In a future society in the era of indefinite eugenics, humans are set on a life course depending on their DNA. Young Vincent Freeman is born with a condition that would prevent him from space travel, yet is determined to infiltrate the GATTACA space program.
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| Production | Danny DeVito | Producer |
| Costume & Make-Up | Colleen Atwood | Costume Design |
| Production | Francine Maisler | Casting |
| Camera | Slawomir Idziak | Director of Photography |
| Production | Georgia Kacandes | Unit Production Manager |
| Production | Georgia Kacandes | Associate Producer |
| Production | Michael Shamberg | Producer |
| Production | Stacey Sher | Producer |
| Production | Pamela Abdy | Producer's Assistant |
| Production | Gail Lyon | Co-Producer |
| Directing | Andrew Niccol | Director |
| Writing | Andrew Niccol | Writer |
| Costume & Make-Up | Toni-Ann Walker | Hairstylist |
| Crew | Gary D'Amico | Special Effects Coordinator |
| Art | Sarah Knowles | Art Direction |
| Crew | David Robbins | Additional Music |
| Sound | Michael Nyman | Original Music Composer |
| Editing | Lisa Zeno Churgin | Editor |
| Sound | Bunny Andrews | Music Editor |
| Art | Jan Roelfs | Production Design |
| Art | Stephen Alesch | Set Designer |
| Directing | Daniel Silverberg | Second Assistant Director |
| Costume & Make-Up | Lizbeth Williamson | Makeup Artist |
| Crew | Emma Tillinger Koskoff | Actor's Assistant |
| Art | Nancy Nye | Set Decoration |
| Sound | Paul Massey | Sound Re-Recording Mixer |
| Camera | Jonathan Brown | Camera Operator |
| Production | Bradley Cramp | Production Supervisor |
| Costume & Make-Up | Alicia M. Tripi | Hair Department Head |
| Crew | Lisa Yesko | Post Production Supervisor |
| Crew | Norman Howell | Stunt Coordinator |
| Sound | Noah Blough | Dialogue Editor |
| Costume & Make-Up | Ve Neill | Makeup Supervisor |
| Sound | Nerses Gezalyan | Foley Mixer |
| Sound | Jeffrey Wilhoit | Foley Artist |
| Visual Effects | Chris Watts | Visual Effects Supervisor |
| Sound | Gary A. Hecker | Foley Artist |
| Production | Joshua Levinson | Associate Producer |
| Directing | John R. Woodward | First Assistant Director |
| Lighting | David Morton | Rigging Gaffer |
| Sound | James Matheny | Dialogue Editor |
| Costume & Make-Up | Robert Q. Mathews | Costume Supervisor |
| Production | Stephanie Higgins Frey | Production Assistant |
| Sound | Richard King | Supervising Sound Editor |
| Crew | Michael Cassidy | Stunt Coordinator |
| Art | Randall D. Wilkins | Set Designer |
| Costume & Make-Up | Jill Rockow | Makeup Artist |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Crew | Maurice Schwartzman | Choreographer |
| Production | Lizzie Friedman | Producer's Assistant |
| Sound | Steven Ticknor | Sound Effects Editor |
| Crew | Dan Levitan | Compositor |
| Art | Emily Ferry | Property Master |
| Visual Effects | Jerry Pooler | Visual Effects Supervisor |
| Production | Robert Earl Craft | Location Manager |
| Visual Effects | Janek Sirrs | Visual Effects |
| Art | Otniel Gonzalez | Assistant Property Master |
| Visual Effects | Daniele Colajacomo | Visual Effects Supervisor |
| Art | R. Scott Doran | Leadman |
| Crew | Spooky Stevens | Unit Publicist |
| Lighting | Robert Jason | Chief Lighting Technician |
| Crew | Michael J. Hogan | Video Assist Operator |
| Crew | Mike Smith | Stunts |
| Visual Effects | Steve Dellerson | Visual Effects Coordinator |
| Costume & Make-Up | Bette Iverson | Key Hair Stylist |
| Art | Jim Ondrejko | Construction Coordinator |
| Sound | Cliff Latimer | ADR Supervisor |
| Camera | Darren Michaels | Still Photographer |
| Costume & Make-Up | Brian Penikas | Prosthetic Makeup Artist |
| Camera | John T. Connor | First Assistant Camera |
| Costume & Make-Up | Jennifer Lax | Key Costumer |
| Sound | Dondi Bastone | Music Consultant |
| Production | Beau Bonneau | Extras Casting |
| Production | Tim Swan | Unit Production Manager |
| Production | Tim Swan | Production Supervisor |
| Crew | Dick Hansen | Cableman |
| Crew | Helen Hand | Second Film Editor |
| Visual Effects | Ken Dackermann | Digital Compositor |
| Sound | Cynthia Haagens | Assistant Sound Editor |
| Editing | Bob Putynkowski | Color Timer |
| Art | Michael Riley | Title Designer |
| Production | Edward Allen | First Assistant Accountant |
| Sound | Scott A. Tinsley | Foley Editor |
| Production | Ilt Jones | Assistant Location Manager |
| Sound | Lawrence L. Commans | Boom Operator |
| Editing | Mo Henry | Negative Cutter |
| Production | Elizabeth Tompkins | Production Accountant |
| Sound | Catherine Calleson | Assistant Sound Editor |
| Production | Shari LaFranchi Blakney | Production Coordinator |
| Camera | Jeff Smith | Dolly Grip |
| Camera | Matthew Nelson | Second Assistant Camera |
| Camera | Evan A. Nesbitt | First Assistant Camera |
| Sound | Jeffrey R. Payne | Foley Editor |
| Sound | Cynthia Biamon | Music Coordinator |
| Directing | Otie Brown | Second Assistant Director |
| Art | Don Elliott | Swing |
| Art | Joy Taylor | Assistant Property Master |
| Crew | Tyson Dexter | Stunt Double |
| Production | Brennan Dufresne | Casting Assistant |
| Production | Kathryn Eisenstein | Casting Associate |
| Production | Joe Angel Rodriguez | Producer's Assistant |
| Camera | Thomas Wazney | Best Boy Grip |
| Crew | John Wayne Randolph | Craft Service |
| Editing | John Spence | First Assistant Editor |
| Camera | Michael A. Mendez | Grip |
| Camera | Michael M. Krevitt | Key Grip |
| Production | Kathleen Roll | Production Assistant |
| Production | Mario West | Production Assistant |
| Production | Patrick Noonan | Production Assistant |
| Production | Roger James Ferrin | Production Assistant |
| Production | Melody Beam | Production Assistant |
| Crew | James C. Taylor | Transportation Captain |
| Crew | David Jernigan | Transportation Co-Captain |
| Sound | Stephan von Hase | Production Sound Mixer |
