David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
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| Camera | Janusz Kamiński | Director of Photography |
| Production | Avy Kaufman | Casting |
| Sound | John Williams | Original Music Composer |
| Production | Bonnie Curtis | Producer |
| Editing | Michael Kahn | Editor |
| Art | Rick Carter | Production Design |
| Art | Nancy Haigh | Set Decoration |
| Directing | Steven Spielberg | Director |
| Production | Jan Harlan | Executive Producer |
| Writing | Steven Spielberg | Screenplay |
| Art | Thomas Valentine | Art Direction |
| Costume & Make-Up | Bob Ringwood | Costume Design |
| Art | Richard L. Johnson | Art Direction |
| Art | William James Teegarden | Art Direction |
| Production | Walter F. Parkes | Executive Producer |
| Production | Steven Spielberg | Producer |
| Crew | Chris Cunningham | Special Effects |
| Production | Kathleen Kennedy | Producer |
| Costume & Make-Up | David Rawley | Costume Supervisor |
| Art | Patrick M. Sullivan | Assistant Art Director |
| Art | Suzan Wexler | Assistant Art Director |
| Art | Anya Rudnick | Art Department Coordinator |
| Art | Andrew Menzies | Assistant Art Director |
| Crew | Erica Frauman | Post Production Supervisor |
| Art | Elizabeth Lapp | Assistant Art Director |
| Art | Harry E. Otto | Assistant Art Director |
| Art | Latifa Ouaou | Art Department Coordinator |
| Art | Masako Masuda | Set Designer |
| Art | Vincent D'Aquino | Greensman |
| Art | Steven Schwartz | Set Designer |
| Art | Richard F. Mays | Set Designer |
| Art | Mike Villarino | Construction Foreman |
| Art | Alex Sessing | Greensman |
| Art | Dawn Brown | Set Designer |
| Art | John Villarino | Construction Coordinator |
| Art | Darrell L. Wight | Set Designer |
| Art | Thomas Minton | Set Designer |
| Art | James Jones | Sculptor |
| Art | Johnny Torres | Greensman |
| Art | Fred Arbegast | Sculptor |
| Art | Pamela Klamer | Set Designer |
| Art | Patte Strong-Lord | Set Designer |
| Art | Jason Vanover | Greensman |
| Sound | Teresa Eckton | Sound Effects Editor |
| Sound | Andy Nelson | Sound Re-Recording Mixer |
| Sound | Richard Hymns | Supervising Sound Editor |
| Sound | Chris Scarabosio | Sound Effects Editor |
| Sound | Gary Rydstrom | Supervising Sound Editor |
| Sound | Gary Rydstrom | Sound Designer |
| Crew | Doug Coleman | Stunt Coordinator |
| Crew | Jennifer Leo Russ | Visual Effects Editor |
| Visual Effects | Les Hunter | Visual Effects Producer |
| Camera | Pete Romano | Underwater Camera |
| Visual Effects | Scott Farrar | Visual Effects Supervisor |
| Visual Effects | Ginger Theisen | Visual Effects Producer |
| Crew | Francesca Jaynes | Choreographer |
| Crew | Michael Gleason | Visual Effects Editor |
| Crew | Denny Caira | Transportation Coordinator |
| Visual Effects | Dennis Muren | Visual Effects Supervisor |
| Camera | Mitch Dubin | Camera Operator |
| Camera | Chris Haarhoff | Steadicam Operator |
| Visual Effects | Henry LaBounta | Visual Effects Supervisor |
| Crew | David Nakabayashi | Visual Effects Art Director |
| Camera | Chris Haarhoff | Camera Operator |
| Production | Gregory Alpert | Location Manager |
| Crew | John Wright | Craft Service |
| Production | David Linck | Publicist |
| Sound | Kyrsten Mate | Sound Effects Editor |
| Crew | Lisa Hoyle | Stunts |
| Costume & Make-Up | Bill Corso | Makeup Artist |
| Art | Kirk D. Hansen | Painter |
| Art | Anthony 'AJ' Leonardi Jr. | Standby Painter |
| Costume & Make-Up | Karen Asano-Myers | Hairstylist |
| Crew | Mark Gillard | Post Production Assistant |
| Crew | Richard L. Blackwell | Stunts |
| Art | John Bell | Production Illustrator |
| Crew | George Alden | Driver |
| Crew | James Henderson | Stand In |
| Crew | Adam Christopher | Makeup Effects |
| Crew | Tom Martinek | Sequence Supervisor |
| Crew | Tomáš Loewy | Video Assist Operator |
| Lighting | Glenn Corbett | Gaffer |
| Camera | David James | Still Photographer |
| Costume & Make-Up | Candace Neal | Key Hair Stylist |
| Crew | Brian Feola | Propmaker |
| Visual Effects | Julie Creighton | Visual Effects Coordinator |
| Writing | Philip Keller | Storyboard |
| Editing | Brian Chumney | Editorial Services |
| Editing | Richard Byard | First Assistant Editor |
| Lighting | John Atkins | Electrician |
| Lighting | Kevin Fahey | Rigging Grip |
| Crew | Francie Brown | Dialect Coach |
| Production | Patricia Churchill | Unit Production Manager |
| Editing | Dale E. Grahn | Color Timer |
| Sound | John Neufeld | Orchestrator |
| Visual Effects | Ken Dackermann | Digital Compositors |
| Production | Lisbeth Wynn-Owen | Production Coordinator |
