Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.
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Writing | Lars von Trier | Screenplay |
Directing | Lars von Trier | Director |
Costume & Make-Up | Manon Rasmussen | Costume Design |
Sound | Morten Degnbol | Sound Engineer |
Crew | Lasse Spang Olsen | Stunts |
Camera | Otto Stenov | Grip |
Production | Per Holst | Executive Producer |
Writing | Niels Vørsel | Screenplay |
Sound | Bo Holten | Music |
Camera | Tom Elling | Director of Photography |
Directing | Åke Sandgren | Assistant Director |
Editing | Michael Frank Nielsen | Color Grading |
Editing | Tómas Gislason | Editor |
Sound | Tómas Gislason | Sound Editor |
Art | Peter Høimark | Production Design |
Crew | Peter Høimark | Special Effects |
Production | Sanne Arnt Torp | Production Manager |
Production | Per Årman | Production Manager |
Costume & Make-Up | Birte Christensen | Makeup Artist |
Camera | Steen Møller Rasmussen | Camera Operator |
Sound | Iben Haahr Andersen | Sound Engineer |
Production | Liz Cassidy | Casting |
Crew | Steven Wakelam | Translator |
Crew | William Quarshie | Translator |
Camera | Søren Berthelin | Camera Operator |
Art | Tove Robert Rasmussen | Property Master |
Lighting | Eg Norre | Lighting Technician |
Lighting | Jan Guldbrandsen | Electrician |
Lighting | Jens Gielow | Gaffer |
Lighting | Flemming Bruhn Pedersen | Gaffer |
Editing | Jack Thuesen | Assistant Editor |
Directing | Stine Monty | Continuity |
Camera | John Johansen | Still Photographer |
Crew | O.J. Victor | Stunts |
Sound | Peter Englesson | Assistant Sound Engineer |