A newly-developed microchip designed by Zorin Industries for the British Government that can survive the electromagnetic radiation caused by a nuclear explosion has landed in the hands of the KGB. James Bond must find out how and why. His suspicions soon lead him to big industry leader Max Zorin who forms a plan to destroy his only competition in Silicon Valley by triggering a massive earthquake in the San Francisco Bay.
Is A View to a Kill on Netflix? Yes! The movie A View to a Kill is now on Netflix in the countries listed below.
| Directing | John Glen | Director |
| Writing | Richard Maibaum | Screenplay |
| Production | Albert R. Broccoli | Producer |
| Production | Tom Pevsner | Producer |
| Sound | John Barry | Original Music Composer |
| Camera | Alan Hume | Director of Photography |
| Editing | Peter Davies | Editor |
| Production | Debbie McWilliams | Casting |
| Art | Peter Lamont | Production Design |
| Art | John Fenner | Art Direction |
| Art | Crispian Sallis | Set Decoration |
| Costume & Make-Up | Emma Porteous | Costume Design |
| Writing | Michael G. Wilson | Screenplay |
| Production | Michael G. Wilson | Producer |
| Art | Maurice Binder | Main Title Designer |
| Directing | Barbara Broccoli | Assistant Director |
| Crew | Dick Ziker | Stunt Double |
| Art | Jim Morahan | Assistant Art Director |
| Directing | Willy Bogner | Action Director |
| Crew | Daniel Breton | Stunts |
| Production | Ron Quelch | Production Assistant |
| Writing | Ian Fleming | Novel |
| Directing | Arthur Wooster | Second Unit Director |
| Crew | Claude Carliez | Stunt Coordinator |
| Crew | M. James Arnett | Stunt Coordinator |
| Crew | Jason White | Stunts |
| Crew | Pat Banta | Stunt Double |
| Crew | Bob Simmons | Stunt Coordinator |
| Crew | Bill Weston | Stunts |
| Crew | Michael Runyard | Stunts |
| Crew | Tracey Eddon | Stunts |
| Crew | Elaine Ford | Stunts |
| Crew | François Nadal | Stunts |
| Crew | Rémy Julienne | Stunt Coordinator |
| Crew | Michel Julienne | Stunt Driver |
| Crew | Jean-Claude Houbart | Stunt Driver |
| Crew | Jean Coulter | Stunt Double |
| Crew | Eddie Hice | Stunts |
| Crew | Frank Henson | Stunts |
| Crew | Chris Webb | Stunts |
| Crew | Greg Powell | Stunts |
| Sound | Simon Le Bon | Theme Song Performance |
| Sound | John Taylor | Theme Song Performance |
| Sound | Nick Rhodes | Theme Song Performance |
| Crew | Eddie Powell | Stunts |
| Art | Jille Azis | Assistant Set Decoration |
| Sound | Andy Taylor | Theme Song Performance |
| Sound | Roger Taylor | Theme Song Performance |
| Production | Leonhard Gmür | Production Manager |
| Production | Jón Þór Hannesson | Production Manager |
| Production | Philip Kohler | Production Manager |
| Production | Ned Kopp | Production Supervisor |
| Production | Serge Touboul | Production Manager |
| Production | Iris Rose | Unit Manager |
| Production | Anthony Waye | Production Supervisor |
| Art | Ted Ambrose | Assistant Art Director |
| Art | Michael Boone | Assistant Art Director |
| Sound | Colin Miller | Sound Editor |
| Editing | John Nuth | Assistant Editor |
| Editing | Henry Richardson | Additional Editor |
| Editing | John S. Smith | Additional Editor |
| Production | Steph Benseman | Location Manager |
| Production | Nick Daubeny | Location Manager |
| Production | Jean-Marc Deschamps | Location Manager |
| Production | Rory Enke | Location Manager |
| Production | Stefan Zürcher | Location Manager |
| Sound | Alan Killick | Music Editor |
| Directing | June Randall | Continuity |
| Production | May Capsaski | Production Coordinator |
| Production | Nathalie Farjon | Production Coordinator |
| Production | Norma Garment | Production Coordinator |
| Production | Sally Hayman | Production Coordinator |
| Production | Maureen Murphy | Production Coordinator |
