A joint task force operation between the Drug Enforcement Administration and the U.S. Army has been formed to dismantle one of the largest drug cartels operating in South America. Multiple attempts to assault the cartel's mountainous compound have been thwarted by a Scorpion-attack helicopter piloted by a cartel leader, Eric Stoller (Bert Rhine). After having several aircraft shot down, most notably a pair of UH–60 Black Hawks and their AH–1 Cobra escorts, the army turns to the new AH–64 Apache attack helicopter, which can match its enemies' maneuverability and firepower.
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| Sound | David Newman | Original Music Composer |
| Editing | Norman Buckley | Editor |
| Directing | David Green | Director |
| Production | Bill Badalato | Producer |
| Camera | Tony Imi | Director of Photography |
| Production | Mike Fenton | Casting |
| Art | Jerie Kelter | Set Decoration |
| Costume & Make-Up | Michael Hancock | Makeup Artist |
| Crew | Kimberley Coy | Unit Publicist |
| Sound | Jeremy J. Gordon | Sound Editor |
| Writing | Nick Thiel | Screenplay |
| Art | Philip A. Margraff | Construction Coordinator |
| Production | Brad Arensman | Executive In Charge Of Post Production |
| Editing | Dennis M. O'Connor | Editor |
| Art | Joseph T. Garrity | Production Design |
| Sound | Peter Afterman | Music Supervisor |
| Crew | Mike Menzel | Special Effects Coordinator |
| Sound | Gary Krivacek | Sound Editor |
| Sound | Barry Rubinow | Sound Editor |
| Crew | Dennis Madalone | Stunt Coordinator |
| Camera | John Ward | Camera Operator |
| Camera | John Ward | Steadicam Operator |
| Directing | Marilyn Bailey | Script Supervisor |
| Costume & Make-Up | Wade Daily | Assistant Hairstylist |
| Art | Neal Thompson | Title Designer |
| Writing | Paul F. Edwards | Screenplay |
| Production | Arnold Kopelson | Executive Producer |
| Art | Pat Tagliaferro | Art Direction |
| Costume & Make-Up | Wade Daily | Assistant Makeup Artist |
| Crew | David Menapace | Transportation Coordinator |
| Sound | Samuel C. Crutcher | Sound Editor |
| Sound | Victor B. Lackey | Sound Editor |
| Production | Dale Dye | Co-Producer |
| Writing | John K. Swensson | Story |
| Production | Judy Taylor | Casting |
| Production | Susan Zwerman | Unit Production Manager |
| Art | Robert Lucas | Leadman |
| Camera | Logan R. Berkshire | Best Boy Grip |
| Production | Valorie Massalas | Casting |
| Writing | Dale Dye | Story |
| Production | Harriet Katz-Stevens | Production Accountant |
| Sound | R.J. Kizer | Sound Editor |
| Sound | Sherman Waze | Sound Editor |
| Production | John K. Swensson | Co-Producer |
| Directing | Jeffrey Wetzel | Second Assistant Director |
| Sound | Stuart Chasmar | Sound Editor |
| Production | Keith Barish | Executive Producer |
| Sound | Tom C. McCarthy | Supervising Sound Editor |
| Sound | Stu Bernstein | Sound Editor |
| Editing | Greg Hayden | Associate Editor |
| Sound | John H. Arrufat | Sound Editor |
| Art | Rick Galbraith | Construction Foreman |
| Sound | Fred Judkins | Supervising Sound Editor |
| Sound | Doug Jackson | Sound Editor |
| Directing | Matt Earl Beesley | First Assistant Director |
| Writing | Step Tyner | Story |
| Art | Debi Shirk Tagliaferro | Art Department Coordinator |
| Art | Ken Deubel III | Painter |
| Costume & Make-Up | Karoly Balazs | Hairstylist |
| Sound | John O. Wilde | Sound Editor |
| Editing | Jon Poll | Editor |
| Art | Bill Rea | Set Designer |
| Costume & Make-Up | Fríða Aradóttir | Hairstylist |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Golden Felton | Sound Editor |
| Costume & Make-Up | Ellis Cohen | Costume Design |
| Camera | Gene Poole | Key Grip |
| Production | Brian O. Haynes | Location Manager |
| Crew | Donna Evans | Stunts |
| Production | Maria Norman | Producer's Assistant |
