The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
Is Back to the Future Part III on Netflix? Yes! The movie Back to the Future Part III is now on Netflix in the countries listed below.
| Writing | Bob Gale | Screenplay |
| Editing | Harry Keramidas | Editor |
| Art | Rick Carter | Production Design |
| Production | Valorie Massalas | Casting |
| Directing | Robert Zemeckis | Director |
| Production | Judy Taylor | Casting |
| Production | Bob Gale | Producer |
| Camera | Dean Cundey | Director of Photography |
| Editing | Arthur Schmidt | Editor |
| Sound | Alan Silvestri | Original Music Composer |
| Production | Neil Canton | Producer |
| Production | Mike Fenton | Casting |
| Crew | Bob Yerkes | Stunts |
| Crew | Gary Morgan | Stunts |
| Crew | Jimmy Corona Rooney | Stunts |
| Crew | Walt La Rue | Stunts |
| Crew | Robert Jauregui | Stunts |
| Crew | Marguerite Happy | Stunts |
| Crew | Ben Scott | Stunts |
| Crew | Brian Smrz | Stunts |
| Crew | Daniel K. Moore | Stunts |
| Crew | R.L. Tolbert | Stunts |
| Crew | Jim Pratt | Stunts |
| Crew | Jeff O'Haco | Stunts |
| Crew | Mike H. McGaughy | Stunts |
| Crew | Daniel O'Haco | Stunts |
| Crew | Danny Costa | Stunts |
| Writing | Bob Gale | Story |
| Art | Margie Stone McShirley | Art Direction |
| Production | Steven Spielberg | Executive Producer |
| Writing | Robert Zemeckis | Story |
| Writing | Bob Gale | Characters |
| Costume & Make-Up | Joanna Johnston | Costume Design |
| Art | William James Teegarden | Art Direction |
| Production | Kathleen Kennedy | Executive Producer |
| Production | Frank Marshall | Executive Producer |
| Writing | Robert Zemeckis | Characters |
| Art | Michael Taylor | Set Decoration |
| Production | Steve Starkey | Associate Producer |
| Crew | Debbie Evans | Stunt Double |
| Visual Effects | Kathleen Beeler | Rotoscoping Artist |
| Crew | Jennifer Watson-Johnston | Stunt Double |
| Art | Richard Brown | Greensman |
| Art | Beverli Eagan | Set Designer |
| Art | Tom McCown | Leadman |
| Camera | Ray Gilberti | Camera Operator |
| Camera | Clyde E. Bryan | First Assistant Camera |
| Art | Erin M. Cummins | Assistant Art Director |
| Art | Martin A. Kline | Production Illustrator |
| Camera | Ron Cardarelli | Key Grip |
| Camera | Steve Chase | Grip |
| Camera | Sean M. Casey | Still Photographer |
| Art | Jerry Sargent | Construction Foreman |
| Art | Walt Hadfield | Construction Coordinator |
| Costume & Make-Up | Barcie Waite | Assistant Costume Designer |
| Costume & Make-Up | Chuck Velasco | Costume Supervisor |
| Art | Cary Conway | Painter |
| Costume & Make-Up | Randy Bostic | Set Dressing Artist |
| Costume & Make-Up | Dorothy Byrne | Key Hair Stylist |
| Crew | Byron Berline | Thanks |
| Crew | Brian Wade | Makeup Effects |
| Crew | Timothy Eaton | Visual Effects Editor |
| Lighting | Bill Barr | Electrician |
| Sound | Larry Singer | ADR Supervisor |
| Crew | Brad Jeffries | Choreographer |
| Crew | Martin Cohen | Post Production Supervisor |
| Crew | LeighAnna Frostad | Transportation Coordinator |
| Production | Joan Bradshaw | Unit Production Manager |
| Production | Michael J. Burmeister | Location Manager |
| Sound | Peter C. Barbour | Assistant Sound Editor |
| Crew | Judith Weaver | Special Effects Coordinator |
| Editing | Dawn Oltman | Editorial Coordinator |
| Production | Pam Kaye | Production Accountant |
| Visual Effects | Patricia Blau | Visual Effects Producer |
| Crew | Marc Fambro | Carpenter |
| Sound | Albert Romero | Sound Recordist |