| Visual Effects | Duncan Blackman | 3D Supervisor |
| Production | Laurie Charchut | Production Accountant |
| Production | Peter M. Tobyansen | Production Supervisor |
| Sound | Kenneth Wannberg | Music Editor |
| Visual Effects | Michael Lantieri | Special Effects Supervisor |
| Camera | Mike Bienstock | First Assistant Camera |
| Lighting | David Gamerman | Rigging Gaffer |
| Visual Effects | Hal Hickel | Animation Supervisor |
| Crew | Scott Rorie | Set Production Assistant |
| Directing | Jason Patnode | Layout |
| Sound | Shawn Murphy | Scoring Mixer |
| Crew | Jeff Khachadoorian | Carpenter |
| Crew | René González | Projection |
| Crew | Dana Dru Evenson | Utility Stunts |
| Directing | Ana Maria Quintana | Script Supervisor |
| Lighting | Scot Gaal | Best Boy Electric |
| Sound | Robert Jackson | Boom Operator |
| Sound | Ron Judkins | Sound Mixer |
| Lighting | Marek Bojsza | Lighting Technician |
| Writing | Brian Aldiss | Short Story |
| Writing | Ian Watson | Screenstory |
| Editing | Michael Trent | Assistant Editor |
| Crew | Gene Hartline | Stunts |
| Writing | Stanley Kubrick | Idea |
| Art | Ramsey Avery | Assistant Art Director |
| Art | Jimmy Zelinger | Title Designer |
| Costume & Make-Up | Robert Chase | Key Costumer |
| Camera | David O'Brien | Camera Loader |
| Art | Mark W. Brown | Assistant Property Master |
| Art | Jack Blanchard | Set Dresser |
| Camera | Jim Kwiatkowski | Key Grip |
| Camera | Rick Kangrga | Dolly Grip |
| Camera | Adam Dale | Aerial Director of Photography |
| Camera | Bob Anderson | Grip |
| Costume & Make-Up | Kathy Kane-Macgowan | Hair Supervisor |
| Sound | Lindakay Brown | Foley Editor |
| Costume & Make-Up | Ve Neill | Key Makeup Artist |
| Costume & Make-Up | Vicente Aguilar | Tailor |
| Sound | James Thatcher | Musician |
| Editing | Gary Burritt | Negative Cutter |
| Production | Beth Bowling | Casting Assistant |
| Directing | Sergio Mimica-Gezzan | First Assistant Director |
| Production | John Burton West | Assistant Production Coordinator |
| Directing | David H. Venghaus Jr. | Second Assistant Director |
| Lighting | David Devlin | Chief Lighting Technician |
| Crew | Stan Winston | Animatronics Designer |
| Sound | Larry Singer | ADR Supervisor |
| Visual Effects | Erik Winquist | Compositing Artist |
| Crew | Leigh Hennessy | Stunts |
| Crew | Caryn Mower | Utility Stunts |
| Crew | Diana R. Lupo | Stunts |
| Crew | Whitney Coleman | Stunts |
| Sound | Ewa Sztompke | Dialogue Editor |
| Sound | Tony Eckert | Foley Mixer |
| Sound | Jonathan Null | Foley Editor |
| Sound | Gwendolyn Yates Whittle | ADR Supervisor |
| Sound | Dennie Thorpe | Foley Artist |
| Sound | Frank 'Pepe' Merel | Foley Recordist |
| Sound | Richard Quinn | Dialogue Editor |
| Sound | Jana Vance | Foley Artist |
| Art | Jerry Moss | Property Master |
| Crew | Chris Palermo | Stunts |
| Sound | Jurgen Scharpf | Sound Mix Technician |
| Visual Effects | Shawn Kelly | Animation |
| Crew | Alisa Hensley | Utility Stunts |
| Crew | Joey Box | Stunts |
| Crew | Thomas Brown | Special Effects Technician |
| Production | Tim Spurry | Assistant Location Manager |
| Art | Niamh Murphy | Textile Artist |
| Crew | J. Mark Donaldson | Stunt Double |
| Production | Linden Johnson | Assistant Accountant |
| Visual Effects | Evan Cecil | Visual Effects Production Assistant |
| Visual Effects | Lindsay MacGowan | Effects Supervisor |
| Sound | Larry Schalit | Assistant Dialogue Editor |
| Visual Effects | Eric Bruneau | Compositing Supervisor |
| Editing | Begonia Colomar | Digital Color Timer |
| Directing | Paul Byrne Prenderville | Additional Second Assistant Director |
| Directing | Lisa Brookes | Second Second Assistant Director |
| Art | Martin Charles | Graphic Designer |
| Sound | John Merton | ADR Recordist |
| Camera | Larissa Supplitt | Additional Second Assistant Camera |
| Art | Chris Baker | Concept Artist |
| Sound | Dean Drabin | ADR Mixer |
| Camera | Daniel Coscia | Best Boy Grip |
| Camera | Christopher Duskin | Second Assistant Camera |
| Lighting | Stanley L. Gonsales | Assistant Chief Lighting Technician |
| Costume & Make-Up | Ricardo Richard Alvarez | Costumer |
| Art | Peter Ramsey | Storyboard Artist |
| Sound | Susan McLean | Assistant Sound Editor |
| Crew | Jorge Pallares | Intern |
| Production | Sven E. Fahlgren | Post Production Coordinator |
| Production | Jennifer Alessi | Extras Casting |
| Production | Cecilia Escobar | Payroll Accountant |
| Production | Chas Dupuis | Production Assistant |
| Production | Lisa Joelle Curtis | Production Supervisor |
| Production | Stanley Kubrick | Executive Producer |
