In a dystopian future, insurance fraud investigator William Gold arrives in Shanghai to investigate a forgery ring for "papelles", futuristic passports that record people's identities and genetics. Gold falls for Maria Gonzalez, the woman in charge of the forgeries. After a passionate affair, Gold returns home, having named a coworker as the culprit. But when one of Gonzalez's customers is found dead, Gold is sent back to Shanghai to complete the investigation.
Is Code 46 on Netflix? Unfortunately the movie Code 46 is not yet available on Netflix.
| Directing | Michael Winterbottom | Director |
| Writing | Frank Cottrell Boyce | Screenplay |
| Production | Andrew Eaton | Producer |
| Sound | Stephen Hilton | Original Music Composer |
| Sound | David Holmes | Original Music Composer |
| Camera | Alwin H. Küchler | Director of Photography |
| Camera | Marcel Zyskind | Director of Photography |
| Editing | Peter Christelis | Editor |
| Production | Wendy Brazington | Casting |
| Art | Denis Schnegg | Art Direction |
| Art | Michelle Day | Set Decoration |
| Costume & Make-Up | Natalie Ward | Costume Design |
| Costume & Make-Up | Konnie Daniel | Makeup Artist |
| Costume & Make-Up | Lesley Smith | Makeup Artist |
| Production | Robert Jones | Executive Producer |
| Production | David M. Thompson | Executive Producer |
| Sound | Peter Burgis | Foley Artist |
| Sound | Andie Derrick | Foley Artist |
| Sound | Mark De Simone | ADR Mixer |
| Sound | Peter Gleaves | ADR Mixer |
| Sound | Tim Alban | Sound Re-Recording Mixer |
| Directing | Michael Elliott | First Assistant Director |
| Art | Mark Tildesley | Production Design |
| Production | Ruth Breslaw | Production Coordinator |
| Production | Steffy Marrion | Production Coordinator |
| Production | Gabby Le Rasle | Assistant Production Coordinator |
| Production | Jon Duncan | Production Accountant |
| Production | Rob Seager | Assistant Accountant |
| Directing | Anthony Wilcox | Second Assistant Director |
| Directing | Chris Stoaling | Third Assistant Director |
| Production | Jonah Coombes | Location Manager |
| Production | Kieran Baine | Location Assistant |
| Production | Josh Yudkin | Unit Manager |
| Sound | Stuart Wilson | Sound Recordist |
| Sound | Orin Beaton | Sound Engineer |
| Art | Mark Digby | Supervising Art Director |
| Art | Chris Lightburn-Jones | Standby Art Director |
| Art | Rod Gorwood | Draughtsman |
| Art | Paul Drake | Assistant Art Director |
| Art | Mark Larkin | Assistant Art Director |
| Costume & Make-Up | Kate Towns | Costume Assistant |
| Camera | Simon Tindall | First Assistant Camera |
| Camera | Chris Connatty | Second Assistant Camera |
| Camera | Sophy Millington | Camera Trainee |
| Camera | Julia Curtin | Camera Trainee |
| Art | Nick Thomas | Property Master |
| Art | Charlie Malik | Props |
| Lighting | Reuben Garrett | Gaffer |
| Lighting | Stephen Mathie | Best Boy Electric |
| Lighting | Matthew Butler | Electrician |
| Lighting | Lee Cleal | Electrician |
| Lighting | Adrian Mackay | Electrician |
| Lighting | Tony C. Miller | Rigging Gaffer |
| Art | Dan Crandon | Construction Manager |
| Crew | Peter Bach | Post Production Supervisor |
| Sound | Joakim Sundström | Supervising Sound Editor |
| Sound | Christer Melén | Sound Effects Editor |
| Sound | Paul Wrightson | ADR Editor |
| Sound | Anthony Faust | Foley Supervisor |
| Sound | Michael Redfern | Foley Editor |
| Sound | Richard Davey | Sound Re-Recording Mixer |
| Editing | Ian Buchan | Assistant Editor |
| Camera | Peter Mountain | Still Photographer |
| Editing | Max Horton | Colorist |
| Editing | Richard Etchells | Online Editor |
| Editing | Thomas Urbye | Online Editor |
