55 kilograms. That is the upper limit of the weight jockeys are allowed to carry in a race. Most weigh even less than that. They usually only know their horse for a few minutes, but they are expected to lead it to victory and make its owner proud and rich. Every race also means: mortal danger. "It's not a question of whether you fall, but when" – a common saying in the jockey scene, which top jockey Tommaso Scardino knows only too well. The film crew accompanies him as he trains in preparation for the season.
A young man embarks on a terrifying experience that leaves him trapped in a state of paralysis, where a dark presence stalks him and plunges him into an abyss of fear and despair.
"Río Seco" tells the story of Omar, a police officer of Mapuche descent who tries to solve a cattle rustling case in the Chubut municipality of Gualjaina. To his surprise, the case turns out to be much more complex than he initially thought.
Join Sara Cox as she tests her limits, covering 135 miles across five days for her Great Northern Marathon Challenge, raising funds for BBC Children in Need.
In a bureaucratic future where singles must attend the government-run “Eternal Love” program, 35-year-old Alvar is given one last chance to find a life partner—or spend the rest of his life working as a gardener for couples.
Love, sex, desire, trauma, fantasy, spiritual ideas and peace. The power of the brain, the subconscious. An end of life story, to give joy to herself and those she loves.
A French short documentary that delves behind the scenes of the restoration of a 1920s film, starting from a 35mm color print. Set against iconic French cinema locations such as the climate-controlled vaults of the CNC and the Cinémathèque Française, the film traces each step of this meticulous process, from preservation to both mechanical and digital restoration at the Joinville-le-Pont laboratory. This technical and human journey highlights the craftsmanship involved and raises questions about the future of works that are not preserved on film.
A chart refers to a document that records the visible and invisible characteristics of places and people; cartography or missive. Through the first letter sent by a filmmaker to his beloved, this film embarks on a journey guided by dreams and chance among real, imaginary and extinct charts, exploring their inescapable and elusive relationship with love.
Fragments of light and language once circulated under a military regime’s gaze. Drawing from newspaper archives and the incident site, the work asks what printed words conceal, preserve, or reveal. In revisiting the 1984 Tanjung Priok tragedy, it examines both the violence itself and the contested role of media in shaping memory and truth. Two narratives emerge: official accounts and marginal voices. By confronting archival dissonance, the film exposes how media operates—exhuming suppressed histories and counter-narratives, and suggesting that history is shaped not only by authorities, but also by what remains unwritten.
A few days before New Year’s Eve, two sixty-year-old sisters take a bath in a pool to wash the alcohol off their bodies, while their nearly one-hundred-year-old mother swims in her memories.
How to capture the violence that remains on the walls? How to address absence, more than forty years after the events occurred? Memory that seeks its place amidst the blood and broken glass.