At the height of the Roman Empire, a young girl lives within the walls of Lucus Augusti (Lugo). She suffers visions of the destruction of her home and decides she must prevent it.
A lonely mantis ears a strange sound in the forest. What it encounters will change its life forever. Louva a Deus means in Portuguese mantis, the insect, but it can also mean ‘praise God’, because of their arms.
Gisberta, an immigrant trans woman, receives the news that she is HIV positive, causing her to lose all her sources of income and become homeless and addicted. In the building where she finds shelter, she is approached by an extremely aggressive young group.
The Forgotten Village is a cinematic journey filled with enchanting magic, reflecting the traditions and customs from the ancient Longvek era all the way to modern times.
Joana enters a world where nothing is as it seems. In a seemingly dead-end game, the infinite universe of internet and online games challenges her to think about freedom and the risks present in this digital world of technology and information.
Arie, a teenager, lives between two parents and a divorce. In an emergency, she has to rescue the virtue that remained in her childhood memories to finally find peace and forgiveness and the unconditional love of a child.
This film is the result of work developed with children, around the mass displacement of human beings in search of peace. We follow a character who, faced with a conflict, fragments, beginning the search for his parts. He will encounter many obstacles throughout this search, in the hope of being able to reach his whole. Although the journey becomes a lonely process, the destination can prove to be supportive.
A cinematic essay and poetic portrayal of food delivery workers as they navigate the bustling streets. The film reflects on how the rise of this 'new working class' has reshaped the urban visual landscape. In different parts of the world, these workers may be migrants, people of color, or individuals from low-caste or rural backgrounds, all striving to make a living.
An ongoing project that seeks to navigate the city of Toronto psychogeographically using popular films to propel the narrative forward. Relying on films’ inherent unfaithfulness to geography, a few dialogue cues, and a great deal of coincidence, scenes from disparate films intersect and redirect each other to follow geographic patterns rather than their individual stories. Compositing closely cropped professional footage over wide-angle, contemporary video allows for the emergence of a disjointed document that captures the growth of a city over several decades; distilling a small amount of truth from a growing library of fiction.
The film presents gaps as institutional tools that reproduce exclusivity (after Sara Ahmed). Combining critical theory with narratives of marginalization and discrimination gathered through research interviews, the essay film offers an intersectional understanding of how whiteness is actively reproduced in our everyday environments. In addition to outlining the cultural-historical context of Finland, the film highlights the Academy of Fine Arts at the Uniarts Helsinki as a case study—examining the gap between its outwardly promoted policies and the reality of their implementation, as well as the institution’s exclusionary culture and discriminatory practices, drawing from the lived experiences of marginalized students.
In a remote Tibetan monastery, a young monk’s love for basketball and Michael Jordan sparks viral fame and quiet rebellion as he questions the weight of tradition and expectation
Ruby and Otto, two young drifters, live out of a crumbling roadside motel. Their days are a mix of absurdity and tenderness, shooting BB guns at beer cans, making vinegar bombs, and finding beauty in their boredom. When their eccentric neighbor Joe enters their orbit, the trio’s chaotic friendship turns into a strange, freeing escape from the monotony of small-town life.