| Crew | Keith O'Brien | Transportation Co-Captain |
| Crew | Tom Marchetti | Driver |
| Camera | Jolanda Wipfli | Camera Loader |
| Art | John Zemansky | Property Master |
| Crew | Michael Klastorin | Unit Publicist |
| Sound | James B. Campbell | Orchestrator |
| Costume & Make-Up | Bron Roylance | Makeup Artist |
| Crew | Willie Radcliff | Craft Service |
| Crew | Tim Monich | Dialect Coach |
| Visual Effects | Kendall Nishimine | Visual Effects |
| Visual Effects | Kim Bromley | Visual Effects Coordinator |
| Crew | Bonne Radford | Production Controller |
| Crew | Jack Tice | Studio Teachers |
| Costume & Make-Up | Michael Mills | Key Makeup Artist |
| Sound | Earl Sampson | Boom Operator |
| Lighting | Jack Todd | Rigging Gaffer |
| Sound | Kenneth Karman | Music Editor |
| Visual Effects | Scott Farrar | Visual Effects Supervisor |
| Crew | Will Cascio | Stunts |
| Crew | Steve Collins | Transportation Captain |
| Editing | Janet Fiona Mason | First Assistant Editor |
| Sound | William B. Kaplan | Production Sound Mixer |
| Sound | Paul Timothy Carden | Sound Editor |
| Editing | Stephen R. Sheridan | Color Timer |
| Lighting | Tom Cantrell | Lighting Technician |
| Production | Jim Morris | Executive In Charge Of Production |
| Crew | Alan Howarth | Special Sound Effects |
| Sound | Charles L. Campbell | Supervising Sound Editor |
| Visual Effects | Wes Takahashi | Animation Supervisor |
| Crew | John Bell | Visual Effects Art Director |
| Crew | Tim R. Lafferty | Propmaker |
| Directing | David McGiffert | First Assistant Director |
| Costume & Make-Up | Dorothy D. Fox | Hairstylist |
| Crew | Robert Bennett | Stand In |
| Crew | Walter Scott | Stunt Coordinator |
| Sound | Alan L. Nineberg | ADR Editor |
| Camera | Vance Piper | Assistant Camera |
| Editing | Peter Lonsdale | Associate Editor |
| Crew | Bret Culpepper | Technical Advisor |
| Sound | Carolyn Tapp | Foley Recordist |
| Crew | Michael Meier | Pyrotechnician |
| Visual Effects | Peter Daulton | Visual Effects Camera |
| Lighting | Anthony Wong | Assistant Chief Lighting Technician |
| Camera | David Hanks | Assistant Camera |
| Sound | David Bifano | Music Programmer |
| Editing | Ron Fode | Negative Cutter |
| Directing | Cara Giallanza | Second Assistant Director |
| Directing | Carla Corwin | Second Second Assistant Director |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Visual Effects | Pat Turner | VFX Director of Photography |
| Editing | Nancy Jencks | Assistant Editor |
| Production | Colleen Arnaud | Assistant Accountant |
| Crew | Charles Croughwell | Stunt Double |
| Sound | Greg Orloff | Foley Mixer |
| Visual Effects | Loring Doyle | VFX Artist |
| Production | Scott Ross | General Manager |
| Costume & Make-Up | Kelly Lindquist | Costumer |
| Production | Alia Agha | Production Assistant |
| Directing | Batan Silva | Additional Second Assistant Director |
| Sound | Jessica Gallavan | ADR Editor |
| Camera | Sid Lucero | Best Boy Grip |
| Camera | Larry D. Davis | Second Assistant Camera |
| Art | Jeff Ackerman | Assistant Property Master |
| Sound | Tom Gerard | Additional Sound Re-Recording Mixer |
| Sound | Kevin Bartnof | Foley Artist |
| Camera | Dave Wachtman | Dolly Grip |
| Production | Joni Kearney | Casting Assistant |
| Production | Jacqueline A. Shea | Assistant Production Coordinator |
| Lighting | Mark Walthour | Chief Lighting Technician |
| Visual Effects | Ken Ralston | Visual Effects Supervisor |
| Directing | Max Kleven | Second Unit Director |
| Art | Drew Struzan | Art Designer |
