A military veteran goes on a journey into the future, where he can foresee his death and is left with questions that could save his life and those he loves.
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| Production | George Clooney | Producer |
| Production | Steven Soderbergh | Producer |
| Production | Jennifer Fox | Executive Producer |
| Production | Peter Guber | Producer |
| Production | Andreas Grosch | Executive Producer |
| Production | Andreas Schmid | Co-Producer |
| Production | Laray Mayfield | Casting |
| Visual Effects | David Harris | Special Effects Supervisor |
| Production | Peter McAleese | Co-Executive Producer |
| Sound | Michael Higham | Music Editor |
| Camera | Peter Deming | Director of Photography |
| Sound | Peter Burgis | Foley Artist |
| Art | Alan MacDonald | Production Design |
| Production | Nina Gold | Casting |
| Art | Mags Horspool | Supervising Art Director |
| Production | Christopher Roberts | Executive Producer |
| Production | Ben Cosgrove | Executive Producer |
| Costume & Make-Up | Veronica McAleer | Hair Designer |
| Costume & Make-Up | Veronica McAleer | Makeup Designer |
| Production | Mark Cuban | Executive Producer |
| Production | Todd Wagner | Executive Producer |
| Production | Kia Jam | Co-Producer |
| Sound | Brian Eno | Original Music Composer |
| Art | Liz Griffiths | Set Decoration |
| Directing | John Maybury | Director |
| Writing | Marc Rocco | Story |
| Production | Marc Rocco | Co-Producer |
| Editing | Emma E. Hickox | Editor |
| Production | Marc Frydman | Co-Producer |
| Writing | Tom Bleecker | Story |
| Production | Ori Marmur | Executive Producer |
| Production | Timothy J. Nicholas | Executive Producer |
| Production | Peter E. Strauss | Executive Producer |
| Sound | Tim Alban | Sound Re-Recording Mixer |
| Writing | Massy Tadjedin | Screenplay |
| Production | Philip McKeon | Co-Producer |
| Crew | Andy Bradford | Stunt Coordinator |
| Costume & Make-Up | Doug Hall | Costume Design |
| Directing | Karen Richards | First Assistant Director |
| Crew | Jeanette Haley | Post Production Supervisor |
| Art | Gordon Fitzgerald | Property Master |
| Sound | Ricky Butt | Foley Artist |
| Costume & Make-Up | Ashley Johnson | Makeup Artist |
| Crew | Linda Gamble | Unit Publicist |
| Directing | Caroline O'Reilly | Script Supervisor |
| Lighting | Sylvain Bernier | Gaffer |
| Camera | Roger Tooley | Steadicam Operator |
| Sound | Alex Joseph | Foley Editor |
| Costume & Make-Up | Anna Lau | Costume Supervisor |
| Production | Lloret Dunn | Location Manager |
| Sound | Paul Davies | Sound Designer |
| Sound | Paul Davies | Supervising Sound Editor |
| Crew | Julie Adams | Dialect Coach |
| Production | Donald C. McKeon | Co-Producer |
| Production | Donald Sabourin | Production Coordinator |
| Sound | Andy Richards | Music Supervisor |
| Directing | Raymond Kirk | Second Assistant Director |
| Crew | David McKeown | Stunt Coordinator |
| Sound | Colin Nicolson | Production Sound Mixer |
| Art | Matt Curtis | Title Designer |
| Camera | Paul Chedlow | Still Photographer |
| Production | Phoebe Scholfield | ADR Voice Casting |
| Production | Shellie Smith | Production Supervisor |
| Sound | Tony Cook | Boom Operator |
| Lighting | Bernard April | Best Boy Electric |
| Crew | George Lakes | Production Controller |
| Art | Caireen Todd | Art Direction |
| Art | Stephen Campbell | Art Direction |
| Sound | Keith Marriner | Dialogue Editor |
| Sound | Keith Marriner | ADR Editor |
| Production | Jay Benedict | ADR Voice Casting |
| Costume & Make-Up | Heather Millington | Makeup Artist |
