A spacecraft is discovered on the floor of the Pacific Ocean, presumed to be at least 300 years old and of alien origin. A crack team of scientists and experts is assembled and taken to the Habitat, a state-of-the-art underwater living environment, to investigate.
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| Directing | Barry Levinson | Director |
| Production | Barry Levinson | Producer |
| Camera | Adam Greenberg | Director of Photography |
| Writing | Paul Attanasio | Screenplay |
| Production | Andrew Wald | Producer |
| Writing | Stephen Hauser | Screenplay |
| Production | Michael Crichton | Producer |
| Editing | Stu Linder | Editor |
| Sound | Elliot Goldenthal | Original Music Composer |
| Art | Jim Magdaleno | Storyboard Artist |
| Writing | Michael Crichton | Novel |
| Art | Norman Reynolds | Production Design |
| Art | Jonathan McKinstry | Art Direction |
| Art | Mark W. Mansbridge | Art Direction |
| Art | Anne Kuljian | Set Decoration |
| Costume & Make-Up | James W. Tyson | Costume Supervisor |
| Production | Ellen Chenoweth | Casting |
| Costume & Make-Up | Gloria Gresham | Costume Design |
| Crew | Tim Rigby | Stunts |
| Crew | Lisa McCullough | Stunts |
| Writing | Kurt Wimmer | Adaptation |
| Crew | Robert Bardy | CGI Supervisor |
| Crew | Michael Kory | CGI Supervisor |
| Crew | Jeff Lin | CGI Supervisor |
| Camera | Gary Capo | Second Unit Director of Photography |
| Camera | Charles John Bukey | Key Grip |
| Editing | Mo Henry | Negative Cutter |
| Visual Effects | Nicole Herr | 3D Animator |
| Sound | Michael Silvers | Supervising Dialogue Editor |
| Costume & Make-Up | Catherine Childers | Key Hair Stylist |
| Directing | Heather Harris | Script Supervisor |
| Costume & Make-Up | John Quaglia | Hairstylist |
| Sound | Richard Beggs | Sound Designer |
| Camera | Brian Hamill | Still Photographer |
| Costume & Make-Up | Robert Ryan | Makeup Artist |
| Camera | Allen D. Easton | Camera Operator |
| Camera | P. Scott Sakamoto | Steadicam Operator |
| Directing | Julie Pitkanen | Script Supervisor |
| Crew | Jason Wardle | CGI Supervisor |
| Crew | Walter F. Hyneman | CG Supervisor |
| Crew | Fernando Benítez | CGI Supervisor |
| Visual Effects | Richard O. Helmer | Special Effects Supervisor |
| Visual Effects | Carlos Arguello | Visual Effects Supervisor |
| Costume & Make-Up | June Westmore | Makeup Artist |
| Sound | Claire Sanfilippo | ADR Editor |
| Sound | Mary Helen Leasman | Sound Effects Editor |
| Visual Effects | Aaron Dem | Visual Effects Producer |
| Costume & Make-Up | Marietta Carter-Narcisse | Makeup Artist |
| Costume & Make-Up | Tricia Sawyer | Makeup Artist |
| Camera | Ian Fox | Underwater Camera |
| Lighting | Steven C. McGee | Chief Lighting Technician |
| Visual Effects | Karen Klein | Roto Supervisor |
| Editing | Mark Daily | First Assistant Editor |
| Crew | Rod Basham | Visual Effects Editor |
| Visual Effects | Jeffrey A. Okun | Visual Effects Supervisor |
| Costume & Make-Up | Mark Boley | Hair Supervisor |
| Costume & Make-Up | Allan A. Apone | Key Makeup Artist |
| Sound | J.R. Grubbs | Sound Effects Editor |
| Sound | Tim Holland | Supervising Sound Editor |
| Lighting | Ronald A. Miller | Rigging Grip |
| Sound | Gary Thomas | Boom Operator |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Lighting | Brad Emmons | Rigging Gaffer |
| Sound | Jana Vance | Foley |
| Costume & Make-Up | Adrienne Manhan | Key Costumer |
| Visual Effects | Lydia Bottegoni | Visual Effects Producer |
| Visual Effects | Tim Gibbons | Roto Supervisor |
| Costume & Make-Up | Michael White | Hairstylist |
| Sound | Lindakay Brown | ADR Editor |
| Sound | Marian Wilde | Sound Effects Editor |
| Crew | Ronnie Rondell Jr. | Stunt Coordinator |
| Visual Effects | Daryl Tucker | VFX Artist |
| Production | Peter Giuliano | Executive Producer |
| Production | Patricia Churchill | Associate Producer |
| Art | William Beck | Set Designer |
| Camera | Joseph D. Urbanczyk | Additional Camera |
| Art | Nori Honda | Sculptor |
| Camera | Kurt E. Soderling | Aerial Camera |
| Art | Sean Mannion | Property Master |
