When their ship crash-lands on a remote planet, the marooned passengers soon learn that escaped convict Riddick isn't the only thing they have to fear. Deadly creatures lurk in the shadows, waiting to attack in the dark, and the planet is rapidly plunging into the utter blackness of a total eclipse. With the body count rising, the doomed survivors are forced to turn to Riddick with his eerie eyes to guide them through the darkness to safety. With time running out, there's only one rule: Stay in the light.
Is Pitch Black on Netflix? Yes! The movie Pitch Black is now on Netflix in the countries listed below.
Sound | Paul Haslinger | Music Arranger |
Sound | Graeme Revell | Music |
Sound | Graeme Revell | Conductor |
Production | Mary Vernieu | Casting |
Visual Effects | Patrick Tatopoulos | Creature Design |
Editing | Rick Shaine | Editor |
Sound | Dennie Thorpe | Foley Artist |
Sound | Tony Eckert | Foley Mixer |
Production | Scott Kroopf | Executive Producer |
Production | Tom Engelman | Producer |
Production | Ted Field | Executive Producer |
Production | Anne McCarthy | Casting |
Sound | Tom Myers | Sound Designer |
Art | Ian Gracie | Art Direction |
Writing | David Twohy | Screenplay |
Directing | David Twohy | Director |
Camera | David Eggby | Director of Photography |
Sound | Tim Simonec | Orchestrator |
Art | Michael Rumpf | Set Decoration |
Art | Daryl Porter | Leadman |
Costume & Make-Up | Maree McDonald | Makeup Artist |
Sound | Gloria D'Alessandro | Dialogue Editor |
Production | Tony Winley | Executive Producer |
Production | Ann Robinson | Local Casting |
Crew | Michael A. Helfant | Thanks |
Art | Graham 'Grace' Walker | Production Design |
Writing | Jim Wheat | Screenplay |
Writing | Jim Wheat | Story |
Writing | Ken Wheat | Screenplay |
Writing | Ken Wheat | Story |
Costume & Make-Up | Anna Borghesi | Costume Design |
Production | Sue MacKay | Unit Production Manager |
Sound | Joshua Winget | Music Editor |
Visual Effects | Peter Chiang | Visual Effects Supervisor |
Costume & Make-Up | Margaret Stevenson | Hair Supervisor |
Costume & Make-Up | Margaret Stevenson | Makeup Supervisor |
Production | Terri Douglas | ADR Voice Casting |
Sound | Beau Borders | Assistant Sound Editor |
Production | Freddy Luis | Casting Assistant |
Camera | Brad Shield | Camera Operator |
Camera | Brad Shield | Steadicam Operator |
Sound | Mary Works | Assistant Sound Editor |
Production | Michelle Russell | Production Coordinator |
Lighting | Adam Williams | Best Boy Electric |
Production | Rowena Zande | Production Assistant |
Sound | Lora Hirschberg | Sound Re-Recording Mixer |
Crew | Clair Crowther | Dialect Coach |
Sound | Michael Semanick | Sound Re-Recording Mixer |
Art | Jacinta Leong | Set Designer |
Visual Effects | Steve Street | CG Artist |
Art | Mark Stephens | Construction Foreman |
Art | Tony Lees | Sculptor |
Production | Barrie Hemsley | Production Coordinator |
Visual Effects | Angie Wills | Digital Effects Producer |
Sound | Robert Shoup | Supervising Sound Editor |
Crew | David C. Hughes | Sound Design Assistant |
Art | Jim Millett | Assistant Art Director |
Directing | Kira Bohn | Continuity |
Production | Jennifer Cornwell | Production Coordinator |
Sound | Paul 'Salty' Brincat | Sound Recordist |
Camera | Ian 'Thistle' Thorburn | Second Unit Director of Photography |
Directing | Ian 'Thistle' Thorburn | Second Unit Director |
Camera | Henry Pierce | Camera Operator |
Crew | Fiona Searson | Unit Publicist |
Sound | Scott Guitteau | Assistant Sound Editor |
Sound | Marilyn McCoppen | ADR Editor |
Sound | E. Larry Oatfield | Sound Effects Editor |
Costume & Make-Up | Keryn Ribbands | Costume Supervisor |
Crew | Chris Anderson | Stunt Coordinator |
Camera | Ricky Schamburg | Clapper Loader |
Editing | Andrew Blustain | First Assistant Editor |
Sound | James Lebrecht | Sound Effects Editor |
Sound | Michele Perrone | ADR Editor |
Sound | Karen G. Wilson | Dialogue Editor |
Sound | Lindakay Brown | Dialogue Editor |
