist |
| Sound | Frank Lipson | Supervising Sound Editor |
| Sound | Pete Smith | Sound Mixer |
| Costume & Make-Up | Fiona Rees-Jones | Hairstylist |
| Costume & Make-Up | Wendy Freeman | Makeup Artist |
| Directing | Toby Pease | First Assistant Director |
| Directing | Karan Monkhouse | Second Assistant Director |
| Directing | Christie McGuinness | Third Assistant Director |
| Production | Gary Buss | Unit Manager |
| Production | Elizabeth Symes | Production Manager |
| Crew | John Haratzis | Scenic Artist |
| Art | Ian Jobson | Set Dresser |
| Editing | Jason Ballantine | Assistant Editor |
| Directing | Joanne McLennan | Continuity |
| Crew | Peter Stubbs | Special Effects |
| Crew | Jeff Little | Special Effects |