| Crew | John Charles Kohn | Compositor |
| Art | Brett C. Smith | Leadman |
| Costume & Make-Up | Edward J. Protiva | Set Dressing Artist |
| Art | Bill 'Kauhane' Hoyt | Standby Painter |
| Crew | Alex Daniels | Stunt Coordinator |
| Crew | Lee Garibaldi | Transportation Captain |
| Art | W. Steven Graham | Assistant Art Director |
| Art | David Gabrielli | Construction Foreman |
| Crew | Blair Daily | Post Production Supervisor |
| Production | Patricia Churchill | Unit Production Manager |
| Sound | Robert Elhai | Orchestrator |
| Camera | James Conroy | Grip |
| Crew | Rodney Hope | Driver |
| Crew | Billy R. Brashier | Projection |
| Crew | Christine Dye | Set Production Assistant |
| Production | Mark Scoon | Executive In Charge Of Production |
| Crew | Tommy Tancharoen | Transportation Coordinator |
| Lighting | Greg Banta | Gaffer |
| Sound | John Moses | Musician |
| Art | Marvin Salsberg | Construction Coordinator |
| Crew | Kent Sparling | Mix Technician |
| Directing | Katterli Frauenfelder | First Assistant Director |
| Crew | Richard O. Helmer | Special Effects Coordinator |
| Crew | Peter Albiez | Special Effects |
| Crew | Mary Ellen Leonard | Craft Service |
| Production | Denise Morgan McGrath | Production Accountant |
| Production | Sean Taylor | Production Coordinator |
| Sound | Steve Cantamessa | Production Sound Mixer |
| Crew | Aaron Hakeem | Scenic Artist |
| Crew | Paul Borne | Stunts |
| Production | Michael J. Malone | Unit Manager |
| Crew | Kurtis Bedford | Carpenter |
| Editing | Dale E. Grahn | Color Timer |
| Camera | Alan Cohen | First Assistant Camera |
| Costume & Make-Up | Andrew Nelson | Set Costumer |
| Crew | John Giuliano | Propmaker |
| Crew | Tom Fox | Video Assist Operator |
| Lighting | R. Gern Trowbridge | Best Boy Electric |
| Crew | Michael Greggans | Stand In |
| Production | Kristen D. Chidel | Production Manager |
| Crew | Louis Farah | Set Medic |
| Editing | Blair Daily | Additional Editor |
| Lighting | Eric Blum | Electrician |
| Production | Michael John Meehan | Location Manager |
| Production | Michael Singer | Publicist |
| Lighting | Michael Meier | Lighting Technician |
| Sound | Lindakay Brown | Dialogue Editor |
| Sound | Claire Sanfilippo | Dialogue Editor |
| Camera | Jeff Kunkle | Dolly Grip |
| Camera | Eric Amundsen | Second Assistant Camera |
| Lighting | Victor Abbene | Chief Lighting Technician |
| Visual Effects | Bonjin Byun | Digital Compositor |
| Visual Effects | Kurt E. Soderling | Visual Effects Camera |
| Camera | Bud Heller | Best Boy Grip |
| Production | Rose Hlaing | Production Secretary |
| Production | Coleen Aiello | Second Assistant Accountant |
| Directing | David R. Ellis | Second Unit Director |
| Crew | Keith Tellez | Stunt Double |
| Production | Stacy De La Motte | Production Assistant |
| Production | Randy Starr | Production Executive |
| Directing | Miles Perlman | Second Second Assistant Director |
| Art | Kurt Mattila | Title Designer |
| Visual Effects | Joe Colwell | Effects Supervisor |
| Art | Julie Witherington | Assistant Property Master |
| Sound | Jonathan Sheffer | Conductor |
| Visual Effects | Roger Kupelian | Matte Painter |
| Crew | Danny Cangemi | Special Effects Assistant |
| Visual Effects | Lon R. Shor | VFX Artist |
| Editing | Trent Schultz | Project Manager |
| Costume & Make-Up | Barbara Hartman-Jenichen | Costumer |
| Lighting | Stanley L. Gonsales | Assistant Chief Lighting Technician |
| Production | Brennan Dufresne | Casting Assistant |
| Production | Nina Henninger | Location Casting |
| Production | Gail Rose | Assistant Accountant |
| Directing | Jim Goldthwait | Second Assistant Director |
| Camera | Wayne Baker | Assistant Camera |
| Sound | Curtis Roush | Supervising Music Editor |
| Production | David Krudis | Payroll Accountant |
| Crew | Jeff Miller | Special Effects Technician |
| Editing | Jason Joseph | Assistant Editor |
| Sound | Dennie Thorpe | Foley Artist |
| Production | Brian Dettor | Location Assistant |
| Crew | Tory Belleci | Carpenter |
| Sound | Lora Hirschberg | Sound Re-Recording Mixer |