Costume & Make-Up | Jason Baird | Prosthetic Makeup Artist |
Visual Effects | Brian Cox | Special Effects Supervisor |
Art | Martin Ash | Set Designer |
Directing | Karen Mansfield | Continuity |
Editing | Dan Muscarella | Color Timer |
Sound | Mary Helen Leasman | Foley Editor |
Writing | Jason Brubaker | Storyboard |
Production | Michelle Wright | Executive In Charge Of Production |
Directing | Jamie Crooks | First Assistant Director |
Art | John Rann | Construction Coordinator |
Sound | Rod Conder | Boom Operator |
Sound | Michael Axinn | Assistant Sound Editor |
Sound | Roger Morris | ADR Mixer |
Sound | Frank 'Pepe' Merel | Foley Recordist |
Crew | Graham Stumpf | Post Production Supervisor |
Lighting | Todd Carmody | Assistant Electrician |
Production | Arwen Munro | Production Secretary |
Art | Katie Nott | Art Department Coordinator |
Art | Chris Geissman | Painter |
Art | Wayne Truce | Standby Painter |
Camera | Sean Barnes | Still Photographer |
Costume & Make-Up | Carolyn Nott | Hairstylist |
Costume & Make-Up | Scott McMaster | Set Dressing Artist |
Crew | Allan Mowbray | Armorer |
Crew | Peter Thompson | Legal Services |
Crew | David Tremont | Propmaker |
Crew | Raymond Leef | Stand In |
Crew | Karen Dimmig | Visual Effects Editor |
Camera | Rick Johnson | Best Boy Grip |
Production | Campbell McLean | Location Manager |
Sound | Samuel H. Hinckley | Sound Effects Editor |
Visual Effects | Paul Riddle | Digital Compositor |
Crew | Cameron Curphey | Studio Teachers |
Crew | Jonathan Bader | Thanks |
Directing | Jennifer Rees-Brown | Second Assistant Director |
Art | Chris Goddard | Standby Painter |
Writing | Fireball Tim Lawrence | Storyboard |
Production | Chris Robson | Production Accountant |
Camera | Derry Field | Camera Operator |
Lighting | Tony Holtham | Gaffer |
Camera | Leigh Tait | Grip |
Sound | Gary Dixon | Boom Operator |
Directing | Lyn Alice Aronson | Script Supervisor |
Directing | Peter McLennan | Third Assistant Director |
Editing | Cleo Myles | Assistant Editor |
Editing | Danny Candib | Assistant Editor |
Production | Wizzy Ringer | Casting Assistant |
Production | Carrie Campbell | Casting Assistant |
Art | Stephen Hay | Painter |
Production | Nick McKinnon | Production Runner |
Production | Melaini Lewis | Production Secretary |
Camera | Grahame Litchfield | Key Grip |
Directing | Angella McPherson | Second Second Assistant Director |
Production | Kerry Mulgrew | Production Secretary |
Camera | Jack Wareham | Camera Operator |
Lighting | Timothy 'Guido' Magaraci | Assistant Chief Lighting Technician |
Camera | Daniel Clark | Clapper Loader |
Directing | Michael Bate | Assistant Director |
Writing | Brian Murray | Storyboard |
Camera | David Cordell | Clapper Loader |
Crew | Patrick Carmiggelt | Special Effects Technician |
Production | Leah Holmes | Post Production Accountant |
Costume & Make-Up | Julie Zahra | Costume Standby |
Production | Vampyre Wilson | Casting Associate |
Production | Angela Kenny | Accountant |
Production | Stephen Taylor | First Assistant Accountant |
Production | Lori Sier | Post Production Accountant |
Production | Darcy Yuille | Production Runner |
Production | Melanie Turner | Production Runner |
Production | Ange Lavey-Manche | Production Secretary |
Crew | Peter Thompson | Legal Services |
Crew | Andrew Pantelis | Stand In |
Crew | Wayne Williams | Stand In |
Crew | Dan O'Connor | Stand In |
Crew | Suzanne McAllister | Stand In |
Camera | Brett Matthews | Focus Puller |
Crew | Steve Rungwerth | Special Effects Assistant |
Camera | John Balbi | Assistant Grip |
Camera | Nick Murray | Camera Trainee |
Editing | Jo Anne Finan | Negative Cutter |
Production | Lorisa D. Francis | Post Production Coordinator |
Production | Jeremy 'JJ' Piggott | Assistant Unit Manager |
Crew | Brownyn Hookey | Catering |
Lighting | Robert Sassen | Chief Lighting Technician |
Production | Eleonore Crompton | Production Accountant |
Art | Beverley Dunn | Property Master |
Camera | Adrien Seffrin | Focus Puller |