The explorer craft USS Palomino is returning to Earth after a fruitless 18-month search for extra-terrestrial life when the crew comes upon a supposedly lost ship, the USS Cygnus, hovering near a black hole. The ship is controlled by Dr. Hans Reinhardt and his monstrous robot companion, but the initial wonderment and awe the Palomino crew feel for the ship and its resistance to the power of the black hole turn to horror as they uncover Reinhardt's plans.
Is The Black Hole on Netflix? Unfortunately the movie The Black Hole is not yet available on Netflix. Follow us on Facebook to see when The Black Hole becomes available on Netflix!
| Camera | Frank V. Phillips | Director of Photography |
| Production | Ron Miller | Producer |
| Writing | Jeb Rosebrook | Screenplay |
| Sound | John Barry | Original Music Composer |
| Directing | Gary Nelson | Director |
| Editing | G. Gregg McLaughlin | Editor |
| Writing | Gerry Day | Screenplay |
| Art | Al Roelofs | Art Direction |
| Art | John B. Mansbridge | Art Direction |
| Art | Frank R. McKelvy | Set Decoration |
| Art | Robert McCall | Art Direction |
| Art | Roger M. Shook | Set Decoration |
| Costume & Make-Up | Chuck Keehne | Costume Supervisor |
| Art | Peter Ellenshaw | Production Design |
| Costume & Make-Up | Bill Thomas | Costume Design |
| Costume & Make-Up | Gloria Montemayor | Hairstylist |
| Crew | Ben Hendricks | Special Sound Effects |
| Sound | Robert Hathaway | Sound Re-Recording Mixer |
| Sound | Louis Terrusa | Sound Effects Editor |
| Camera | Lloyd Ahern II | Camera Operator |
| Production | John D. Bloss | Production Manager |
| Sound | John Jolliffe | Sound Effects Editor |
| Sound | Wayne Allwine | Sound Effects Editor |
| Directing | Sandy Nelson | Script Supervisor |
| Crew | James MacDonald | Special Sound Effects |
| Visual Effects | Ted Kierscey | Animation |
| Lighting | Carl Boles | Gaffer |
| Sound | Helen Sneddon | Music Editor |
| Visual Effects | Joe Hale | Animation |
| Visual Effects | Dorse A. Lanpher | Animation |
| Camera | Wynn Hammer | Still Photographer |
| Sound | Frank Regula | Sound Re-Recording Mixer |
| Costume & Make-Up | Robert J. Schiffer | Makeup Supervisor |
| Sound | Evelyn Kennedy | Supervising Music Editor |
| Sound | George Fredrick | Sound Effects Editor |
| Writing | Bob Barbash | Story |
| Crew | Stevie Myers | Stunts |
| Production | Christopher N. Seiter | Unit Production Manager |
| Writing | Richard H. Landau | Story |
| Writing | Jeb Rosebrook | Story |
| Directing | Tom McCrory | Assistant Director |
| Crew | Ben Hendricks | Special Sound Effects |
| Crew | Bill Wylie | Special Sound Effects |
| Sound | Herb Taylor | Sound Supervisor |
| Sound | Bud Maffett | Sound Mixer |
| Camera | Robert LaBonge | First Assistant Camera |
| Camera | Don Capel | Key Grip |
| Camera | Cecil Wilson | Second Assistant Camera |
| Costume & Make-Up | Mary Dye | Costumer |
| Costume & Make-Up | Jack Sandeen | Costumer |
| Crew | Howard Curtis | Stunts |
| Art | Wilbur L. Russell | Property Master |
| Crew | Bob Herron | Stunt Double |
| Crew | Conrad E. Palmisano | Stunt Double |
