John Nash is a brilliant but asocial mathematician fighting schizophrenia. After he accepts secret work in cryptography, his life takes a turn for the nightmarish.
Is A Beautiful Mind on Netflix? Yes! The movie A Beautiful Mind is now on Netflix in the countries listed below.
| Camera | Roger Deakins | Director of Photography |
| Production | Brian Grazer | Producer |
| Art | Wynn Thomas | Production Design |
| Sound | James Horner | Original Music Composer |
| Production | Janet Hirshenson | Casting |
| Production | Jane Jenkins | Casting |
| Art | Robert Guerra | Art Direction |
| Sound | Anthony J. Ciccolini III | Supervising Sound Editor |
| Production | Karen Kehela Sherwood | Executive Producer |
| Writing | Akiva Goldsman | Screenplay |
| Directing | Ron Howard | Director |
| Production | Ron Howard | Producer |
| Writing | Sylvia Nasar | Screenplay |
| Writing | Sylvia Nasar | Author |
| Production | Todd Hallowell | Executive Producer |
| Directing | Todd Hallowell | Second Unit Director |
| Production | Maureen Peyrot | Producer |
| Production | Kathleen McGill | Producer |
| Production | Aldric La'Auli Porter | Executive Producer |
| Directing | Aldric La'Auli Porter | First Assistant Director |
| Production | Louisa Velis | Executive Producer |
| Editing | Daniel P. Hanley | Editor |
| Editing | Mike Hill | Editor |
| Art | Leslie E. Rollins | Set Decoration |
| Costume & Make-Up | Rita Ryack | Costume Design |
| Camera | David M. Dunlap | Second Unit Director of Photography |
| Costume & Make-Up | Neal Martz | Makeup Department Head |
| Crew | Peter Bucossi | Stunt Coordinator |
| Costume & Make-Up | Greg Cannom | Special Effects Makeup Artist |
| Crew | Judy Dickerson | Dialect Coach |
| Sound | Marc Laub | Dialogue Editor |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Costume & Make-Up | Colleen Callaghan | Key Hair Stylist |
| Costume & Make-Up | Kymbra Callaghan | Makeup Artist |
| Art | Brick Mason | Storyboard Artist |
| Camera | Kyle Rudolph | Camera Operator |
| Camera | Kenneth Fundus | Dolly Grip |
| Camera | Bruce Hamme | Dolly Grip |
| Camera | Eli Reed | Still Photographer |
| Art | Paul Weathered | Property Master |
| Art | Betsy Klompus | Assistant Property Master |
| Production | David Bausch | Production Coordinator |
| Costume & Make-Up | Todd Kleitsch | Key Makeup Artist |
| Costume & Make-Up | William A. Campbell | Costume Supervisor |
| Costume & Make-Up | Winsome G. McKoy | Costume Supervisor |
| Costume & Make-Up | Kevin Draves | Costume Supervisor |
| Art | Tommy Allen | Property Master |
| Visual Effects | Jessica Harris | Digital Compositor |
| Sound | Louis Cerborino | Dialogue Editor |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Crew | Matthew E. Butler | Digital Effects Supervisor |
| Sound | Douglas Murray | ADR Recordist |
| Sound | Ginger Geary | Foley Artist |
| Sound | Michael Thompson | ADR Mixer |
| Directing | Eva Z. Cabrera | Script Supervisor |
| Sound | Frank A. Montaño | Sound Re-Recording Mixer |
| Visual Effects | Kelly L'Estrange | Visual Effects Producer |
| Editing | Glenn Allen | Assistant Editor |
| Editing | Richard Friedlander | First Assistant Editor |
| Crew | Wilfred Caban | Special Effects Coordinator |
| Sound | Jim Henrikson | Music Editor |
| Crew | Julie Kuehndorf | Unit Publicist |
| Art | Martin Bernstein | Construction Coordinator |
| Sound | Daniel Pagan | Sound Effects Editor |
| Sound | Bob Olari | Sound Recordist |
| Lighting | Bill O'Leary | Gaffer |
| Art | Joseph Proscia | Leadman |
| Sound | Missy Cohen | Foley Editor |
| Sound | Livia Ruzic | ADR Recordist |
