Originally released in Japan as "The Return of Godzilla" in 1984, this is the heavily re-edited, re-titled "Godzilla 1985". Adding in new footage of Raymond Burr, this 16th Godzilla film ignores all previous sequels and serves as a direct follow-up to the 1956 "Godzilla King of the Monsters", which also featured scenes with Burr edited into 1954's "Godzilla". This film restores the darker tone of the original, as we witness the nuclear destruction of giant lizard terrorizing Japan.
Is Godzilla 1985 on Netflix? Unfortunately the movie Godzilla 1985 is not yet available on Netflix.
Directing | R.J. Kizer | Director |
Production | Kiyomi Kanazawa | Producer |
Production | Norio Hayashi | Producer |
Production | Tony Randel | Producer |
Directing | Koji Hashimoto | Director |
Camera | Kazutami Hara | Director of Photography |
Writing | Tomoyuki Tanaka | Story |
Production | Fumio Tanaka | Associate Producer |
Art | Akio Tashiro | Set Decoration |
Sound | Reijirō Koroku | Original Music Composer |
Art | Akira Sakuragi | Art Direction |
Costume & Make-Up | Kenji Kawasaki | Costume Design |
Production | Tomoyuki Tanaka | Executive Producer |
Crew | Teruyoshi Nakano | Special Effects |
Production | Danny Goldman | Casting |
Production | Tadao Tanaka | Casting |
Editing | Yoshitami Kuroiwa | Editor |
Art | Akira Sakuragi | Production Design |
Writing | Lisa Tomei | Screenplay |
Visual Effects | Takeshi Miyanishi | Visual Effects |
Crew | Koji Matsumoto | Special Effects |
Camera | Steven Dubin | Director of Photography |
Crew | Mitsuo Miyakawa | Special Effects |
Crew | Hideo Aoki | Military Consultant |
Visual Effects | Yoshikazu Manoda | Visual Effects Camera |
Production | Andrea Barshov Stern | Associate Producer |
Crew | Mamoru Kume | Pyrotechnician |
Directing | Takao Okawara | First Assistant Director |
Crew | Tadaaki Watanabe | Pyrotechnician |
Visual Effects | Teruyoshi Nakano | Visual Effects Director |
Editing | Michael Spence | Editor |
Sound | Nobuyuki Tanaka | Sound Recordist |
Camera | Takashi Nakao | Still Photographer |
Production | Takahide Morichi | Production Manager |
Crew | Eiichi Asada | Special Effects |
Visual Effects | Takeaki Tsukada | Visual Effects |
Directing | Kensho Yamashita | Assistant Director |
Crew | Shinji Higuchi | Special Effects |
Visual Effects | Takeshi Miyanishi | Visual Effects Camera |
Directing | Lee Berger | Assistant Director |
Costume & Make-Up | Nobuyuki Yasumaru | Prosthetics |
Crew | Kohhei Mikami | Special Effects |
Visual Effects | Takeaki Tsukada | Visual Effects Camera |
Visual Effects | Masayuki Ikeda | Visual Effects Production Manager |
Visual Effects | Yoshio Ishii | Visual Effects Camera |
Lighting | Shinji Kojima | Lighting Technician |
Crew | Kiyotaka Matsumoto | Special Effects |
Directing | Kunio Miyoshi | First Assistant Director |
Visual Effects | Teruyoshi Nakano | Visual Effects |
Visual Effects | Yoshikazu Manoda | Visual Effects |
Sound | Christopher Young | Music |
Visual Effects | Yoshio Ishii | Visual Effects |
Costume & Make-Up | Mary Michael George | Makeup & Hair |
Sound | Charles Grenzbach | Sound Re-Recording Mixer |
Lighting | Amy C. Halpern | Gaffer |
Sound | Mark Sheret | Sound Mixer |
Directing | Veronica Flynn | Script Supervisor |
Editing | Kevin Sewelson | Assistant Editor |
Visual Effects | Takeshi Yamamoto | VFX Director of Photography |
Camera | Tracy Neftzger | Key Grip |
Editing | Diana Jackson | Negative Cutter |
Art | Pam Moffat | Set Decoration |
Production | Christopher Ward Trott | Production Assistant |
Visual Effects | Kohhei Mikami | VFX Lighting Artist |
Visual Effects | Toshimitsu Oneda | VFX Director of Photography |
Production | James Melkonian | Post Production Coordinator |
Production | Ann Marie Trulove | Production Secretary |
Visual Effects | Ernest D. Farino | Visual Effects |
Sound | John Wilkinson | Sound Re-Recording Mixer |
Camera | Samuel Buddy Fries | Assistant Camera |
Sound | Glenn E. Berkovitz | Boom Operator |
Art | Carol Christine Clements | Art Direction |
Costume & Make-Up | Kathryn Sparks | Wardrobe Assistant |
Crew | Robert Hamlin | Thanks |
Writing | Straw Weisman | Writer |
Sound | Lee Chaloukian | Sound Director |
Camera | Lewis A. Weinberg | Best Boy Grip |
Directing | Hitoshi Hoshino | Second Assistant Director |
Crew | Christopher Ward Trott | Driver |
Art | Ernest D. Farino | Main Title Designer |
Sound | Bob Biggart | Supervising Sound Editor |
Sound | Katsuaki Nakaya | Conductor |
Sound | Bob Biggart | Sound |
Art | Gregg Lacy | Assistant Art Director |
Crew | David Millheiser | Thanks |
Sound | Richard D. Rogers | ADR Mixer |
Sound | Joseph D. Citarella | Sound Re-Recording Mixer |
Sound | Noboru Ikeda | Assistant Sound Engineer |
Crew | Cynthia T. Lewis | Thanks |
Sound | Mikio Mori | Dolby Consultant |
Lighting | Akira Oba | Lighting Technician |
Camera | Paul S. Isiki | Best Boy Grip |
Editing | Mehran Salamati | Assistant Editor |
Camera | Shunji Yokota | Grip |
Costume & Make-Up | Carol Christine Clements | Hairstylist |
Production | Lisa M. Dannenbaum | Production Assistant |
Visual Effects | Bret Mixon | Visual Effects |
Art | Richard Kuhn | Swing |
Costume & Make-Up | Nobuyuki Yasumaru | Costume Design |
Directing | Hiroko Kajiyama | Continuity |
Costume & Make-Up | Fumiko Umezawa | Makeup Artist |
Camera | Yoshinori Ishizuki | Still Photographer |
Art | Mutsumi Toyoshima | Production Design |
Art | Yasuyuki Inoue | Production Design |
Visual Effects | Yutaka Tsuchiya | Visual Effects |
Crew | Sōichirō Tahara | Thanks |
Art | Yoshiki Kasahara | Construction Coordinator |
Editing | Fusako Takahashi | Negative Cutter |
Costume & Make-Up | Tomoki Kobayashi | Costume Design |
Costume & Make-Up | Tomoki Kobayashi | Assistant Costume Designer |
Writing | Raymond Burr | Writer |
Writing | Tony Randel | Adaptation |
Writing | Hideichi Nagahara | Screenplay |