| Crew | Steve Castellano | Post Production Supervisor |
| Art | Bradley Mayer | Assistant Art Director |
| Art | Nancy Winters | Assistant Art Director |
| Sound | Stan Bochner | Dialogue Editor |
| Sound | Nancy Cabrera | Foley Artist |
| Sound | Eytan Mirsky | Sound Effects Editor |
| Sound | Harry Peck Bolles | Sound Effects Editor |
| Crew | Heather J. Morrison | Visual Effects Editor |
| Visual Effects | Kevin Scott Mack | Visual Effects Supervisor |
| Camera | Gerardo Puglia | Camera Operator |
| Lighting | Joseph Grimaldi | Best Boy Electric |
| Production | Lyn Pinezich | Location Manager |
| Costume & Make-Up | Suzy Mazzarese-Allison | Hairstylist |
| Sound | Deborah Wallach | ADR Supervisor |
| Costume & Make-Up | Mary Jo 'MJ' McGrath | Wardrobe Assistant |
| Lighting | Howard Davidson | Rigging Grip |
| Visual Effects | Claas Henke | Compositing Supervisor |
| Lighting | Richie Ford | Rigging Gaffer |
| Directing | Lynne Twentyman | Script Supervisor |
| Camera | Tim Norman | First Assistant Camera |
| Art | Christine Moosher | Assistant Set Decoration |
| Costume & Make-Up | Peter White | Costumer |
| Lighting | Greg Addison | Gaffer |
| Costume & Make-Up | Kevin Brainerd | Assistant Costume Designer |
| Sound | Paul J. Zydel | ADR Mixer |
| Lighting | James Boniece | Key Rigging Grip |
| Sound | Allan Byer | Production Sound Mixer |
| Visual Effects | Paul Abatemarco | Visual Effects Coordinator |
| Camera | Andy Harris | First Assistant Camera |
| Camera | Mitchell Andrew Lillian | Key Grip |
| Art | Warren Drummond | Storyboard Artist |
| Sound | Dean Drabin | ADR Mixer |
| Visual Effects | Nikos Kalaitzidis | 3D Animator |
| Camera | Patrick Quinn | Second Assistant Camera |
| Camera | Rick Marroquin | Dolly Grip |
| Production | Tamara Bally | Production Accountant |
| Editing | Mike Milliken | Color Timer |
| Visual Effects | Krista Benson | Digital Compositor |
| Editing | Gary Burritt | Negative Cutter |
| Camera | Charlie Marroquin | Best Boy Grip |
| Visual Effects | Thomas R. Dickens | 3D Modeller |
| Camera | James R. Belletier | First Assistant Camera |
| Costume & Make-Up | Laurie Buehler | Seamstress |
| Camera | Sal Lanza | Key Grip |
| Editing | Guy Barresi | Assistant Editor |
| Production | Evan Perazzo | Location Manager |
| Lighting | Peter Walts | Best Boy Electric |
| Sound | Patrick Dundas | Foley Editor |
| Art | Ann Edgeworth | Assistant Property Master |
| Sound | Claudia Carle | ADR Recordist |
| Visual Effects | Keith Huggins | 3D Animator |
| Camera | Kris Enos | Second Assistant Camera |
| Visual Effects | Brandon McNaughton | Digital Compositor |
| Costume & Make-Up | Antoinette Carr | Key Hair Stylist |
| Production | Bill Dance | Extras Casting |
| Production | Judy Pursley | First Assistant Accountant |
| Camera | Gabriel Goodenough | Camera Loader |
| Visual Effects | Gimo Chanphianamvong | Digital Compositor |
| Sound | Anthony Starbuck | Sound Mixer |
| Costume & Make-Up | Dennis Eger | Key Makeup Artist |
| Costume & Make-Up | Dale Brownell | Hairstylist |
| Costume & Make-Up | Linda Lazar | Makeup Artist |
| Camera | Jonathan Nussbaum | Best Boy Grip |
| Lighting | Todd S. Klein | Rigging Grip |
| Costume & Make-Up | Marcia Oste | Costume Supervisor |
| Production | Kristen McTigue | Casting Assistant |
| Crew | Lisa Barnstone | Scenic Artist |
| Sound | Don Peebles | Assistant Sound Editor |
| Visual Effects | Eliot Sirota | 3D Modeller |
| Visual Effects | Katie Nook | Digital Compositor |
| Visual Effects | Perri Wainwright | Digital Compositor |
| Production | Michelle Macirella | Production Secretary |
| Production | Audra Polk | Production Secretary |
